Under it I wrote: “Falling in Love in Tehran. Going to Parties in Tehran. Watching the Marx Brothers in Tehran. Reading Lolita in Tehran. I wrote about repressive laws and executions, about public and political abominations. Eventually I drifted into writing about private betrayals, implicating myself and those close to me in ways I had never imagined.--From Things I Have Been Silent AboutAzar Nafisi, author of the beloved international bestseller Reading Lolita in Tehran, now gives us a stunning personal story of growing up in Iran, memories of her life lived in thrall to a powerful and complex mother, against the background of a country’s political revolution. A girl’s pain over family secrets; a young woman’s discovery of the power of sensuality in literature; the price a family pays for freedom in a country beset by political upheaval–these and other threads are woven together in this beautiful memoir, as a gifted storyteller once again transforms the way we see the world and “reminds us of why we read in the first place” (Newsday).Nafisi’s intelligent and complicated mother, disappointed in her dreams of leading an important and romantic life, created mesmerizing fictions about herself, her family, and her past. But her daughter soon learned that these narratives of triumph hid as much as they revealed. Nafisi’s father escaped into narratives of another kind, enchanting his children with the classic tales like the Shahnamah, the Persian Book of Kings. When her father started seeing other women, young Azar began to keep his secrets from her mother. Nafisi’s complicity in these childhood dramas ultimately led her to resist remaining silent about other personal, as well as political, cultural, and social, injustices. Reaching back in time to reflect on other generations in the Nafisi family, Things I’ve Been Silent About is also a powerful historical portrait of a family that spans many periods of change leading up to the Islamic Revolution of 1978-79, which turned Azar Nafisi’s beloved Iran into a religious dictatorship. Writing of her mother’s historic term in Parliament, even while her father, once mayor of Tehran, was in jail, Nafisi explores the remarkable “coffee hours” her mother presided over, where at first women came together to gossip, to tell fortunes, and to give silent acknowledgment of things never spoken about, and which then evolved into gatherings where men and women would meet to openly discuss the unfolding revolution. Things I’ve Been Silent About is, finally, a deeply personal reflection on women’s choices, and on how Azar Nafisi found the inspiration for a different kind of life. This unforgettable portrait of a woman, a family, and a troubled homeland is a stunning book that readers will embrace, a new triumph from an author who is a modern master of the memoir.

    But every man knows that it's impossible. Read this book and find out what really goes on in a man's mind. You will never look at opposite-sex friendships the same way again.

    When Fight Club punched its way onto the scene a decade ago, it provided an unprecedented glimpse into the American male’s psyche and rapidly turned into a euphemism for a variety of things that should be “just understood” and not otherwise acknowledged. Key to its success is the variety of lenses through which the story can be interpreted; is it a story of male anxiety in a metrosexual world, of ritual religion in a secular age, of escape from totalitarian capitalism, or the spiritual malaise induced by technologically-oriented society? Writers, conspiracy theorists, and philosophers are among those ready to talk about Fight Club’s ability to be all these and more.

    Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the New Orientalist narrative, a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life--from childhood memories in 1960s Shiraz to her present life as a professor in America--Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the New Orientalist narrative, which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran, which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity.

    He had already proved that you could see the world without a dime in your pocket, and have a whale of a time doing it. Yet after various adventures on land and by sea, America's most dashing traveler decided there was only path left open for him - the sky itself. "The Flying Carpet" was Halliburton's fourth and most famous book and details his epic adventures flying a bi-plane through remote parts of the globe. It recounts how Halliburton landed in Timbuctoo, passed over Mt. Everest, flew over the Taj Mahal upside down, and dropped down into the jungles of Borneo to visit native head hunters. "Stephens," Halliburton told the pilot, "I've just given myself an airplane and I want you to fly us to all the outlandish places in the world, Turkey, Persia, Paris and - Pasadena. We're going to fly across deserts, over mountains, rescue imprisoned princesses and fight dragons. We must have the world. We can have the world!" If one book can summarize all the reckless love of life and romance that symbolized Richard Halliburton, then this is the book.

    Growing up in Iran, both refused to accept traditional Muslim mores, and dreamed of careers in literature and on the stage. Their lives changed abruptly when Pari was coerced by their father into marrying a wealthy and cruel suitor. Nahid narrowly avoided a similar fate, and instead negotiated with him to pursue her studies in America. When Nahid received the unsettling and mysterious news that Pari had died after falling down a flight of stairs, she traveled back to Iran-now under the Islamic regime-to find out what happened to her truest friend, confront her past, and evaluate what the future holds for the heartbroken in a tale of crushing sorrow, sisterhood, and ultimately, hope.

