The world he created eventually took in a territory the size of England, its expansion campaigns paid for in human heads. Here, polite Victorian conventions coexisted tenuously with one of the most violent cultures on earth, often with startling results: pockets of tenderness and extreme brutality appearing where least expected.Into this world flowed a small tribe of adventurers, fugitives, criminals, and saints-- the madly talented and simply mad. And the women followed: wives and would-be wives, spinster nursemaids and heartless schemers, the rigidly virtuous and the virtually desperate. And always, the children, innocents too often the victims of an elemental nature both lush and deadly.Kalimantaan is the story of this world, these people. But the deeper story resides in the realm of the heart. It is about love in absurd conditions, the tenacity of it as well as our ability to miss it repeatedly and with perverse genius.

    She’s lived in Corpus Christi, Texas, ever since her parents sought asylum there when she was a baby. Now a citizen, Millie devotes herself to school and caring for her younger siblings while her mom works as a housekeeper for the wealthy Wheeler family. With college on the horizon, Millie is torn between attending her dream school and staying close to home, where she knows she’s needed. She’s disturbed by what’s happening to asylum-seekers at the U.S.-Mexico border, but she doesn’t see herself as an activist or a change-maker. She’s just trying to take care of her own family.Then Mr. Wheeler, a U.S. Senate candidate, mentions Millie’s achievements in a campaign speech about “deserving” immigrants. It doesn’t take long for people to identify Millie’s family and place them at the center of a statewide immigration debate. Faced with journalists, trolls, anonymous threats, and the Wheelers' good intentions―especially those of Mr. Wheeler's son, Charlie―Millie must confront the complexity of her past, the uncertainty of her future, and her place in the country that she believed was home.

    The smoke-spewing, banshee-wailing, fearsome black thing hisses like a thousand cobras... and the villagers declare that this Thing is an Iron Demon—a yakada yaka.The Burghers who drive these Iron Demons have a penchant for challenging authority and courting trouble, sometimes just to liven things up in the railway outposts... and so it is that Sonnaboy and Meerwald chase a large group of villagers all across Anuradhapura, mother-naked but not much bothered by it, Ben Godlieb conjures up a corpse in his cowcatcher, Dickie Byrd single-handedly demolishes a Pentecostal Mission and is hailed as the messiah of the Railway fraternity, and Basil Van der Smaght filches a human heart and feeds it to the Nawalapitiya railway staff ...and to cap it all, Sonnaboy takes French Leave to act in The Bridge on the River Kwai!

    They know there are whole worlds out there that have never been seen, some as distant as the Amazon rain forest, others as close as a neighbor’s house, the curtains left open. Laura van den Berg helps us discover these worlds, blending the mundane and routine with the strange and unexpected. The search won’t always end with the stories—these restless narrators will always be left with mysteries unsolved, questions unanswered and hidden aches not quite healed—but what they see along the way will be nothing short of marvelous.Order here.

    Claire likes herself best when she plays his old piano, a welcome escape from the sadness — and her traditional Filipino mother’s prayer groups. In the hopes of earning a college scholarship, Claire auditions for Paul Avon, a prominent piano teacher, who agrees to take Claire as a pupil. Soon Claire loses herself in Paul’s world and his way of digging into a composition’s emotional core. She practices constantly, foregoing a social life, but no matter how hard she works or how well she plays, it seems impossible to gain Paul’s approval, let alone his affection. Author Cynthia Salaysay composes a moving, beautifully written portrait of rigorous perfectionism, sexual awakening, and the challenges of self-acceptance. Timely and vital, Private Lessons delves into a complicated student/teacher relationship, as well as class and cultural differences, with honesty and grace.

    Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including "Washington Square", the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín's fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most.Stories included:The Story of a MasterpieceA Most Extraordinary CaseCrawford's ConsistencyAn International EpisodeThe Impressions of a CousinThe Jolly CornerWashington SquareCrapy CorneliaA Round of Visits

