At its heart, the book is a history of the Soviet Union, the most comprehensive reorganization of human society ever attempted by a nation-state. This is the story of how the agitation of Karl Marx and Friedrich Engels, two mid-nineteenth-century European thinkers and writers, led to a great and terrible world religion that brought down a mighty empire, consumed the world in conflict, and left in its wake a devastation whose full costs can only now be tabulated.

    The book is set at the end of the 1920s, when the Great Terror may have been nothing more than a twinkle in Stalin’s eye, but when the revolution was accompanied by a growing sense of doom. In Malaparte’s vision it is from his nightly opera box, rather than the Kremlin, that Stalin surveys Soviet high society, its scandals and amours and intrigues among beauties and bureaucrats, including the legendary ballerina Marina Semyonova and Olga Kameneva, a sister of the exiled Trotsky, who though a powerful politician is so consumed by dread that everywhere she goes she gives off the smell of rotting meat. This extraordinary court chronicle of Communist life (for which Malaparte also contemplated the title God Is a Killer) was published posthumously and appears now in English for the first time.

    It is also a wonderful piece of travel writing. Custine, who met with people in all walks of life, including the Czar himself, offers vivid descriptions of St. Petersburg and Moscow, of life at court and on the street, and of the impoverished Russian countryside. But together with a wealth of sharply delineated incident and detail, Custine's great work also presents an indelible picture--roundly denounced by both Czarist and Communist regimes--of a country crushed by despotism and "intoxicated with slavery."Letters from Russia, here published in a new edition prepared by Anka Muhlstein, the author of the Goncourt Prize-winning biography of Custine, stands with Tocqueville's Democracy in America as a profound and passionate encounter with historical forces that are still very much at work in the world today.

    This fascinating story of the dramatic conversion from prince to anarchist provides a study of the early anarchist movement and an extraordinary portrait of the Russia of Kropotkin's youth.

    The question no one seems to be able to answer is: what can the West do about it?Central and Eastern European states, however, have been aware of the threat for years. Nina Jankowicz has advised these governments on the front lines of the information war. The lessons she learnt from that fight, and from her attempts to get US congress to act, make for essential reading.How to Lose the Information War takes the reader on a journey through five Western governments' responses to Russian information warfare tactics - all of which have failed. She journeys into the campaigns the Russian operatives run, and shows how we can better understand the motivations behind these attacks and how to beat them. Above all, this book shows what is at stake: the future of civil discourse and democracy, and the value of truth itself.

    The new capital of the legitimate government of Russia, once a trading post in the far east, is now a fast-growing boom town. Into this maelstrom come peddlers and exotic dancers, criminals and craftsmen, nobles and assassins. Crime is running rampant and the city guards that passes for policemen don't have a clue how to handle it—and wouldn’t know a clue if they stumbled right over it. They can manage to walk a beat, at least in broad daylight. But solve a crime?         Not a chance. And Czar Michael Romanov and his officials aren’t any help, since they’re pre-occupied with building a nation out of spit and bailing wire.          But the bargirl who was murdered had friends who cared. And thosefriends call in Vasilii Lyapuno, an engineer working at the newly-founded Dacha in Ufa and loves up-timer murder mysteries.          Can Vasilii track down the killer? Luckily for him, he has the assistance of another bargirl named Miroslava, who has a unique way of seeing the world. Together they might figure out who did what to whom and who was responsible for the crime.         Crimes, rather. Murder starts adding up.

    Patenaude tells the dramatic story of Leon Trotsky's final years in exile in Mexico. Shedding new light on Trotsky’s tumultuous friendship with painter Diego Rivera, his affair with Rivera’s wife Frida Kahlo, and his torment as his family and comrades become victims of the Great Terror, Trotsky: Downfall of a Revolutionary brilliantly illuminates the fateful and dramatic life of one of history’s most famous yet elusive figures.

    Focusing on the urban population, Fitzpatrick depicts a world of privation, overcrowding, endless lines, and broken homes, in which the regime's promises of future socialist abundance rang hollowly. We read of a government bureaucracy that often turned life into a nightmare, and of how ordinary citizens tried to circumvent it. We also read of the secret police, whose constant surveillance was endemic at this time, and the waves of terror, like the Great Purges of 1937, which periodically cast society into turmoil.

    Alexey Tolstoy (who was not related to the author of War and Peace) began to study the character of his hero, Peter the First, in 1917. When he died almost thirty years later, Tolstoy was still working on his masterpiece, this huge historical canvas which gives brilliant life and meaning to a crucial period in Russian history. Tolstoy reanimates the past by a succession of character creations which range from the serf, Ivan Brodkin, to Peter's sinister and opportunistic favorite, Alexander Menshikoff; from the old Boyars shorn of their beards and their prerogatives to the foreign captains of the new Russian navy. Here in these pages are the beautiful Anna Mons, Peter's first mistress; his wife Eudoxia, whom he never loved; and the peasant girl who eventually was to be crowned Empress Catherine the First. We see these men and women moving across a tapestry of battles abroad, and amid the dark, opulent luxury of the great families and the Imperial Court. In Tolstoy's moving crowded pages we see the emergence of Russia, thrust forward by Peter's inexorable will, from a backward medieval state to her final position as one of the great powers of Europe. Here are magnificent portraits, the fruits of years of historical research, of Peter's principal opponents: August, Elector of Saxony, indefatigable in his amusements, and King Charles XII of Sweden, a great military genius, flawed by passion and indulgence. But the true hero of Tolstoy's epic is Peter himself. We see him grow to be a man---awkward, suspicious, prone to spasms of cowardice, but always driving, sometimes provoked almost to madness, to free his country from the chains of backwardness and superstition to take her place as an equal among the nations of the west. And in the last analysis it is this greatness and originality of character in its hero which gives the stamp of greatness to the book itself. Alexey Tolstoy was born in 1883. In 1918 he published his first full length work, Nikita's Childhood. In 1919 he fled from the Bolshevik government and settled in Paris. In 1922 he asked for and received permission to return home. For the next twenty-four years he lived in Russia, until his death in 1946.

