One was that of his father, wedding him to the rhythm of the seasons, the harsh beauty of the land, the ecstasy of the drug called peyote. The other was the world of the twentieth century, goading him into a compulsive cycle of sexual exploits, dissipation, and disgust. Home from a foreign war, he was a man being torn apart, a man descending into hell.

    The book's first two parts, "Recollections" and "Interviews," provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. Required Writing concludes with a selection of pieces on jazz music."Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so." --A. N. Wilson, Sunday Telegraph"I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered." --John Mortimer, Sunday Times (London)"Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go." --Clive James, Observer Philip Larkin was the author of poetry collections, including High Windows, The Whitsun Weddings, and The Less Deceived; a book of essays entitled All What Jazz: A Record Diary; and two novels, Jill, and A Girl in Winter, published early in his career. Required Reading was originally published by Farrar, Straus & Giroux.

    Don't lose more time searching for the perfect poems or readings - I've already done all the hard work to save you the trouble. This book combines several well known anthologies and brings you well over 1000 poems since 1250. The original anthologies used as a source are: 1919 Arthur Quiller-Couch, The Oxford Book of English Verse, and 1917 The New Poetry - An Anthology - Edited by Harriet Monroe and Alice Corbin Henderson.

    Lured by mystical Native American flute-player Kokopelli, Sophie opens a door in her dreams only to find herself in the wild Sonoran desert, her way back vanished. In her quest to return she gets sidetracked by Coyote, up to his usual mischief. A poignant tale touching on loss, hope and community. First published in Worlds of Fantasy and Horror #2, Fall, 1994. Cover art by Stephanie Lostimolo (http://www.nethersphere.com/art.html). Charles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better. — Alice Hoffman Charles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best. — Holly Black De Lint is probably the finest contemporary author of fantasy – Booklist, American Library Association Unlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing. – Quill & Quire De Lint’s evocative images, both ordinary and fantastic, jolt the imagination. – Publishers Weekly It is hard to imagine urban fantasy done with greater skill – Booklist, American Library Association

    He assembled a group of eight desperately ill patients from around the world and brought them into the heart of the Amazon rainforest to put the mysterious medicines of native shamans to the test.The healing journey that unfolded would change their lives—and his own—forever.In The Sacred Science, we join Nick as he explores these primordial traditions and learns firsthand what it takes to truly heal ourselves of physical disease, emotional trauma, and the sense of “lostness” that so many of us feel in these modern times. We venture into a place where the ordinary rules we live by, even survival instincts, don’t apply—where “the only thing to do is to step forward and be ready for anything.”Nick is not a guru or shaman; he is an ordinary guy who pieced together an illuminating journey, one experience at a time. In this riveting true story, we’re shown the many layers that must be peeled away in order for us to find the truth of who we are and why we’re here.This book is a bridge between the flashy, fast-moving modern world and the forgotten ways of a healthier, earth-connected ancestral past. You’ll find practices and principles of native wisdom that you can put to use in your own life, and you’ll gain a new understanding of what it means to heal.In the end, what will become of the eight patients who set out on this path with Nick? Will the exotic jungle medicines and harrowing rites of passage destroy them or give them a new lease on life?Five will return with remarkable healing results. Two will return disappointed. One won’t return at all.

    The stories cover London's entire writing life -- from 1899 and the title story, to the posthumously published gem, Like Argus of the Ancient Times.Of special interest is London's re-creation -- uncannily accurate -- of one of the bloodiest and most shameful episodes of Utah territorial history, the massacre at Mountain Meadows in 1857.

    Determined, controversial, and visionary, she creatively worked to bridge the gap between her own culture and mainstream American society and advocated for Native rights on a national level. Susan Rose Dominguez provides a new introduction to this edition.

    . . but the Grinch, who lived just north of Who-ville, did not! Six rollicking pop-ups animate this simple adaptation of the classic Dr. Seuss tale, where the Grinch learns that maybe Christmas means a little bit more!

     It also explores the circumstances surrounding the true-life event of my grandmother's gift of a concubine to my grandfather on his birthday to enhance the chance of an heir to the Family.

    No further information has been provided for this title.