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    I knew I was also in the presence of the brillian voice and sensibility of a major new American writer. This is an important novel by a true artist."--Robert Olen Butler"Dedra Johnson has caught something wonderful in Sandrine's Letter to Tomorrow. She writes brilliantly about childhood, New Orleans, the intricacies of a vexed family life. Sandrine is a remarkable debut novel that will catch your heart."--Frederick BarthelmeDespite being a straight-A student and voracious reader, eight-year old Sandrine Miller is treated as little more than a servant by her mother, who forces Sandrine to clean house, do chores and take care of her younger half sister, Yolanda. On top of the despair of her life at home, Sandrine must confront growing up against the harshness of life in 1970s-era New Orleans, where men in cars follow her home from school and she is ostracized because she is a light-skinned black girl. The only refuge Sandrine has against her bleak world is spending summers with her beloved grandmother, Mamalita. After Mamalita’s death, Sandrine realizes that she must escape from her mother, from New Orleans, from everything she has known, if she is to have any kind of future. In the tradition of Toni Morrison's The Bluest Eye and Alice Walker's The Color Purple, Sandrine's Letter to Tomorrow is a brilliant debut from an important new African-American voice in literary fiction.A native and current resident of New Orleans, Dedra Johnson received her MFA from the University of Florida, where she was a finalist for the Hurston/Wright Award for College Writers. Sandrine's Letter to Tomorrow was a runner-up for the William Faulkner-William Wisdom Award in 2006.

    When she accidentally opens the wrong letter, it changes her life. Decades later, her son Amit finds that letter and thinks he has discovered his mother's secret. But secrets have their own secrets sometimes.Amit does not know that Avinash, his dependable and devoted father, has been timidly visiting gay chat rooms, driven by the lifelong desires he never allowed himself to indulge. Avinash, for his part, doesn't understand what his dutiful wife gave up in marrying him -- the memories of romance she keeps tucked away.Growing up in Calcutta, in a house bustling with feisty grandmothers, Amit has been shielded from his parents' secrets. Now he's a successful computer engineer, settled in San Franscisco yet torn between his new life and his duties to the one he left behind.Moving from adolescent rooftop games to adult encounters in gay bars, from hair salons in Calcutta to McDonald's drive-thrus in California, Don't Let Him Know is an unforgettable story about family and the sacrifices we make for those we love. Tender, funny, and beautifully told, it marks the arrival of a resonant new voice.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    Uriel, the winery's young widower, steers clear of complicated relationships. He prefers the lonely comfort of his vineyard and his horses. Until he is reminded of his love affair with Amanda Scanlon, a relationship that ended when she abruptly left the country years ago under a cloud of mystery. When, due to a family crisis, Amanda returns to Sonoma, she tries to mend the broken relationships left behind. In addition, she seeks the truth about her parents' complicated history and her own parentage. But Amanda's unveiling of the past has devastating consequences. In the midst of California's beautiful Sonoma Valley, the Scanlon family struggles to overcome harsh realities with dignity and grace. Both Amanda and Uriel stretch to take care of their families, who are facing immigration issues, marital crises, and illness. While navigating these challenges, the couple must decide if they trust themselves to love again, or to finally let each other go. A Sonoma local, author Joanell Serra's debut novel is captivating, poignant, and uplifting, demonstrating how seeds planted long ago continue to grow. Sometimes into a strangling weed, sometimes offering a bountiful harvest.

    This is his second time in Mayong, in rural Assam, since 1998, when he had come for a few days to attend his father's best friend's funeral. As the wedding preparations gather pace, Pablo is amused as well as disturbed by squabbling aunts, dying grandmothers, cousins planning to elope for love and hysterical gossips. And on this heady theatre of tradition and modernity hovers the sinister shadow of insurgency and the army's brutal measures to quell militancy. In the days leading up to the wedding, which ends in an unspeakable tragedy, Pablo finds first love, discovers family intrigues and goes through an extraordinary rite of passage. Written with clinical precision, this gripping first novel announces the arrival of one of the most original voices from India's North-East.

    This memorable collection of poems exhibits Maya Angelou's unique gift for capturing the triumph and pain of being black and every man and woman's struggle to be free. Filled with bittersweet intimacies and ferocious courage, these poems are gems–many-faceted, bright with wisdom, radiant with life.

    Legendary doyenne of the fabled Palm Springs getaway, she can always tell from the moment the women arrive, which ones will be problems.This group will not disappoint: a burned-out Fifth Avenue retail executive...a striking former model and Chicago socialite... an overweight Texas housewife on the brink of her second divorce and her beautiful, teenage daughter...and a CEO who, unhappy with recent plastic surgery, is secluded in her room.Fortunately, Madame Demidova can rely on her Assistant Director to help manage the herd, not knowing that this valued employee is poised to make an audacious move.Lust, ambition, secrets, betrayal, competition for the ownership of the world's premier spa and a chance to snag the uber-eligible man who unexpectedly arrives on the scene are all on the menu at The Spa at Lavender Lane.