    PLEASE TO THE TABLE encompasses the exhilarating pleasures of Soviet cooking—of robust Ukranian borschts and classic Russian cuisine, of healthy Georgian grains and yogurts and the delicately perfumed pilafs of Azerbaijan. Its 400 recipes are a revelation.From the Baltic Republics: Cold Veal Meat Loaf with Horseradish Sauce. Pork Chops with Apples Braised in Beer. Carrot Baba. Estonian Rye Cookies. Black Bread, Apple, and Cherry Pudding.From Russia: Sour Cherry Soup. Shchi. Chicken Cutlets Pozharsky. Steamed Salmon with Sorrel and Spinach Sauce. Fried Potatoes with Wild Mushrooms. Blini. Russian Cranberry Mousse.From the Caucasus: Armenian Lentil and Apricot Soup. Grilled Chicken with Garlic and Walnut Sauce. Grilled Trout with Tarragon. Asparagus with Egg, Garlic, and Lemon Sauce. Saffron Pudding.From Central Asia: Asian Radish Salad. Uzbek Lamb Kebabs. Spicy Carrots with Cumin Seeds. Chicken Pilaf with Nuts and Candied Orange Peel. Poached Quinces.From the Ukraine: Borscht with Apples and Beans. Potato, Feta, and Scallion Salad. Chicken Kiev. Roast Pork Loin with Caraway Seeds. Vareniki. Almond Raspberry Torte.Anya von Bremzen, a native of Moscow who emigrated to the West in the mid-1070s, is a food writer and food consultant. John Welchman is a travel and food writer who, like Ms. Von Bremzen, specializes in writing about the former Soviet Union. Together they spent three years working on PLEASE TO THE TABLE, traveling extensively through the former USSR, visiting professional chefs, touring markets, and sampling and gathering dishes.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    This is his extraordinary story. His vivid inside view of a ruthless war on the Eastern Front gives a rare insight into the reality of the fighting and into the tactics and mentality of the Red Army's soldiers. In his own words, and with a remarkable clarity of recall, he describes what combat was like on the ground, face to face with a skilled, deadly and increasingly desperate enemy. The terrifying moments of action, the discomfort of existence at the front, the humorous moments, the absurdities and cruelties of army organization, and the sheer physical and psychological harshness of the campaign - all these aspects of a Soviet soldier's experience during the Great Patriotic War are brought dramatically to life in Mansur Abdulin's memoirs. Of special interest is the insight he offers into ordinary operations and daily life in the lower ranks of the Soviet army. As he tells his story he reveals much about the thinking of the men, their attitude to the war and their loyalties. He also sheds light on the tense relationships between the disparate national groups that were thrown together to create a huge fighting force. But most memorable are his honest, horrifying descriptions of combat, of being bombed and shelled, of trench warfare, of enduring tank attacks and friendly fire, and of coping with the wounded and the dead. The Author Mansur Gizzatulovich Abdulin was born a Tatar in Anzhero-Sudzhensk, near Tomsk in central Siberia, in 1923. He worked as a miner before volunteering to fight for the Red Army in June 1942. After completing his course at the Tashkent infantry school, he fought on the Stalingrad front, during the encirclement of the German 6th Army, participated in the bitter, decisive battle at Kursk and harried the Germans as they retreated across the Steppes to the banks of the Dnieper river where he was seriously wounded. After the war he returned to his work as a miner and he now lives in retirement at Novotroitsk near Orenburg in the Urals.

    Knowing little of the red tape, cultural differences and climate ahead, Matthew sets off alone across the North Sea bound for Shanghai. Trans-Siberian Adventures follows his exploits as he learns the ropes of becoming a long-range train adventurer. This is a captivating insight into the reality of life on the legendary Trans-Siberian and Trans-Mongolian railways.

    Expelled Soviet political protester and activist recounts his dozen years imprisoned in jails, labor camps and psychiatric hospitals, his fight for change and freedom, and profiling modern daily Russian existence

    As soon as I’m alone in the woods, I can sense his eyes watching me as I get drunk on something else, his animal charge which fills the air between us.The Professor would be mad if I came back empty handed, but damn, if what I discover isn’t more of a distraction than bad weather, missing links or even avalanches.NikolaiThirty years ago, the forest claimed me, it nearly killed me but it claimed me, gave me a new life from the one I thought I knew. I learned to live, to hunt and thrive in the wilderness, at one with nature and within the circle of life, but always missing that one thing all the other creatures had, that one thing they enjoyed at least once every spring season.A mate.As soon as I see her, I know she’s been sent for me, sent for me to claim and to breed.To claim as my own.But she brings something else with her, the memory from a dream.Am I a man, or a monster?I want to be her man, her mate. Together. Forever.*Russian Mountain Man is a SHORT insta-everything standalone instalove romance with an HEA, no cheating, and no cliffhanger.