Written by two of the foremost experts on Mayan hieroglyphic decipherment, this book includes a concise text accompanied by a timeline, illustrations, maps, photographs, useful summaries and guides to decipherment and spellings. It outlines the major periods of history and aspects of Mayan culture before focusing on issues of divinity, power and authority, the royal court, war, death and burial and politics for each of the kingdoms studied: Tikal, Dos Pilas, Naranjo, Caracol, Calakmul, Yaxchilan, Piedras Negras, Palenque, Tonina, Copan and Quirigua.

    The text asserts that the praise and honor blindly given to the Greeks for centuries rightfully belong to the people of Africa, and argues that the theft of this great African legacy led to the erroneous world opinion that the African continent has made no contribution to civilization. Quoting such celebrated Greek scholars as Herodotus, Hippocrates, Aristotle, Thales, and Pythagoras, who admit to the influence of Egyptian studies in their work, this edition sheds new light on traditional philosophical and historical thought. Originally published in 1954, this book features a new introduction.

    In Comandante, acclaimed journalist Rory Carroll tells the inside story of Chavez’s life, his time as Venezuela’s president, and his legacy. Based on interviews with ministers, aides, courtiers, and citizens, this intimate piece of reportage chronicles a unique experiment in power that veers among enlightenment, tyranny, comedy, and farce. Carroll also investigates the almost religious devotion of millions of Venezuelans who regarded Chavez as a savior and the loathing of those who branded him as a dictator. In beautiful prose that blends the lyricism and strangeness of magical realism with the brutal, ugly truth of authoritarianism, Comandante offers a cautionary tale for our times.

    Smuggled out and published anonymously, The Little School is Partnoy's memoir of her disappearance and imprisonment.

    Crisscrossing the towns and hamlets where the blues began, Lomax gave voice to such greats as Leadbelly, Fred MacDowell, Muddy Waters, and many others, all of whom made their debut recordings with him.The Land Where the Blues Began is Lomax’s “stingingly well-written cornbread-and-moonshine odyssey” (Kirkus Reviews) through America’s musical heartland. Through candid conversations with bluesmen and vivid, firsthand accounts of the landscape where their music was born, Lomax’s “discerning reconstructions . . . give life to a domain most of us can never know . . . one that summons us with an oddly familiar sensation of reverence and dread” (The New York Times Book Review). The Land Where the Blues Began captures the irrepressible energy of soul of people who changed American musical history.Winner of the 1993 National Critics Circle Award for nonfiction, The Land Where the Blues Began is now available in a handsome new paperback edition.

    Using a host of contemporary primary sources, Richard Dunn traces the development of plantation slave society in the region. He examines sugar production techniques, the vicious character of the slave trade, the problems of adapting English ways to the tropics, and the appalling mortality rates for both blacks and whites that made these colonies the richest, but in human terms the least successful, in English America.

    From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected theextreme changes in American culture and society, as well as America's position within the international art world.This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the American century. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Blackart movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, andNeo-Expressionism.

    This incisive single-volume report tells the stories of the conquest and survival of five great American cultures — Aztec, Maya, Inca, Cherokee, and Iroquois. Through their eloquent words, we relive their strange, tragic experiences — including, in a new epilogue, incidents that bring us up to the twenty-first century.

    Written by Daniel Wilkinson, a young human rights worker, the story begins in 1993, when the author decides to investigate the arson of a coffee plantation’s manor house by a band of guerrillas. The questions surrounding this incident soon broaden into a complex mystery whose solution requires Wilkinson to dig up the largely unwritten history of the country’s recent civil war, following its roots back to a land reform movement that was derailed by a U.S.-sponsored military coup in 1954 and to the origins of a plantation system that put Guatemala’s Mayan Indians to work picking coffee beans for the American and European markets. Decades of terror-inspired fear have led the Guatemalans to adopt a survival strategy of silence so complete that it verges on collective amnesia. The author’s great triumph is that he finds a way for people to tell their stories, and it is through these stories—dramatic, intimate, heartbreaking—that we are shown the anatomy of a thwarted revolution that has relevance not only to Guatemala but also to countless places around the world where terror has been used as a political tool.

    An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.

    military occupation, a soldier emerged from the outskirts of a small town to report that he had just shot and killed two policemen and an outspoken Catholic priest. It’s the opening scene in a mystery that, forty years later, compels writer J.B. MacKinnon—the priest’s nephew, born five years after the incident—to visit the island nation for himself. Beginning with scant official information, he embarks on a chilling investigation of what many believe was a carefully plotted assassination—and on a search for the uncle he never knew.Winner of Canada’s highest award for literary nonfiction, Dead Man in Paradise takes MacKinnon to corners of the country far from the Caribbean paradise seen by millions of tourists; he meets with former revolutionaries and shadowy generals from the era of dictatorship, family members of the slain policemen, and struggling Dominicans for whom the dead priest is a martyr, perhaps even a saint. Along the way, he uncovers a story inseparable from the brutal history of the New World, from the fallout of American invasion, and from the pure longing for social justice that once touched a generation. Part memoir, part travelogue, part mystery thriller, Dead Man in Paradise is “a testament to the enduring virtues of literary journalism” (The Georgia Straight).

    Accompanying the video was a twelve-page letter, dated October 24, 2007, written by Betancourt to her mother and family. Kidnapped on February 23, 2002, Betancourt has become an international symbol in the struggle for liberty and the fight against barbarity. Before being captured by the Revolutionary Armed Forces of Colombia (FARC), she was a voice of hope for the Colombian people, leading a courageous fight against political corruption, violence, and illegal detentions. Presented in this small, poignant book is Betancourt’s letter to her mother printed in English, French, and Spanish. From the depths of the Colombian jungle, Betancourt’s words are an impassioned declaration of love to those dearest to her. In addition to this letter is a response to Betancourt written by her children, who since they were teenagers have rallied public support for their mother’s release. With a preface by Nobel Peace Prize Laureate Elie Wiesel, Letters to My Mother conveys a powerful message of love for family and country, and a heartrending plea for freedom.

    Plantation owners, shipbuilders, and merchants connected with the slave trade accumulated vast fortunes that established banks and heavy industry in Europe and expanded the reach of capitalism worldwide.Eric Williams advanced these powerful ideas in Capitalism and Slavery, published in 1944. Years ahead of its time, his profound critique became the foundation for studies of imperialism and economic development.Binding an economic view of history with strong moral argument, Williams's study of the role of slavery in financing the Industrial Revolution refuted traditional ideas of economic and moral progress and firmly established the centrality of the African slave trade in European economic development. He also showed that mature industrial capitalism in turn helped destroy the slave system. Establishing the exploitation of commercial capitalism and its link to racial attitudes, Williams employed a historicist vision that set the tone for future studies.In a new introduction, Colin Palmer assesses the lasting impact of Williams's groundbreaking work and analyzes the heated scholarly debates it generated when it first appeared.

    Often dismissed as a social climber who faded into the woodwork after she divorced Jackie's father-the dashing, disreputable "Black Jack" Bouvier-and married the rich Hugh D. Auchincloss, Janet not only played a pivotal part in Jackie's own wedding to JFK, but often served as a stand-in for Jackie during the White House years, and helped her cope with John and Caroline after the assassination.The only book to explore this fascinating mother-daughter relationship, Janet & Jackie is filled with stories that shed new light on the personal life of an American icon.