Paul Murray Kendall's masterful account of the life of England's King Richard III has remained the standard biography of this controversial figure.

    Building on research that has only recently confirmed that the world endured a 500year cold snap, renowned archaeologist Brian Fagan shows how the increasing cold influenced familiar events from Norse exploration to the settlement of North America to the Industrial Revolution. This is a fascinating book for anyone interested in history, climate, and how they interact.

    This volume deals completely with the First Crusade and the foundation of the kingdom of Jerusalem. As Runciman says in his preface: 'Whether we regard the Crusades as the most tremendous and most romantic of Christian adventures, or as the last of the barbarian invasions, they form a central fact in medieval history. Before their inception the centre of our civilization was placed in Byzantium and in the lands of the Arab caliphate. Before they faded out the hegemony in civilization had passed to western Europe. Out of this transference modern history was born.'

    Many books on the plague rely on statistics to tell the story: how many people died; how farm output and trade declined. But statistics can’t convey what it was like to sit in Siena or Avignon and hear that a thousand people a day are dying two towns away. Or to have to chose between your own life and your duty to a mortally ill child or spouse. Or to live in a society where the bonds of blood and sentiment and law have lost all meaning, where anyone can murder or rape or plunder anyone else without fear of consequence.In The Great Mortality, author John Kelly lends an air of immediacy and intimacy to his telling of the journey of the plague as it traveled from the steppes of Russia, across Europe, and into England, killing 75 million people—one third of the known population—before it vanished.

    A marriage surprisingly happy, with the king pouring wealth upon his young wife's relatives...incurring the wrath of the Barons. Eleanor, devoted mother, who fought the will of the monks to stay in a monastery and nurse her sick son, the future Edward I. Eleanor, caught in court intrigue, with the powerful, disturbing Baron, Simon de Montfort, looming at every turn--friend or foe? Or what else? Eleanor, attacked while on a barge passing under London Bridge, as the kingdom seems to slip away from her and Henry. Eleanor in victory, de Montfort slain at Evesham by her son's mighty forces. But there is a price to pay. Eleanor, a widow, seeking peace after so many years of strife, ending her days in Amesbury Priory in the shadow of Stonehenge, a convent thought in Eleanor's time to be the final refuge of Queen Guinevere, whose legends the queen had ever loved. Today, Eleanor of Provence is lost to time, one of the lesser known English Queens, her gravesite obliterated, its whereabouts forgotten—one of the few English monarchs to have no known tomb. MY FAIR LADY is first person novel written from the viewpoint of Eleanor herself. A woman’s look at her own Queenship and life and loves in the 13th century, at the time of the Second Barons Revolt.

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.

    He provides an extraordinary mediation upon the nature of place, time and our daily lives.

    and did outlaws never wear trousers?Terry Jones and Alan Ereira are your guides to this most misrepresented and misunderstood period, and they point you to things that will surprise and provoke. Did you know, for example, that medieval people didn't think the world was flat? That was a total fabrication by an American journalist in the 19th century. Did you know that they didn't burn witches in the Middle Ages? That was a refinement of the so-called Renaissance. In fact, medieval kings weren't necessarily merciless tyrants, and peasants entertained at home using French pottery and fine wine. Terry Jones' Medieval Lives reveals Medieval Britain as you have never seen it before - a vibrant society teeming with individuality, intrigue and innovation.

    But was she a cunning vixen or a tragic wife and mother? As this extraordinary biography shows, the first queen to bear the name Elizabeth lived a life of tragedy, love, and loss that no other queen has since endured. This shocking revelation about the survival of one woman through vilification and adversity shows Elizabeth as a beautiful and adored wife, distraught mother of the two lost Princes in the Tower, an and innocent queen slandered by politicians.

    At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause.He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived? This exemplary new history uses contemporary chronicles plus a wide range of documentary material—including the Prince's own letters and those of his closest followers—to tell the tale of an authentic English hero and to paint a memorable portrait of society in the tumultuous fourteenth century.

    This official companion to the show's first season is an in-depth exploration of the early years of Elizabeth II's time as Queen, complete with extensive research, additional material, and exclusive, beautifully reproduced images. One of the show's most powerful themes is that royals do not choose their duty; it is thrust upon them. Princess Elizabeth never expected her father to die so suddenly, so young, leaving her not only a throne to fill but a global institution to govern. Crowned at twenty-five, already a wife and mother, follow the journey of a woman learning to become a queen while facing her own challenges within her own family. This is the story of how Elizabeth II drew on every ounce of strength and British reserve to deal with crises not only on the continent but at home as well. Written by bestselling historical biographer Robert Lacey, who also serves as the show's historical consultant, this official companion provides an in-depth exploration from behind the palace gates. Relive the majesty of the first season of the hit show, with behind-the-scenes photos, meticulously researched images from the time, and more.

    Rich and influential in her own right, her tumultuous marriages thrust Eleanor into the political and cultural spotlight, where she would remain for more than half a century. Still in her teens, young Eleanor of Aquitaine married Louis VII of France, a sickly religious fanatic so obsessed with fears of adultery that he kept his beautiful wife under lock and key, even forcing her to go on a long and dangerous crusade with him. But Eleanor was delighted by the freedom of the crusader’s life. Her handsome Aquitanian knights, her deeds on horseback, and her scandalous attire were the talk of Europe; it soon became clear that Louis’s young wife was more than he could handle. A lifelong rebel, Eleanor would defy her husband and the Church, and eventually strong-arm the Pope into annulling her unhappy marriage.Once free of Louis, Eleanor thought to marry Baron Rancon, her childhood love, but found herself forced into another political marriage, this time with a younger and more dangerous husband—Henry II of England, a ruthless soldier known throughout Europe as “the red star of malice.” In Henry Eleanor found a man whose iron will and political cunning matched her own, but the marriage was a bitter and brutal one, which escalated into open warfare when Eleanor backed their sons in an armed rebellion against Henry. Vowing revenge, he imprisoned her for fifteen years, hoping she would die in obscurity. But Eleanor would not go quietly. In prison, she wrote her memoir; this is Eleanor’s book.

    His broad, detailed and graphic account of the conduct of war in the Anglo-Saxon world in the unstable, violent centuries before the Norman Conquest will be illuminating reading for anyone who wants to learn about this key stage of medieval history.The role of violence and war in Anglo-Saxon society is explored, in particular the parts played by the king and the noblemen, and the means by which, in times of danger, the men of the fyrd were summoned to fight. The controversial subject of the Anglo-Saxon use of cavalry is also explored. Land and naval warfare are central sections of Paul Hill’s book, but he also covers the politics and diplomacy of warfare – the conduct of negotiations, the taking of hostages and the use of treachery.The weapons and armor of the Anglo-Saxons are described – the spears, the scramsaxes, axes, bows, swords, helmets, shields and mail that were employed in the close-quarter fighting of the day. Among the most valuable sections of the study are those dealing, in vivid detail, with actual experience of battle and siege – with the brutal reality of combat as it is revealed by campaigns against the Danes, in the battles of Ashdown, Maldon and Stamford Bridge, and sieges at Reading and Rochester.

    Chapters are brief and each major Chinese dynasty, Japanese Shogunate, or other discrete period is treated in a separate chapter. Chapters or groups of chapters on China or Japan alternate. Encounters with the West, beginning in the 16th and expanding greatly in the 19th century, are extensively covered.

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.