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    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    Howard's stories about Conan the Barbarian.These stories were originally published in Weird Tales magazine between 1933 and 1936.The Conan stories included in the collection are:1. The Frost Giant's Daughter (Gods of the North)2. The Tower of the Elephant3. Rogues in the House4. Shadows in the Moonlight (Iron Shadows in the Moon)5. Black Colossus6. Queen of the Black Coast7. The Slithering Shadow (Xuthal of the Dusk)8. A Witch Shall Be Born9. The Devil in Iron10. The People of the Black Circle11. Shadows in Zamboula (Man-Eaters of Zamboula)12. The Pool of the Black One13. Beyond the Black River14. Red Nails15. Jewels of Gwahlur (The Teeth of Gwahlur)16. The Phoenix on the Sword17. The Scarlet Citadel18. The Hour of the Dragon (Conan the Conqueror)As an added bonus, also included in the set are:Cimmeria—A PoemThe Hyborian Age—Conan's World (This is Howard's background essay on the world of Conan)For ease of navigation, the anthology includes an interactive table of contents. The stories in this collection are ordered roughly in chronological order from Conan's first adventures as a young mercenary adventurer and thief to his final epic clashes as a king and are based on the Rippke chronology.About Conan:Conan the Barbarian (also known as Conan the Cimmerian) is a fictional sword and sorcery hero who originated in pulp fiction magazines and has since been adapted to books, comics, several films (including Conan the Barbarian and Conan the Destroyer), television programs (cartoon and live-action), video games, role-playing games and other media. The character was created by writer Robert E. Howard in 1932 via a series of fantasy stories published in Weird Tales magazine.Conan the Character:Conan is a Cimmerian. From Robert E. Howard's writings (The Hyborian Age among others) it is known that the Cimmerians were based on the Celts or Gaels. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its demise, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary, and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions.

    Here live the Starkadders - Aunt Ada Doom, Judith, Amos, Seth, Reuben, Elfine...They lead messy, untidy lives, full of dark thoughts, moody silences, and sudden noisy quarrels. That is, until their attractive young cousin arrives from London. Neat, sensible, efficient, Flora Poste cannot bear messes (they are so uncivilized). She begins to tidy up the Starkadders' lives at once ...

    At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul.Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism?Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

    

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    as one of this century's most innovative writers. Now Godine is pleased to issue two of his most powerful novels in one volume: Things, in an authoritative new translation, and A Man Asleep, making its first English appearance. Both provoked strong reactions when they first appeared in the 1960s; both which speak with disquieting immediacy to the conscience of today's readers. In each tale Perec subtly probes our compulsive obsession with society's trappings the seductive mass of things that crams our lives, masquerading as stability and meaning.Jerome and Sylvie, the young, upwardly mobile couple in Things, lust for the good life. "They wanted life's enjoyment, but all around them enjoyment was equated with ownership." Surrounded by Paris's tantalizing exclusive boutiques, they exist in a paralyzing vacuum of frustration, caught between the fantasy of "the film they would have liked to live" and the reality of life's daily mundanities.In direct contrast with Jerome and Sylvie's cravings, the nameless student in A Man Asleep attempts to purify himself entirely of material desires and ambition. He longs "to want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep." Yearning to exist on neutral ground as "a blessed parenthesis," he discovers that this wish is by its very nature a defeat.Accessible, sobering, and deeply involving, each novel distills Perec's unerring grasp of the human condition as well as displaying his rare comic talent. His generosity of observation is both detached and compassionate.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature's subtlest reckonings, not only with the varieties of sexual experience, but with the always unlikely nature of love.

    Book by Hadley Chase, James