But after already living under Stalin’s horrifying regime, Emil and Adeline decide they must run in retreat from their land with the wolves they despise to escape the Soviets and go in search of freedom.Caught between two warring forces and overcoming horrific trials to pursue their hope of immigrating to the West, the Martels’ story is a brutal, complex, and ultimately triumphant tale that illuminates the extraordinary power of love, faith, and one family’s incredible will to survive and see their dreams realized.

    When the Nazis attack the Soviet Union, she risks everything to join the legendary Night Witches, an all-female night bomber regiment wreaking havoc on the invading Germans. When she is stranded behind enemy lines, Nina becomes the prey of a lethal Nazi murderess known as the Huntress, and only Nina’s bravery and cunning will keep her alive.Transformed by the horrors he witnessed from Omaha Beach to the Nuremberg Trials, British war correspondent Ian Graham has become a Nazi hunter. Yet one target eludes him: a vicious predator known as the Huntress. To find her, the fierce, disciplined investigator joins forces with the only witness to escape the Huntress alive: the brazen, cocksure Nina. But a shared secret could derail their mission unless Ian and Nina force themselves to confront it.Growing up in post-war Boston, seventeen-year-old Jordan McBride is determined to become a photographer. When her long-widowed father unexpectedly comes homes with a new fiancée, Jordan is thrilled. But there is something disconcerting about the soft-spoken German widow. Certain that danger is lurking, Jordan begins to delve into her new stepmother’s past—only to discover that there are mysteries buried deep in her family . . . secrets that may threaten all Jordan holds dear.In this immersive, heart-wrenching story, Kate Quinn illuminates the consequences of war on individual lives, and the price we pay to seek justice and truth.

    The story of Elizabeth and her mother Jenny is remarkable for its fullness of details: the pieces of family silver the grandmother mails to Jenny, piece by piece, over the years; Jenny's vivid memories of her uncle's viola d'amore lessons; the smell of the wood floors in the family's Vienna home. It's an emotional story of what is inherited from one generation to the next.

    Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades attorney Catherine Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man?Once We Were Brothers is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and sixty years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.

    That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word.” New Bremen, Minnesota, 1961. The Twins were playing their debut season, ice-cold root beers were selling out at the soda counter of Halderson’s Drugstore, and Hot Stuff comic books were a mainstay on every barbershop magazine rack. It was a time of innocence and hope for a country with a new, young president. But for thirteen-year-old Frank Drum it was a grim summer in which death visited frequently and assumed many forms. Accident. Nature. Suicide. Murder. Frank begins the season preoccupied with the concerns of any teenage boy, but when tragedy unexpectedly strikes his family— which includes his Methodist minister father; his passionate, artistic mother; Juilliard-bound older sister; and wise-beyond-his-years kid brother— he finds himself thrust into an adult world full of secrets, lies, adultery, and betrayal, suddenly called upon to demonstrate a maturity and gumption beyond his years. Told from Frank’s perspective forty years after that fateful summer, Ordinary Grace is a brilliantly moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.

    Her daughter, Trudy, was only three when she and her mother were liberated by an American soldier and went to live with him in Minnesota. Trudy's sole evidence of the past is an old photograph: a family portrait showing Anna, Trudy, and a Nazi officer, the Obersturmfuhrer of Buchenwald.Driven by the guilt of her heritage, Trudy, now a professor of German history, begins investigating the past and finally unearths the dramatic and heartbreaking truth of her mother's life.Combining a passionate, doomed love story, a vivid evocation of life during the war, and a poignant mother/daughter drama, Those Who Save Us is a profound exploration of what we endure to survive and the legacy of shame.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

    But she doesn't dare reveal her true identity to the authorities. Instead, she plans her immediate escape, and her perilous flight begins.Kendall, the best public defender in Prosper, South Carolina, has stumbled upon a chilling town secret, turning her marriage to one of Prosper's most powerful men into a living hell. Now Kendall is a terrified mother trying to save her child's life, a reluctant witness who knows too much about an insidious evil . . . and a woman surrounded by forces that will stop at nothing to protect what is "theirs."

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    The producer of four Harry Potter films and the Sherlock Holmes sequel, Lionel Wigram, is writing the script for the movie and producing the film version.When Buck Schatz, senior citizen and retired Memphis cop, learns that an old adversary may have escaped Germany with a fortune in stolen gold, Buck decides to hunt down the fugitive and claim the loot. But a lot of people want a piece of the stolen treasure, and Buck's investigation quickly attracts unfriendly attention from a very motley (and murderous) crew.

    He should know. Hazel's father is Jack Nash, the host of America's favorite conspiracy TV show, The House of Secrets.Even as a child, she loved hearing her dad's tall tales, especially the one about a leather book belonging to Benedict Arnold that was hidden in a corpse.Now, years later, Hazel wakes up in the hospital and remembers nothing, not even her own name. She's told she's been in a car accident that killed her father and injured her brother. But she can't remember any of it because of her own traumatic brain injury. Then a man from the FBI shows up, asking questions about her dad - and about his connection to the corpse of a man found with an object stuffed into his chest: a priceless book that belonged to Benedict Arnold.Back at her house, Hazel finds guns that she doesn't remember owning. On her forehead she sees scars from fights she can't recall. Most important, the more Hazel digs, the less she likes the person she seems to have been.Trying to put together the puzzle pieces of her past and present, Hazel Nash needs to figure out who killed this man - and how the book wound up in his chest. The answer will tell her the truth about her father, what he was really doing for the government - and who Hazel really is.Mysteries need to be solved. Especially the ones about yourself.

    but before the police come to take them, Sarah locks her younger brother, Michel, in their favorite hiding place, a cupboard in the family's apartment. She keeps the key, thinking that she will be back within a few hours.Paris, May 2002: On Vel' d'Hiv's sixtieth anniversary, Julia Jarmond, an American journalist, is asked by her Paris-based American magazine to write an article about this black day in France's past. Julia has lived in Paris for nearly twenty-five years, married a Frenchman, and she is shocked both by her ignorance about the event and the silence that still surrounds it. In the course of her investigation, she stumbles onto a trail of long-hidden family secrets that connects her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from the terrible days spent shut in at the Vel' d'Hiv' to the camps and beyond. As she probes into Sarah's past, she begins to question her own place in France and to reevaluate her marriage and her life.Writing about the fate of her country with a pitiless clarity, Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and denial surrounding this painful episode in French history.(front flap)

    So when a wealthy industrialist offers him a large sum of money to devise secret hiding places for Jews, Lucien struggles with the choice of risking his life for a cause he doesn’t really believe in. Ultimately he can’t resist the challenge and begins designing expertly concealed hiding spaces—behind a painting, within a column, or inside a drainpipe—detecting possibilities invisible to the average eye. But when one of his clever hiding spaces fails horribly and the immense suffering of Jews becomes incredibly personal, he can no longer deny reality.Written by an expert whose knowledge imbues every page, this story becomes more gripping with every life the architect tries to save.