In this fine and funny adventure set in the backlands of modern Turkey, a group of highly unusual travel companions makes its way from Istanbul to legendary Trebizond, encountering potion-dealing sorcerers, recalcitrant policemen, and Billy Graham on tour with a busload of Southern evangelists. But though the dominant note of the novel is humorous, its pages are shadowed by heartbreak as the narrator confronts the specters of ancient empires, religious turmoil, and painful memories of lost love.

    In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in their own right.

    With a wealth of detail, "A Journal of the Plague Year" seems almost a firsthand account, taking readers through the neighborhoods, houses, and streets that have drastically changed with the rising death toll. The bustle of business and errands gives way to doors marked with the cross to signify a house of death, as well as the dead-carts transporting those struck down to the mass graves as the dead rise in number to nearly 100,000. As the epidemic progresses and the narrator encounters more stories of isolation and horror, Defoe reveals his masterful balance as both a historical and imaginative writer.

    Watson, it is only now that, owing to his recent death, the full biography and facts of his life can be brought before the public. This volume brings together for the first time every known fact that can be fully authenticated about the life of one of the world's most extraordinary men, and reveals much more about him that has not been heretofore generally known. From twenty years' research into every possible source, the author has written as definitive an account as could ever be assembled. Sherlock Holmes was born on January 6th, 1854, the third and last son of Siger and Violet Holmes, of North Riding, Yorkshire. He traveled widely on the continent as a boy, where he learned six languages. Displaying most unusual talents at an early age, he attended an English boarding school, and in 1872 entered Oxford. He soon decided to train himself to become a consulting detective, and before long he was starting to take cases. Except for a period when he was an actor, he pursued his chosen career thereafter and of course became famous after Dr. Watson started to write about him. This book reveals far more than Watson ever could, including the whole story of his running battle with the infamous Professor Moriarty, his dangerous brush with Jack with Ripper, his long association and love for Irene Adler, the question of his own son, and the story of his retirement, the writing of his great book, and the circumstances of his death. In short, this book contains everything that can be told about Holmes. It is a marvelous reconstruction from very scattered sources, and the amazing but always scrupulously accurate story of a great man.Contents:1: Genteel gypsies: 1854-64 --2: Old Sherman, Winwood Reade, Maitre Bencin, and Professor Moriarty: 1864-72 --3: Oxford and Cambridge: 1872-77 --4: Montague Street: 1877-79 --5: On stage and off in England and America: 1879-81 --6: Early days on Baker Street: 1881-83 --7: First Mrs Watson: 1883-86 --8: Woman: November 1886-May 1887 --9: Orange Pips, red-headed men, and a blue carbuncle: May-December 1887 --10: Back to Baker Street: January 1888 --Interruption: Three stories from the London Times: August 10, September 1, September 10, 1888 --11: To meet Mr Mycroft Holmes: Wednesday, September 12, 1888 --12: Sign of the four: Tuesday, September 18-Friday, September 21, 1888 --13: Dr James Mortimer and Sir Henry Baskerville: Tuesday, September 25-Saturday, September 29, 1888 --Interruption: Two stories from the London Times: October 1 and 2, 1888 --14: Horror Hound: Sunday, September 30-Saturday, October 20, 1888 --15: Jack the Harlot Killer: Friday, November 9-Sunday, November 11, 1888 --16: Second Mrs Watson: 1819-90 --17: Final problem? Friday, April 24-Monday, May 4, 1891 --Entr'acte: Dr Watson, writer --18: Meeting in Montenegro: June 1891 --19: Venture into the unknown: 1891-93 --20: Return of Sherlock Holmes: Thursday, April 5, 1894 --21: Game's afoot again: 1894-95 --22: Crowded years: 1896-1902 --23: Third Mrs Watson: July 1902-October 1903 --24: Sussex Downs: 1909 --25: His last bow: Sunday, August 2, 1914 --Epilogue: Sherlock Holmes walks at sunset: Sunday, January 6, 1957 --Appendix 1: Chronological Holmes --Appendix 2: Bibliographical Holmes: a selective compilation.

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    Illustrations.

    Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

    Churchill's most magnificent literary works. Begun during Churchill's 'wilderness years' when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history and completed when Churchill was in his 80s, it remains to this day a compelling and vivid history.The first volume - The Birth of Britain - tells the story of the formation of the British state, from the arrival of Julius Caesar and the Roman Empire through the invasions of the Vikings and the Normans, the signing of the Magna Carta and establishment of the mother of parliaments to the War of the Roses.

    They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    A murderer, and the most wicked woman in history.She kicked her way into the male spaces of politics and demanded to be recognized as an equal and a leader. For her audacity, she was murdered by her son and reviled by history.She was the sister, niece, wife, and mother of Emperors. She was an Empress in her own right, and she was a nuanced, fearless trail-blazer in the Roman world.The story of Agrippina -- the first Empress of Rome is the story of an empire at its bloody, extravagant, chaotic, ruthless height.

    The nine Lives in this selection trace a crucial phase in ancient history.Plutarch's Lives of the great Greek statesmen amd men of action were designed to pair with the now better-known Roman portraits and contain many of his finest descriptions of war, revolution and heroic achievement.Agesilaus, Pelopidas, Dion, Timoleon, Demosthenes, Phocion, Alexander, Demetrius, Pyrrhus

    Unjustly suspected of having had a hand in the murder of a young girl, Augustine takes refuge in the remote castle of Bavarian relatives. There his hopeless love for his devout cousin Mitzi blinds him to the hate that will lead to the rise of German fascism. The book reaches a climax with a brilliant description of the Munich putsch and a disturbingly intimate portrait of Adolph Hitler.The Fox in the Attic, like its no less remarkable sequel The Wooden Shepherdess, offers a richly detailed, Tolstoyan overview of the modern world in upheaval. At once a novel of ideas and an exploration of the dark spaces of the heart, it is a book in which the past returns in all its original uncertainty and strangeness.

    With SAINT JOAN (1923) Shaw reached the height of his fame and Joan is one of his finest creations; forceful, vital, and rebelling against the values that surround her. The play distils Shaw's views on the subjects of politics, religion and creative evolution.

    No round of beef or tongue or ham is expressly cooked for me, no pigeon-pie is especially made for me, no hotel-advertisement is personally addressed to me, no hotel-room tapestried with great-coats and railway wrappers is set apart for me, no house of public entertainment in the United Kingdom greatly cares for my opinion of its brandy or sherry.