Now three of their best short novels are collected in a single volume. Zane Grey’s From Missouri has been restored from the author’s own manuscript and is appearing in paperback in its corrected form. Max Brand’s Over the Northern Border is a classic tale of stage coach robbery and relentless pursuit, also corrected and restored from the author’s original manuscript. Louis L’Amour’s Riders of the Dawn debuted in Giant Western magazine in 1951 and appears here in that original version, as L’Amour himself first intended it. Enjoy these three classic tales and experience the Western the way it was meant to be.

    government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    Its two main participants, James Cooper and Henry Newton Brown, form a close friendship when, along with Billy the Kid, they fight in the Lincoln County War. After that, James and Henry move on, their bond of friendship growing even stronger as James becomes a crusading newspaper editor and Henry, a town marshal feared by outlaws and lauded by his peers and the towns he served.But something goes wrong, and in an emotive moment, the two best friends find themselves face to face in a dramatic and poignant confrontation.

    A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land--the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers--native men, mostly Nez Perce--pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage's land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.Writing with breathtaking precision and empathy, Amanda Coplin has crafted an astonishing debut novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in. Transcribing America as it once was before railways and roads connected its corners, she weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune, bound by their search to discover the place they belong. At once intimate and epic, evocative and atmospheric, filled with haunting characters both vivid and true to life, and told in a distinctive narrative voice, The Orchardist marks the beginning of a stellar literary career.The National Book Foundation selected Amanda Coplin as one of the authors being honored as "5 Under 35" in 2013.

    There’s no doubt in her mind that if given another chance, she can make a success of homesteading. She will not fail this time. People scoff, saying ranching is too much of a job for a lone woman to undertake. But Rose is no ordinary woman. She may be petite, stylish, and beautiful, but she is also strong and driven. Every aspect of ranching brings joy to her heart. Then why is she here in Wise River, Montana, taking orders from a mean-spirited school board and attempting something she has no clue how to do? Teaching? Jesse Rivers carries his own baggage on his wide shoulders. He’s been called home by a dying stepmother to take over the Rocking R Ranch and the care of a belligerent and wounded brother. A rugged, lanky cowboy, Jesse is also demanding, surly, and afraid to love. No, he can’t love. What if he has buried inside him the same volatile anger as his father, resulting in brutality by strong fists or a whip? Then Jesse meets Rose. Strong willed, outspoken, determined, and oh-so-desirable.

    They kidnapped his wife to force him to give them the map to the Iron Door Mine and the gold hidden there. She told the kidnappers that her husband would kill them. They laughed and made fun of him. Weeks later, on a fateful day in the Sonoran Desert, the young lawyer sat his horse and watched the kidnapper come toward him with a white flag on the barrel of his rifle. The kidnapper stopped and demanded he turn over the gold from the Iron Door Mine. The young lawyer told the kidnapper the only thing he would get was the bullet his wife had promised. The kidnapper made his play, and the young lawyer planted two bullets in the kidnapper's chest. The gold the Jesuits left in the Iron Door Mine has been sought for hundreds of years, but the truth is the young lawyer found it and took it away.

    He can hardly remember his days of wanderlust, and he’s grateful to have left behind the violence of a raw frontier. In a celebratory mood, Steve invites his mother to a meet her new grandchild in a chic resort in Monterey, California. With the delivery of a handwritten note, his world suddenly reverts to the savagery of his bygone days. There will be no peace.

    The first avocado pears are appearing at the greengrocer's, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to he true?

    Original.

    Corral is the ultimate Western adventure--and Estleman's novel is the definitive account* Estleman is the author of This Old Bill, Journey of the Dead, Billy Gashade, and City of Widows "High Drama... Estleman's account of events following the O.K. Corral gunfight is the best one I've ever read, by far."--Elmore Leonard

     Walt Ames, a former cavalryman with the First Virginia, is headed West with little more than a rifle, a revolver, and a pocket full of looted Yankee gold. But in his way stand bushwhackers, bluecoats, con men, and the ever-restless Indians. And perhaps most dangerous of all, even more dangerous than the cruel and unforgiving land, is the temptation of the woman whose face he can't forget. When you can’t go home again – go West!

    Now he's out for blood.Schoolteacher John Maxwell believes that Indians must disavow their heritage and conform to the ways of the white man in order to survive. Then his daughter, Rachel, falls in love with Corby, a Cheyenne boy--forcing Maxwell to confront his convictions in the shadow of their doomed passion.Set during the Oklahoma land rush of the 1880s-- "the damnedest race in history"--CHILDREN OF THE DUST tells the interlocking stories of dispossessed Indians and newly freed blacks as never before. Bold, grand, and timelessly entertaining, this is a novel about an American past that we rarely explore and dare not forget."Gypsy Smith is the archetypal Clint Eastwood hero, except that his heritage is black and Cherokee....[Carlile] leads us down the unfamiliar back roads of his territory."--The New York Times Book Review"An authentic and historically accurate depiction of what was perhaps the most tumultuous and colorful period and place in the history of the Western frontier."--Black Media News

    He's good with his gun and his fists, but doesn't fight except when forced. Smart, loyal and tough, John captures your heart, and the heart of "Andy" Blaine the heroine. Andrea is a bit of a tom-boy, but a beautiful, strong and true western woman. John gets involved in the war for water rights on Silver Creek and neighboring ranches because his father seems to be involved on the wrong side of the law. He and his father haven't spoken for six years, but John feels it his duty to try to clear his father's name.

    Torn between two races, he is propelled across the vast, unexplored Northwest wilderness of the early 1800s in a desperate mission to defend his adopted people from invasion by ruthless white fur traders.