    The intelligence agents who captured her accused her of espionage—a charge she denied. For several days, Saberi was held in solitary confinement, ruthlessly interrogated, and cut off from the outside world. For weeks, neither her family nor her friends knew her whereabouts.After a sham trial that made headlines around the world, the thirty-one-year-old reporter was sentenced to eight years in prison. But following international pressure by family, friends, colleagues, various governments, and total strangers, she was released on appeal on May 11, 2009. Now Saberi breaks her silence to share the full account of her ordeal, describing in vivid detail the methods that Iranian hard-liners are using to try to intimidate and control many of the country's people.In this gripping and inspirational true story, Saberi writes movingly of her imprisonment, her trial, her eventual release, and the faith that helped her through it all. Her recollections are interwoven with insights into Iranian society, the Islamic regime, and U.S.-Iran relations, as well as stories of her fellow prisoners—many of whom were jailed for their pursuit of human rights, including freedom of speech, association, and religion. Saberi gains strength and wisdom from her cellmates who support her throughout a grueling hunger strike and remind her of the humanity that remains, even when they are denied the most basic rights.Between Two Worlds is also a deeply revealing account of this tumultuous country and the ongoing struggle for freedom that is being fought inside Evin Prison and on the streets of Iran. From her heartfelt perspective, Saberi offers a rich, dramatic, and illuminating portrait of Iran as it undergoes a striking, historic transformation.

    The story begins on a blustery day in London, when Maryam Mazar’s dark secrets and troubled past surface violently with tragic consequences for her pregnant daughter, Sara. Burdened by guilt, Maryam leaves her comfortable English home for the remote village in Iran where she was raised and disowned by her father. When Sara decides to follow her she learns the price that her mother had to pay for her freedom and of the love she left behind. Poetic, haunting, and brilliantly crafted, The Saffron Kitchen is sure to entrance fans of Jhumpa Lahiri’s The Namesake and Amy Tan’s The Joy Luck Club.

    Bewildered by the seismic changes in her homeland, she turned her back on the past and spent her teenage years trying to fit in with British attitudes to family, food and freedom. She was twenty-seven before she returned to Iran, drawn inexorably back by memories of her grandmother's house in Abadan, with its traditional inner courtyard, its noisy gatherings and its very walls steeped in history.The Cypress Tree is Kamin's account of her journey home, to rediscover her Iranian self and to discover for the first time the story of her family: a sprawling clan that sprang from humble roots to bloom during the affluent, Biba-clad 1960s, only to be shaken by the horrors of the Iran-Iraq War and the heartbreak of exile, and toughened by the struggle for democracy that continues today.This moving and passionate memoir is a love letter both to Kamin's extraordinary family and to Iran itself, an ancient country which has survived so much modern tumult but where joy and resilience will always triumph over despair.

    Her American grandmother's love affair with an Iranian physician took her from New York to Iran in 1931. Ardalan herself moved from San Francsico to rural Iran in 1964 with her Iranian American parents who barely spoke Farsi. After her parents' divorce, Ardalan joined her father in Brookline, Massachusetts, where he had gone to make a new life; however improbably, after high school, Ardalan decided to move back to an Islamic Iran. When she arrived, she discovered a world she hardly recognized, and one which demands a near-complete renunciation of the freedoms she experienced in the West. In time, she and her young family make the opposite migration and discover the difficulties, however paradoxical, inherent in living a free life in America.

    His young wife, Rakhel, trapped in an oppressive marriage at a time when a woman's worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive.Rakhel's despair is compounded by the pregnancy of her sister-in-law, Khorsheed, and by her husband's growing desire for Kokab, his cousin's wife. Frustrated by his own wife's inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family.Witnessed through the memories of the family's sole surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of the Malacouti family in a long-lost Iran of generations past. Haunting, suspenseful, and inspired by events in the author's own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.

    When we first meet Noor, she is living in San Francisco, missing her beloved father, Zod, in Iran. Now, dragging her stubborn teenage daughter, Lily, with her, she returns to Tehran and to Café Leila, the restaurant her family has been running for three generations. Iran may have changed, but Café Leila, still run by Zod, has stayed blessedly the same - it is a refuge of laughter and solace for its makeshift family of staff and regulars. As Noor revisits her Persian childhood, she must rethink who she is: a mother, a daughter, a woman estranged from her marriage and from her life in California. And together, she and Lily get swept up in the beauty and brutality of Tehran.

    A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories.Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one's mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman--the Pomegranate Lady--find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell--only to once again encounter tragedy.Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging--all with an irresistible sense of life's absurdities.

    Inside his house, the colonel stared at the portrait of the famous military hero –The Colonel, long executed. He thinks of his own children, one of whom died supporting the Shah, another of whom fought for the Ayatollah, another of whom -his fourteen-year old daughter- has been captured handing out leaflets against the regime. The Colonel has fought against the British…he fought for the Shah… he fought for the Ayatollah…he’s dedicated his life to his country…the house is quiet.Could they really be coming…for him?

    Her journey, eloquently and intimately told, is a tribute to the resilience of families everywhere.Andalibian takes us first into her family's tranquil, jasmine-scented days of prosperity in Mashhad, Iran, where she and her brothers grow up in luxury at the Rose Hotel, owned by her father. In the aftermath of the 1979 revolution the family is forces to flee: first to the safety of a mansion in Tehran, next to a squalid one-room flat in London, and finally to California, where they discover they are not free from the weight of their own secrets. Caught between their parents' traditional values and their desire to embrace and American way of life, Andalibian and her brothers struggle to find peace in the wake of tragedy.In the tradition of "The Kite Runner," "House of Sand and Fog," and "Reading Lolita in Tehran," this is a universal story of healing and rebirth.