The tale seems to begin with buried treasure and then turns into an unprecedented historical detective story - a modern Grail quest leading back through cryptically coded parchments, secret societies, the Knights Templar, the Cathar heretics of the twelfth and thirteenth centuries and a dynasty of obscure French kings deposed more than 1,300 years ago. The author's conclusions are persuasive: at the core is not material riches but a secret - a secret of explosive and controversial proportions, which radiates out from the little Pyrenees village all the way to contemporary politics and the entire edifice of the Christian faith. It involves nothing less than... the Holy Grail.

    To his surprise, when he found the house he was greeted by Dalia Ashkenazi Landau, a nineteen-year-old Israeli college student, whose family fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next thirty-five years in ways that neither could imagine on that summer day in 1967. Based on extensive research, and springing from his enormously resonant documentary that aired on NPR’s Fresh Air in 1998, Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, suggesting that even amid the bleakest political realities there exist stories of hope and reconciliation.

    Roger Crowley's readable and comprehensive account of the battle between Mehmed II, sultan of the Ottoman Empire, and Constantine XI, the 57th emperor of Byzantium, illuminates the period in history that was a precursor to the current jihad between the West and the Middle East.

    Features & BenefitsAddresses the contemporary collision of Western and Islamic worldviewsOffers a valuable overview of everyday Islamic faith and practiceOutlines cultural and doctrinal meeting points and points of departure between Islam and ChristianityDraws on the author's many years of experience in working with students in Egypt, Lebanon and Cyprus

    On the one hand, Eagleton demolishes what he calls the “superstitious” view of God held by most atheists and agnostics and offers in its place a revolutionary account of the Christian Gospel. On the other hand, he launches a stinging assault on the betrayal of this revolution by institutional Christianity.There is little joy here, then, either for the anti-God brigade—Richard Dawkins and Christopher Hitchens in particular—nor for many conventional believers. Instead, Eagleton offers his own vibrant account of religion and politics in a book that ranges from the Holy Spirit to the recent history of the Middle East, from Thomas Aquinas to the Twin Towers.

    But most residents of Denmark and Sweden, he found, don't worship any god at all, don't pray, and don't give much credence to religious dogma of any kind. Instead of being bastions of sin and corruption, however, as the Christian Right has suggested a godless society would be, these countries are filled with residents who score at the very top of the "happiness index" and enjoy their healthy societies, which boast some of the lowest rates of violent crime in the world (along with some of the lowest levels of corruption), excellent educational systems, strong economies, well-supported arts, free health care, egalitarian social policies, outstanding bike paths, and great beer.Zuckerman formally interviewed nearly 150 Danes and Swedes of all ages and educational backgrounds over the course of fourteen months. He was particularly interested in the worldviews of people who live their lives without religious orientation. How do they think about and cope with death? Are they worried about an afterlife? What he found is that nearly all of his interviewees live their lives without much fear of the Grim Reaper or worries about the hereafter. This led him to wonder how and why it is that certain societies are non-religious in a world that seems to be marked by increasing religiosity. Drawing on prominent sociological theories and his own extensive research, Zuckerman ventures some interesting answers.This fascinating approach directly counters the claims of outspoken, conservative American Christians who argue that a society without God would be hell on earth. It is crucial, Zuckerman believes, for Americans to know that "society without God is not only possible, but it can be quite civil and pleasant."

    Traveling extensively—to refugee camps in Lebanon, to religious schools in Pakistan, to prisons in Amman, Asqelon, and Pensacola—she discovered that the Islamic jihadi in the mountains of Pakistan and the Christian fundamentalist bomber in Oklahoma have much in common.Based on her vast research, Stern lucidly explains how terrorist organizations are formed by opportunistic leaders who—using religion as both motivation and justification—recruit the disenfranchised. She depicts how moral fervor is transformed into sophisticated organizations that strive for money, power, and attention.Jessica Stern's extensive interaction with the faces behind the terror provide unprecedented insight into acts of inexplicable horror, and enable her to suggest how terrorism can most effectively be countered.A crucial book on terrorism, Terror in the Name of God is a brilliant and thought-provoking work.

    Never before have the cultural powers- that-be been able to exert such control over what we can and can't do with the culture around us. Our society defends free markets and free speech; why then does it permit such top-down control? To lose our long tradition of free culture, Lawrence Lessig shows us, is to lose our freedom to create, our freedom to build, and, ultimately, our freedom to imagine.

