These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust and prayers for peace.While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price.To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.

    He remains a wellspring to which all of us might go to refresh our belief in the value of this art.

    Burroughs's final collection, first published two years before his death in 1997. It is a book of dreams, written over several decades and as personal and close to a memoir as we will see. The dreams cover themes from the mundane and ordinary -- conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex -- to the erotic, bizarre, and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book, dreams become a direct and powerful force in themselves.Mr. Burroughs has lost none of his irreverence or wit, but in recent years he has acquired an elegant, elegiac tone. - The New York Times

    For more than a thousand years before the Europeans came, a great culture flourished on these islands. In 1900 and 1901 the linguist and ethnographer John Swanton took dictation from the last traditional Haida-speaking storytellers, poets, and historians. Robert Bringhurst worked for many years with these manuscripts, and here he brings them to life in the English language. A Story as Sharp as a Knife brings a lifetime of passion and a broad array of skills—humanistic, scientific, and poetic—to focus on a rich and powerful tradition that the world has long ignored.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    B. YEATS - 1894

    Within minutes, an old woman is dead and the house is in flames. Across the country, Patty Dickerson's phone rings. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty's old life ends and a strange new one begins. For the next twenty-eight years, she must live with the absence caused by her husband's incarceration, attempt to raise her son, and brave the scorn of her community. As unflinching as it is heartrending, The Good Wife confirms O'Nan's place as one of our country's most wide-ranging and empathetic masters.(back cover)

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    The Other evokes just that sort of rapid pace and dramatic imagery. Consider FBI Agent Zack Tolliver, the sun-washed ochre cliffs of Arizona, the body of a little blonde girl found on a remote mesa top apparently killed by a bear, the Navajo guide side-kick, the tracks that change mid-stride from animal to human, the evidence that appears to lead to a local recluse crazed by the tragic death of his wife and child. Then the wild ride from case closed to case wide open again, racing off to the deserts of California, another little blonde girl preyed upon and abandoned, and who’s doing all this, anyway? What sinister force is toying with our FBI agent?

    Tolkien's classic essay on fantasy, "On Fairy Stories", is complemented by his charming story, "Leaf by Niggle" and the poem "Mythopoeia".

    The author shares her personal stories that demonstrate how spirit guides, angels and enlightened beings can answer calls for help through miracles. You will read about the matronly ghost who overstayed her welcome, the spirits of ancient wise men who offered advice and a miraculous cure from cancer for a friend, the man who got out of his wheelchair to go hunting and fishing, a vivid dream and later chance meeting of a pastor who needed guidance, the metamorphosis of a schizophrenic, the loving afterlife contact from her mother who died unexpectedly, and many other stories.

    'The Devil and Daniel Webster' is a short story about a successful lawyer who believes you can win your soul back from the devil. Stephen Vincent Benet was born on 22nd July 1898 in Bethlehem, Pennsylvania, United States. Benet was an accomplished writer at an early age, having had his first book published at 17 and submitting his third volume of poetry in lieu of a thesis for his degree. During his time at Yale, he was an influential figure at the 'Yale Lit' literary magazine, and a fellow member of the Elizabethan Club. Benet was also a part-time contributor for the early Time Magazine. Benet's best known works are the book-length narrative poem American Civil War, John Brown's Body (1928), for which he won a Pulitzer Prize in 1929, and two short stories, The Devil and Daniel Webster (1936) and By the Waters of Babylon (1937). Benet won a second Pulitzer Prize posthumously for his unfinished poem Western Star in 1944."

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.