This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    The tragicomedy of race, class, manners and naivete of liberalism.

    Caught in an abusive marriage, Jenny Slater desperately hopes there is more to life than the lies she tells to hide the bruises. Her three children have no idea their father is a monster, and Jenny struggles with the decision to tell them of her torment, which she can no longer bear alone. Jenny’s pen pal in the States is the only person aware of the truth. When Helen pleads with her to visit, Jenny is undecided about leaving England when her family is at odds. However, when a letter from a mysterious source arrives, seeking Jenny’s help, she flies to the States. Her attempts to save another trapped soul only entangle her in another manipulative relationship.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    She had felt that Hercule Poirot should not have been included in the plot, and for the stage she removed him entirely

    It won Best Original Script in The Straits Times’ Life! Theatre Awards in 2006.“Jean’s adroit handling of themes, from the origins of genius to gene heritage and the tyranny of Time, makes Everything but the Brain one of the best things seen on stage here in a while.” —The Straits Times“One of the more thoughtfully constructed original shows to come out of Singapore in recent times.” —The Business Times

    This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).

    Alone in the Connecticut farmhouse that was once her mother's, Lucinda's life has become a small thing. Everything she wants or needs can be purchased online, and her only trips to the outside world are to the library or to the post office. It sometimes takes her days before she has the courage to venture past her front door, and even these excursions are sufficiently traumatic to induce blinding migraine headaches.Then, one hot morning in July, as she sits at her computer near the living-room window, a motion in the garden catches her eye. When she turns to look out, she is certain she must be hallucinating--for out there, admiring the overgrown flower beds, is a little girl in shorts and a T-shirt, her bare feet in outsize sneakers. She can't be real, Lucinda tells herself. But when she looks again, the little girl beckons to her to come outside. Bemused, curious, Lucinda gets up and goes outdoors to make the acquaintance of charmingly precocious nine-year-old Katanya Taylor who has, courtesy of the Fresh Air Fund, come from Harlem to spend two weeks with a host family. Taken with the girl's sweet-natured intelligence and generosity of spirit, Lucinda gradually, painfully finds herself drawn back into the world she left after her mother's death. Through Katanya, Lucinda re-examines her past, and gets answers to the questions that kept her locked inside herself and inside her mother's house for more than half her life.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.