An academically gifted yet painfully forgettable member of his New Jersey high school class, the withdrawn, mild-mannered freshman arrives at Harvard fully expecting to be embraced by a new tribe of high-achieving peers. Initially, however, his social prospects seem unlikely to change, sentencing him to a lifetime of anonymity.Then he meets Veronica Morgan Wells. Struck by her beauty, wit, and sophisticated Manhattan upbringing, David becomes instantly infatuated. Determined to win her attention and an invite into her glamorous world, he begins compromising his moral standards for this one, great shot at happiness. But both Veronica and David, it turns out, are not exactly as they seem.Loner turns the traditional campus novel on its head as it explores ambition, class, and gender politics. It is a stunning and timely literary achievement from one of the rising stars of American fiction.

    Etched on all three gravestones is the same date of death: May 28, 1939. Home from the Hill is the story of that tragic day and the dramatic events leading up to it. The biggest landowner in the county, Captain Wade Hunnicutt was a charismatic war hero whose legendary hunting skills extended to the wives of his friends and neighbors. Humiliated by her husband’s philandering, Hannah grew to despise Captain Wade but was too proud to ask for a divorce; instead, she devoted herself to her only child. Torn between his mother’s adoration and an overwhelming need to win his father’s approval, Theron tried to become his own man. And he might have succeeded if he hadn’t fallen in love with the beautiful and innocent Libby Halstead.

    Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades--the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda--into hiding, where they will remain for the next sixteen months. These are the months of Tania's sentimental education.

    At its center is Lat Evans, good-hearted and yet seduced by the possibilities for prosperity in his new life; gradually he discerns how the perils of the natural world, and most especially human nature, can conspire to frustrate a young man's best intentions.

    Stunned by these encounters, they nevertheless survive. A worn-out poet finds peace in his heart as he lays his Lermontov medal at the foot of the sacred angel; a prosperous suburbanite contemplates his predicament when his wife joins the cast of a nude show; a guileless and romantic well digger, anxious for a bride, visits Russia, falls in love and returns home "singing the unreality blues"; and a miserably married man fantasizes a beautiful lover who comes to him for strength, love and counsel while he tends the charcoal grill in the backyard.

    But the beauty of this novel is the gradual revelation of the bond that develops as this unlikely couple experiences courtship and marriage, the birth of a son, isolation, forgiveness, work, and death in a small Catskill community in the 1950s. The plot turns on tragic events—they might be accidents or they might be acts of will—involving a cast of rural eccentrics that includes a lonely amputee veteran, a religious hysteric (thought by some to be the devil himself) and an itinerant "Goat Lady." Questions of guilt, innocence, and even murder are eclipsed by deeds of compassion, humility, and redemption, and ultimately by Henry Soames' quiet discovery of grace.Novelist William H. Gass, a friend and colleague of the author, has written an introduction that shines new light on the work and career of the much praised but often misunderstood John Gardner.

    

    "Nothing more beautiful and moving has been written in years". -- New York Times Book Review

    Resourcefully, doggedly, Jacky nurtures his spirit of independence, his capacity to love, and his faith in a nation's dream in a journey that takes him from Wichita to Corpus Christi and from poverty to possibility.

    Combining interrelated novels, stories, and novellas, Dixon's multilayered and frequently hilarious family epic—the story of Howard Tetch, his ancestors, his parents, his children, and the generations that follow—"reassures us that whatever is precious can never be completely lost" (The Baltimore Sun).

    His son has died in a POW camp in Korea. It is August 15, 1953, the day of a tumultuous street carnival in Elephant Park, an Italian immigrant enclave in Ohio. The man is Rocco LaGrassa, and his many years of dogged labor, paternal devotion, and steadfast Christian faith are about to come to a crashing end. He is the first of many exquisitely drawn characters we meet that day, each of whom will come to their own conclusion.The End by Salvatore Scibona follows an elderly abortionist, an enigmatic drapery seamstress, a teenage boy, a jeweler—dramatically into the heart of a crime that will twist all their lives. Against a background of immigration, broken loyalties, and racial hostility, we at last return to August 15, 1953, and see everything Rocco saw—and vastly more—through the eyes of various characters in the crowds.The End is the unforgettable debut of a singular new American novelist.

    In prose of astonishing clarity and intensity, Agee captured the portrait of an appealing and very real boy - serious, pitiable, funny - at the moment of his initiation into a feared yet fascinating world.

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

    Curley, portrays its Irish-American political boss as a demagogue and a rogue who nonetheless deeply understands his constituents. The book was later made into a John Ford film staring Spencer Tracy.

    When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret. In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice - one of hope. Employing her extraordinary literary powers - finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect - Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.