He's resigned himself to a static existence, to living and dying in a world where every house looks exactly the same. Then he notices changes in his neighborhood. Tool sheds and playhouses are cropping up all over, hastily constructed and set at odd angles. The nutjob down the road builds an outhouse in the middle of his front yard, and the guy right next door is erecting two geodesic climbing domes, one nested inside the other. People are doing strange things on their lawns.

    You better pass it, feller. You’re joining the circus. Ain’t that the best news you ever got?"Delivered by a trio of psychotic clowns, this ultimatum plunges Jamie into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between Hell and Earth from which humankind’s greatest tragedies have been perpetrated. Yet in this place—peopled by the gruesome, grotesque, and monstrous—where violence and savagery are the norm, Jamie finds that his worst enemy is himself. When he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead!

    The whole time I was reading it I was PISSED that I hadn't thought of it."--EDWARD LEE, author of HAUNTER OF THE THRESHOLD and HEADERBigfoot is real and he's addicted to meth!It should have been so easy. Get in, kill everyone, and take all the money and drugs. That was Russell and Mickey's plan. But the drug den they were raiding in the middle of the woods holds a dark secret chained up in the basement. A beast filled with rage and methamphetamine and tonight it will break loose.Nothing can stop a sasquatch on a drug-fueled rampage. And before the sun rises, there is going to be a lot of dead cops and junkies.

    Will her bones be devoured by the gnawing nipple-mouths of slavwolves or crushed by the brutal Blada Femma? Worse yet, will she find love amongst the scum sailors and slopulating sky serpents? Will she win this glamorous game of thrones? The answer is clear in the most fierce and fabulous fantasy epic ever.

    But instead of seeing the world, Bernard is captured by terrorists, becomes a key figure in secret drug wars, and, worse, doesn't once miss his secure American Dream.

    They way they are proven innocent? Evade, escape, and survive their hunters. At nineteen, Marisol never thought she would be a tracker of humans. In this post-apocalyptic world where justice is determined by a system of Absolution, Marisol steps up to do her duty. She hates everything that Absolution stands for, but there's nothing she can do about it. Nothing, that is, until one of her Runners turns out to be the key to uncovering a vast conspiracy that threatens to topple the dictator of New Chicago and change their lives forever.

    On a trip to the island, Joyce Parker's daughter falls in love with a beautiful but sinister doll. Soon after, she starts developing strange mannerisms that concerns Joyce. Her research into the doll's past reveals a dark history, and the curse of a lonely child spirit.

    Someone had to be a bagger at a grocery store and fantasize about hitting children in the head with wine bottles. Someone had to fear a puddle floating at him from across the street. Someone had to celebrate beating up a pregnant woman. Someone just HAD to be a nanny, and stare at giant motorized spiders. Jeez oh man! Don't ask why a teenager in a Chicago Bulls overcoat is feeding baby rabbits to a toad. Don't ask why someone had to run around the backyard with a bedsheet cape after drinking moonshine. And don't ask why jumping down stairs feels like success.Just sit back, drink a piss-infused Bloody Mary, and learn to hurt others.

    Brite, "Onion," an original novella by Caitlín R. Kiernan, and "The Rest of the Wrong Things," a brand-new collaborative story by Caitlín and Poppy set in Poppy's fictional stomping grounds of Missing Mile, North Carolina. Wrong Things also features an exclusive afterword by Caitlín and ten full-page interior illustrations by Richard Kirk.

    A severed hand is on a desperate mission to ruin somebody's evening. While a mob war reaches its bloody climax, the Mayor is up to his neck in dead prostitutes.And Clockwork Joe? He just wants to be a real boy.Bizarro Press proudly presents the latest in dieselpunk-bizarro-horror-noir. This......is GrudgePunk

    An old man now, Edward simply wants to spend his final years surrounded by his beloved books. He wants no company and no visits. He wants to be left alone. But there's something else in the cottage with Edward. On his first night, he spots a spider crawling across the wall. He immediately kills the creature and gets back to his books. Then, a few hours later, he sees another spider. Or has the first spider come back to haunt him? The Spider is a story about a man who slowly loses his mind over the course of a single night. When darkness falls, Edward Moss is a proud, determined man with no doubts and no fears. By the time the suns comes up the following morning, everything Edward thought he knew about the world has been thrown into doubt. And all because of a spider he crushed against the wall. But how far will this particular spider go, in order to exact its terrible revenge?

    LeVoit knows how to seduce you with a lullaby when she's going for blood." --Danger Slater, author of Puppet Skin"It is masterful, it is beautiful and awful, it is sweepingly and breathtakingly artistic, the impact of seeing some great natural wonder or work of art for the first time." --The Horror Fiction Review"Revelatory, gut-punching, brilliantly anarchic perfection." --J David Osborne, author of Black Gum

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    The lone survivor of a hellish Interstate pile-up follows an otherworldly sound to its source. A father desperate to cure his daughter’s condition uncovers a multinational corporation’s unspeakable plan for solving world hunger. In these eleven stories, Cody Goodfellow explores the bizarre and the deeply human, using the kaleidoscopic language only he is capable of.

    Absorbing, resonant, emotionally satisfying and quite magical' - Stephen Volk 'Eloquent, shimmering writing unfurls a haunting story of childhood, grief and obsession' – Simon Clark'I adored every line. I can’t recommend it highly enough... Book of the Year!' - The Eloquent Page ‘The Electric is an impressive first novel. Andrew David Barker’s style is whimsical and nostalgic, and the work reads like the haziest recollections of a childhood long since gone.’- Starburst Magazine‘The Electric is more than a book – just as its namesake is more than a cinema – it’s an experience to dive into and wallow in. It’s a link to the past and a way to think about what’s really important about life. Its heart beats beautiful pulses of nostalgia and grief, but it is full of affirmation too: the joy of discovery; the value of insight; the depths of friendship, love and family ties, and the powerful cement of a shared experience.’- Geek SyndicateIn the summer of 1985, fifteen-year-old Sam Crowhurst discovers an old abandoned cinema that screens movies made by ghosts, for ghosts. Sam, along with his friends, Emma and David, find themselves drawn into a world where the likes of Humphrey Bogart, Lon Chaney and Theda Bara are still making pictures; where Harold Lloyd and John Belushi team up for roustabout comedies, and Karloff and Lugosi appear in films scripted by Edgar Allan Poe. Sam comes to learn the mysteries of the Electric cinema and his part to play in its long and strange history. With shades of Ray Bradbury, the more nostalgic work of Stephen King, and the early films of Steven Spielberg, THE ELECTRIC is about movies, ghosts, and that ephemeral moment in all of our lives, childhood.