    To them, its violence is beautiful and holy, and the caliphate a fulfillment of prophecy and the only place on earth where they can live and die as Muslims.The Way of the Strangers is an intimate journey into the minds of the Islamic State’s true believers. From the streets of Cairo to the mosques of London, Wood interviews supporters, recruiters, and sympathizers of the group. We meet an Egyptian tailor who once made bespoke suits for Paul Newman and now wants to live, finally, under Shariah; a Japanese convert who believes that the eradication of borders—one of the Islamic State’s proudest achievements—is a religious imperative; and a charming, garrulous Australian preacher who translates the group’s sermons and threats into English and is accused of recruiting for the organization. We also learn about a prodigy of Islamic rhetoric, now stripped of the citizenship of the nation of his birth and determined to see it drenched in blood. Wood speaks with non–Islamic State Muslim scholars and jihadists, and explores the group’s idiosyncratic, coherent approach to Islam. The Islamic State is bent on murder and apocalypse, but its followers find meaning and fellowship in its utopian dream. Its first caliph, Abu Bakr al Baghdadi, has declared that he is the sole legitimate authority for Muslims worldwide. The theology, law, and emotional appeal of the Islamic State are key to understanding it—and predicting what its followers will do next.Through character study and analysis, Wood provides a clear-eyed look at a movement that has inspired so many people to abandon or uproot their families. Many seek death—and they will be the terror threat of the next decade, as they strike back against the countries fighting their caliphate. Just as Lawrence Wright’s The Looming Tower informed our understanding of Al Qaida, Graeme Wood’s The Way of the Strangers will shape how we see a new generation of terrorists.Advance praise for The Way of the Strangers “Indispensable and gripping . . . Graeme Wood’s quest to understand the Islamic State is a round-the-world journey to the end of the night. As individuals, the men he encounters are misfits, even losers. But their millenarian Islamist ideology makes them the most dangerous people on the planet.”—Niall Ferguson, senior fellow, Hoover Institution, Stanford University, author of The War of the World “Over the course of its short life, the Islamic State has inspired millions, thousands of whom have rallied to its cause in search of a glorious death. But why? Are its devotees nothing more than sadists and two-bit mafiosi for whom religion is a fig leaf and who will fade away in the face of military defeat? In this essential book, Graeme Wood draws on more than a decade of reporting to demolish these and other comforting deceptions.”—Reihan Salam, executive editor, National Review “Graeme Wood is America’s foremost interpreter of ISIS as a world-historical phenomenon. In The Way of the Strangers, he has given us the definitive work to date on the origins, plans, and meaning of the world’s most dangerous terrorist organization.

    It’s more than just a personal relationship with God or a source of moral teaching.Christianity is a picture of reality.It explains why the world is the way it is. When the pieces of this puzzle are properly assembled, we see the big picture clearly. Christianity is a true story of how the world began, why the world is the way it is, what role humans play in the drama, and how all the plotlines of the story are resolved in the end.In The Story of Reality, best-selling author and host of Stand to Reason, Gregory Koukl, explains the five words that form the narrative backbone of the Christian story. He identifies the most important things that happen in the story in the order they take place:GodManJesusCrossResurrectionOur story begins with God. He created everything, but something went terribly wrong. So God initiated a rescue plan and entered the world that he had made by becoming like us in Jesus Christ. Jesus saved us from the wrongness in ourselves and in the world through his death on a cross. And how people respond to what he did will determine what their future will be at the final event of history: the resurrection.If you are already a Christian, this is your story. Do you know it? If you are not a Christian, this is still your story, because it explains the world in a way that nothing else will. It is a true story—the real story behind every other story we hear.

    In concluding Gift and Mystery, the pope writes to his brother priests, 'Learn to see in your priesthood the Gospel treasure for which it is worth giving up everything.' Surely in the life of this pope we see an extraordinary example of someone who has treasured the gift of his priestly ministry for more than fifty years."- From the foreword of Carl A. Anderson, Supreme Knight, Knights of Columbus

    Barks's translations capture the inward exploration and intensity that characterize Rumi's poetry, making this unique voice of mysticism and desire contemporary while remaining true to the original poems. In this volume readers will encounter the essence of Sufism's insights into the experience of divine love, wisdom, and the nature of both humanity and God.While Barks's stamp on this collection is clear, it is Rumi's voice that leaps off these pages with a rapturous power that leaves readers breathless. These poems express our deepest yearning for the transcendent connection with the source of the divine: there are passionate outbursts about the torment of longing for the beloved and the sweet delight that comes from union; stories of sexual adventures and of loss; poems of love and fury, sadness and joy; and quiet truths about the beauty and variety of human emotion. For Rumi, soul and body and emotion are not separate but are rather part of the great mystery of mortal life, a riddle whose solution is love. Above all else, Rumi's poetry exposes us to the delight that comes from being fully alive, urging us always to put aside our fears and take the risk of discovering our core self:No one knows what makes the soul wake up so happy! Maybe a dawn breeze has blown the veil from the face of God. These fresh, original translations magnificently convey Rumi's insights into the human heart and its longings with his signature passion and daring, focusing on the ecstatic experience of the inseparability of human and divine love. The match between Rumi's sublime poetry and Coleman Barks's poetic art are unequaled, and here this artistic union is raised to new heights.