Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society's dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work. Behind the unflagging mind, "the most consistently intelligent, important, and useful literary critic to have emerged anywhere" (Susan Sontag), lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.

    The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.”Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre."Each sentence evokes a dream logic both languid and circuitous as the governesses move through a fever of domesticity and sexual abandon. A sensualist, surrealist romp."—Kirkus

    H. Auden assembled, edited, and arranged the best of his prose writing, including the famous lectures he delivered as Oxford Professor of Poetry. The result is less a formal collection of essays than an extended and linked series of observations—on poetry, art, and the observation of life in general.The Dyer's Hand is a surprisingly personal, intimate view of the author's mind, whose central focus is poetry—Shakespearean poetry in particular—but whose province is the author's whole experience of the twentieth century.

    Recognising genuis, the judge decides to spare him and gives him instead a small, blank book, encouraging him to confine his thoughts to it alone. Thus begins the seamless blend of fact and fiction that is Samarkand. Vividly re-creating the history of the manuscript of the Rubaiyaat of Omar Khayyam, Amin Maalouf spans continents and centuries with breathtaking vision: the dusky exoticism of 11th-century Persia, with its poetesses and assassins; the same country's struggles nine hundred years later, seen through the eyes of an American academic obsessed with finding the original manuscript; and the fated maiden voyage of the Titanic, whose tragedy led to the Rubaiyaat's final resting place - all are brought to life with keen assurance by this gifted and award-winning writer.

    As his ideas of his life become more entangled with his personal writing, the pangs of his past and his half-forgotten memories overlap and threaten his peace.Owing a debt to French writers from La Fontaine to Proust, the three fable-like tales in The Bear and the Paving Stone are stories of loss, memory and a longing to belong.

    This collection focuses upon the land he knew and loved so well—Normandy. Its people and its countryside are portrayed here in vivid colour and with great warmth. Amusing, saucy, and sometimes even farcical they may be, but they are also capable of great pathos, often branching off to end tragically. It is this skilful and affecting blend of tragedy and comedy, of tears and laughter, which make Maupassant's Normandy Stories the enduring favourites they are today.11 stories:Disc 1. In the country - Pierrot - A Normandy joke - A cock crowed - Old Boniface's crime - The confession - Disc 2. An apparition - The little cask - The castaway - Bombard - Master Belhomme's beast.

    Born in Paris in 1947, Redonnet taught for a number of years in a suburban lycée before deciding to pursue a writing career full time. Since her volume of poetry Le Mort & Cie appeared in 1985, she has published four novels, a novella, numerous short stories, and three dramatic works.In translator Jordan Stump's words, these three novels, "unmistakably fit together, although they have neither characters nor setting in common. Redonnet sees the three novels as a triptych: each panel stands alone, and yet all coalesce to form a whole." Each is narrated by a different woman. Hôtel Splendid recounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp; Forever Valley is about a sixteen-year-old girl who works in a dance-hall and looks for the dead; Rose Mellie Rose is the story of another adolescent girl who assembles a photographic and written record of her life in the dying town of Ôat.Redonnet's novels have been compared to those of Annie Ernaux, Alain Robbe-Grillet, and Samuel Beckett. She has since acknowledged the crucial influence which Beckett's work has had upon her literary work. And yet she is also notably different from the great master of modern literature. "Where Beckett's characters slide almost inevitably toward extinction, resignation, and silence," Stump points out, "Redonnet's display a force for life and creation that borders on the triumphant. . . . [They] retain even in the darkest situations a remarkable persistence, openness, and above all hope, a hope that may well be, however unspectacularly, repaid in the end."

    Includes stunning illustrations by Christoph Niemann. "A novelist who writes in a universal language." --The New York TimesIn The Archer we meet Tetsuya, a man once famous for his prodigious gift with a bow and arrow but who has since retired from public life, and the boy who comes searching for him. The boy has many questions, and in answering them Tetsuya illustrates the way of the bow and the tenets of a meaningful life. Paulo Coelho's story suggests that living without a connection between action and soul cannot fulfill, that a life constricted by fear of rejection or failure is not a life worth living. Instead one must take risks, build courage, and embrace the unexpected journey fate has to offer.With the wisdom, generosity, simplicity, and grace that have made him an international best seller, Paulo Coelho provides the framework for a rewarding life: hard work, passion, purpose, thoughtfulness, the willingness to fail, and the urge to make a difference.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    Translated from the Swedish by Anthony Barnett. P"r Lagerkvist (1891-1974) was one of Sweden's greatest, most prolific, twentieth-century novelists and short story writers. EVENING LAND is the first complete translation of Lagerkvist's ninth and final volume of poetry, the deceptively simple Aftonland (1953). An intensely private man who refused to court publicity, the author was awarded the Nobel Prize in 1951. Barnett's translation (his translation of Robert Giroux's BLANK from the French is also available at SPD) sets straight an earlier, unfinished and otherwise compromised version by W. H. Auden and Leif Sj"berg. "All things exist, only I exist no more, / everything remains, the fragrance of rain in the grass/ as I remember it and the sough of the wind through the trees, / the flight of clouds and the human heart's disquiet.// Only my heart's disquiet no longer exists"-(from "The Dead")

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

    Using the architecture, sculpture, and stained glass of the two locales as a starting point, Adams breathes life into what others might see merely as monuments of a past civilization. With daring and inventive conceits, Adams looks at the ordinary people, places, and events in the context of the social conventions and systems of thought and belief of the thirteenth century turning the study of history into a kind of theater.As Raymond Carney discusses in his introduction, Adams' freeedom from the European traditions of study lends an exuberance—and puckish wit—to his writings.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It is probably semi-autobiographical : Brown was illegitimate and rejected by his father and the village of Barbie is loosely based on Ochiltree in Ayrshire. The brutish John Gourlay is a merchant in the village of Barbie, envied and resented by the villagers because of his success, which is symbolized in his prestigious house with green shutters. He dominates and bullies his family, in particular his sensitive, gifted but weak son. Ultimately, his refusal to acknowledge the arrival of the railway and to adapt to the increasing industrialization of Ayrhire precipitates murder, suicide, and his family's tragic downfall.

    With her stunning follow-up novel, My Phantom Husband--an immediate #1 bestseller--Darrieussecq continued to earn critical acclaim. Undercurrents is her greatest triumph to date. A mother and daughter mysteriously disappear to a deserted seaside town in Spain, but the main character emerges as the sea itself, as Darrieussecq evokes the varied moods and rich palette of the ocean with poetic genius. From seemingly simple events, Darrieussecq deftly plunges the reader into a sensual, surrealistic literary experience grounded in--yet worlds away from--day-to-day reality. Called "truly inspired" by Elle and "gripping" by Le Monde, Undercurrents fulfills and exceeds our expectations of this talented young author.

    With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.