    All proceeds of this unique venture will be going to Save the Children Tsunami Relief Fund. Authors participating are: Alexander McCall Smith chapter from Sunday Philosophy Club #2: Friends, Lovers, Chocolates coming 9/05 from Pantheon Ian McEwan chapter from Saturday coming 3/05 from Doubleday Maeve Binchy short story Georgia Hall – as yet unscheduled Margaret Atwood excerpt from the Tree coming in 06 from Doubleday Marian Keyes chapter from If You Were Me Mark Haddon chapter from Blood and Scissors Nicholas Evans chapter from the Divide Nick Hornby chapter from A Long Way Down coming 6/05 from Riverhead Paulo Coelho chapter from the Zahir Scott Turow chapter from the Law of War coming 10/05 from FSG Stephen King short story: Lisey and the Madman from McSweeney’s Enchanted Chamber of Astonishing Stories published 11/04 Tracy Chevalier untitled novel excerpt, as yet unscheduled for publication Vikram Seth poem, "Earth and Sky" as yet unscheduled Helen Fielding - introduction Harlan Coben chapter from the Innocent coming 4/05 from Dutton Joanna Trollope chapter from Second Honeymoon coming 2/06 from Bloomsbury JM Coetzee chapter from Slow Man coming 10/05 from Viking This is an extraordinary collection of superb pieces from the world’s most celebrated writers. All of this is being made available to consumers in advance of publication and in aid of Tsunami victims. Your generous and enthusiastic support of this project will enable Save the Children to continue their important work in the wake of the Tsunami devastation.

    

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

    Henry Tuhoe is the quintessential twenty-first-century man. He has a vague, well-compensated job working for a multinational  conglomerate—but everyone around him is getting laid off as the company outsources everything it can to third-world countries. He has a beautiful wife—his college  sweetheart—and an idyllic new home in the leafy suburbs, complete with pool. But his wife won’t let him touch her, even though she demanded he get a vasectomy; he’s seriously overleveraged on the mortgage; and no matter what chemicals he tries the pool remains a corpselike shade of ghastly green. Then Henry’s boss offers him a choice: go to the tiny, magical, about-to-be-globalized Kingdom of Galado to oversee the launch of a new customer-service call center for a boutique bottled water company the conglomerate has just acquired, or lose the job with no severance. Henry takes the transfer, more out of fecklessness than a sense of adventure. In Galado, a land both spiritual and corrupt, Henry wrestles with first-world moral conundrums, the life he left behind, the attention of a steroid-abusing, megalomaniacal monarch, and a woman intent on redeeming both his soul and her country. The result is a riveting piece of fiction of and for our times, blackly satirical, moving, and profound.

    Pert, pithy and very New York. Full of the admirable offhand observations of an unfooled eye." Jill Neville, The London Times Literary Supplement"(Daughters is) engrossing . . . the story Baehr tells touches so deeply one is tempted to reread every page." - Chicago Tribune (Best Friends is) a pleasure to read . . . fascinating, extraordinary women…I wished they were my best friends.” Susan Isaacs, author of Compromising Positions, Shining Through“Consuelo Saah Baehr is a very talented writer. She keeps you turning the pages, heart thumping, to see what will happen next.” Rona Jaffe, author of The Best of Everything, Class ReunionProduct Description100 Open Houses is about real estate and life. It’s about the whispers from the soul hole that we barely hear. Rebecca Haas, like all of us, is being tortured to death by the sameness of her life, her thoughts, her weight, the incessant self review of life choices, her indecision, her stalled writing career. Can a change of space really change her life and finally give her the authenticity she needs? Take this trip with Rebecca through all of the open houses and the lives lived in them – is one of them yours?An excerpt from 100 Open HousesWhispers from the soul holeYou’re going along thinking everything is okay. You’re not noticeably dying or anything and even though your hair was thinning, suddenly for no reason, it stabilizes – even begins to get thicker – and you think, huh, some new kind of ‘fresh hell’ hormones must be kicking in but I’ll take it. Still every morning, in the quiet few minutes when you swing your legs out of bed and decide to get up, this voice whispers from the old brain hole or maybe it’s the soul hole and it says: Wait! If you were in an Ingmar Bergman movie and Death came and played chess with you, Death would win because you are not really living the best life you can.All through last fall and early winter I had that thought in my pocket. Maybe it accounted for a new addiction to read real estate news. Maybe I thought a change of residence would do the trick Real estate is the new drug and it’s better than crack because it only costs the price of the Sunday paper and not even that if you read it on line. But also, you can go into any Open House and see apartments and houses where you would never be invited. You can look in the medicine cabinet and in the closets and pretty much look at any damn thing you want. Then, you can say, “No thanks.”The New York Times just put out an entire magazine devoted to real estate. It’s called Key and on the cover is a stylized picture of a key with red lines radiating from it that look like the vein and capillary system inside your body. Maybe that’s the subliminal message they are trying to send: that Real Estate is the substance of your life.When I read Key magazine, I feel as if all the information has segregated me and shut me out. One of the articles tells you how much house one and a half million dollars can buy today. If you want to move to Szigetkoz, Hungary (no, I didn’t misspell it) you get a 30-acre, ten-bedroom castle. In New York City, you get a one-bedroom apartment with lava-stone kitchen countertops and the noise of the West Side Highway at your doorstep.That’s what I was going to have to do to save my life – move from my coveted idyllic village and find myself some Real Estate in New York City. I didn’t have a million dollars. I was going to have to really HUNT for a match like the innocent people in the New York Times they profile in The Hunt.