For the wealthy, cheating death is the ultimate luxury. To anticloning militants, it’s an abomination against nature. For young Constance “Con” D’Arcy, who was gifted her own clone by her late aunt, it’s terrifying.After a routine monthly upload of her consciousness—stored for that inevitable transition—something goes wrong. When Con wakes up in the clinic, it’s eighteen months later. Her recent memories are missing. Her original, she’s told, is dead. If that’s true, what does that make her?The secrets of Con’s disorienting new life are buried deep. So are those of how and why she died. To uncover the truth, Con is retracing the last days she can recall, crossing paths with a detective who’s just as curious. On the run, she needs someone she can trust. Because only one thing has become clear: Con is being marked for murder—all over again.

    Helpless, doomed, into the graveyard of space floats the wrecked freighter Pallas.

    Chester IV, who has inherited his great-grandfather's lifework--a super computer that can bring any situation or time to life; and Roger Tyson, who is being pursued through time by a motorcycle-riding, rutabaga-like alien in a world where eras millions of years apart have been combined into an insane smorgasbord of eons.Contains:In the QueueThe Planet WreckersThe Body BuildersThe Devil You Don'tThe Exterminator (aka "A Bad Day for Vermin") The Big ShowGooberealityPrototaphThe Great Time Machine Hoax

    It's a globalised, ultra-capitalist free market paradise! Hack Nike is a lowly merchandising officer who's not very good at negotiating his salary. So when John Nike and John Nike, executives from the promised land of Marketing, offer him a contract, he signs without reading it. Unfortunately, Hack's new contract involves shooting teenagers to build up street cred for Nike's new line of $2,500 trainers. Hack goes to the police—but they assume that he's asking for a subcontracting deal and lease the assassination to the more experienced NRA. Enter Jennifer Government, a tough-talking agent with a barcode tattoo under her eye and a personal problem with John Nike (the boss of the other John Nike). And a gun. Hack is about to find out what it really means to mess with market forces.

    As a deadly game of hide-and-seek begins to unwind, a man who does not know his own powers faces an interstellar safari determined to run him to ground -- dead or alive! "Nobody can top Andre Norton when it comes to swashbuckling science-fiction adventure." -- St. Louis Globe-Democrat

    In their exile on the ground they have to adapt to vastly different circumstances, fight monsters resembling dinosaurs, and finally happen upon the godly giants, whose existence they had questioned.

    But, logically, there would be times--

    It’s even harder for a robot named Mack Megaton, a hulking machine designed to bring mankind to its knees. But Mack’s not interested in world domination. He’s just a bot trying to get by, trying to demonstrate that he isn’t just an automated smashing machine, and to earn his citizenship in the process. It should be as easy as crushing a tank for Mack, but some bots just can’t catch a break.When Mack’s neighbors are kidnapped, Mack sets off on a journey through the dark alleys and gleaming skyscrapers of Empire City. Along the way, he runs afoul of a talking gorilla, a brainy dame, a mutant lowlife, a little green mob boss, and the secret conspiracy at the heart of Empire’s founders---not to mention more trouble than he bargained for. What started out as one missing family becomes a battle for the future of Empire and every citizen that calls her home.

    Her brother Burton lives, or tries to, on money from the Veterans Administration, for neurological damage suffered in the Marines’ elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she’s had to let the shooter games go.Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren’t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton’s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He’s got Flynne taking over shifts, promised her the game’s not a shooter. Still, the crime she witnesses there is plenty bad.Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf’s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.

    For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun.The splintery metaconsciousness of the solar-system has largely sworn off its pre-post-human cousins dirtside, but its minds sometimes wander...and when that happens, it casually spams Earth's networks with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems. A sane species would ignore these get-evolved-quick schemes, but there's always someone who'll take a bite from the forbidden apple.So until the overminds bore of stirring Earth's anthill, there's Tech Jury Service: random humans, selected arbitrarily, charged with assessing dozens of new inventions and ruling on whether to let them loose. Young Huw, a technophobic, misanthropic Welshman, has been selected for the latest jury, a task he does his best to perform despite an itchy technovirus, the apathy of the proletariat, and a couple of truly awful moments on bathroom floors.

     Sixth of the Dusk, set in a never-before-seen world, showcases a society on the brink of technological change. On the deadly island of Patji, where birds grant people magical talents and predators can sense the thoughts of their prey, a solitary trapper discovers that the island is not the only thing out to kill him. When he begins to see his own corpse at every turn, does this spell danger for his entire culture? -------------------- A note from the publisher: For a detailed behind-the-scenes look at the creation of this novella, including brainstorming and workshopping session transcripts, the first draft, line-by-line edits, and an essay by Brandon, please see Shadows Beneath: The Writing Excuses Anthology.

    - Patrick Ness

    It is a lonely job, and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the 23rd century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren't supposed to.

    Ariadne is one such explorer. As an astronaut on an extrasolar research vessel, she and her fellow crewmates sleep between worlds and wake up each time with different features. Her experience is one of fluid body and stable mind and of a unique perspective on the passage of time. Back on Earth, society changes dramatically from decade to decade, as it always does.Ariadne may awaken to find that support for space exploration back home has waned, or that her country of birth no longer exists, or that a cult has arisen around their cosmic findings, only to dissolve once more by the next waking. But the moods of Earth have little bearing on their mission: to explore, to study, and to send their learnings home. Carrying all the trademarks of her other beloved works, including brilliant writing, fantastic world-building and exceptional, diverse characters, Becky's first audiobook outside of the Wayfarers series is sure to capture the imagination of listeners all over the world.

    Told in the same fanciful, irreverent style as the Hitchhiker trilogy, with scraps of scripts, letters and comments from Adams, Don't Panic is the perfect companion to one of the most successful series in publishing history.