Born with an unshakeable belief that she was destined for greatness, Alma de Bretteville Spreckels (1881-1968) rose from poverty to become one of San Francisco's most powerful women. Alma's humble beginnings and scandalous lifestyle would alienate her from the cream of San Francisco society: she became an artists' model, befriended European royalty, married sugar magnate Adolph Spreckels, lived in the grandest mansion in San Francisco, and at age fifty-seven chartered a plane and eloped with a cowboy. But that same larger-than-life personality was a fruitful asset in the many pursuits that claimed her passions, the most notable of which still stands high on the Golden Gate headlands. Big Alma celebrates the woman who brought Rodin's works to America and built the Palace of the Legion of Honor to hold them.

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    It features unpublished photographs from Shore's influential work that has been widely exhibited in the US but never captured in a book for the general public.

    Mark Kistler's Draw Squad gathers all his zany, effective shortcuts to basic drawing skills into a book that will delight would be artists of all ages. Like his TV show, the thirty lessons in this book are peppered with jokes, tips, and slogans, and organized in easy-to-follow steps. "Warm-up" exercises generate enthusiasm; the "Key Drawing Words" develop specific skills; practice pages are provided for hands-on participation; and the Commander's own lively sketches and "contests" invite you to add your own creative touches. His bubbling energy, flashes of whimsy, and talent as a teacher make learning to draw fun and easy -- even for those who swear they can't draw a straight line!

    Robert Bresson makes some quite radical distinctions between what he terms "cinematography" and something quite different: "cinema"—which is for him nothing but an attempt to photograph theater and use it for the screen.Director of The Trial of Joan of Arc, Pickpocket, A Prisoner Escapes, Diary of a Country Priest, Money, and many other classic films, Robert Bresson is, quite simply, one of the most brilliant cinematographers in the history of film.

    With the friendly medium of polymer clay and the step-by-step instructions in this book, you can achieve the same magical results! Inside, Katherine leads you through then utterly charming projects, such as a sweet little bluebird, a basset hound and a white-tailed fawn. And that's just the start! The "Making Changes" chapter will help you create your own original animal creations by changing poses, making realistic bases, and even modeling your animals to look like bronze, fade and other materials.

    Now updated to include the results of new research, together with significant contributions from the 1990s. Includes writings by critics, philosophers, politicians and literary figures. The editors provide contextual introductions to 340 texts. Complements Art in Theory, 1648–1815 and Art in Theory, 1815–1900 to create a complete survey of the theories underpinning the development of art in the modern period.

    Titillating text messages. It's-not-you-it's-me relationship-enders. In Other People’s Love Letters, Bill Shapiro has searched America’s attics, closets, and cigar boxes and found actual letters–unflinchingly honest missives full of lust, provocation, guilt, and vulnerability–written only for a lover’s eyes. Modern love, of course, is not all bliss, and in these pages you’ll find the full range of a relationship, with its whispered promises as well as its heartache. But what at first appears to be a deliciously voyeuristic peek into other people’s most passionate moments, will ultimately reawaken your own desires and tenderness…because when you read these letters, you’ll find the heart you’re looking into is actually your own.• "i think UR great. wanna have wine & Tequila again sometime?"• "I can't believe you're real, and I think about you constantly in some way or the other all day. I haven't given the finger to anyone driving since I met you."• "With you I learned how to fight cleaner, how to talk things out better, and how to make a strong loving family out of nothing. These are priceless gifts that I will carry with me the rest of my life. One more thing you did for me: you left, and I had to get through it."• "P.S. I look forward to your letters too much to call. Also, where do you stand on chains?"

    As soon as you open the book you will want to pick up a brush and start painting — and whatever your ability, Jean encourages you to simply ‘have a go’ and enjoy the freedom and happiness that painting can bring.Jean’s subjects include animals, landscapes, people and flowers, and there are many examples of Jean’s work throughout the book to both delight and inspire you. Jean takes a highly practical approach to her teaching, and there are numerous short exercises and demonstrations as well as longer projects that guide you through a painting from beginning to end. Wherever you are on your painting journey, Jean will open your eyes to the color and light that surrounds you and show you how to incorporate it into your paintings.

    This astounding volume showcases alluring paintings of sensuous women and strong men, set against mythical, otherworldly backgrounds, and contains over 40 color and black and white illustrations, as well as 8 full pages of new, never before seen or published art work.

    Learn how to choose and mix colors, and create a multitude of effects using only one set of tubes. Discover how to make your own equipment, set up a "studio" space, and use household materials to save money. Beginners can follow processes stage-by-stage, while more experienced artists can dip in and out for help with specific problems. A unique section on how to develop your art and take it to a wider public is full of professional secrets which can bring you success much more quickly. “Try it” and “Fix it” panels placed throughout the book suggest ways of practicing and developing new skills, and avoiding or correcting common painting errors.

    Includes a chronological essay on death in America, as well as a bibliography.Sleeping Beauty is coveted for having played a large role in the rediscovery of the normalcy of postmortem photography. In 1990, Dr. Stanley B. Burns' landmark publication Sleeping Beauty, Memorial in Photography in America, ushered in a new era of appreciation of the importance of these images. Since the publication of Sleeping Beauty, exhibitions based on the 3-book series of memorial images have been created regularly. Perhaps the most prestigious was Le Dernier Portrait at Paris' Musée d'Orsay in 2002. To accompany the exhibit, Sleeping Beauty II: Grief, Bereavement and the Family, American & European Traditions was produced. In 2011, Sleeping Beauty III: Memorial Photography, The Children was written. Numerous other documentarians and feature filmmakers have utilized these poignant photographs, most notably in The Others. The Burns Archive serves as the premier source of images related to death, mourning and medial practices. Postmortem photography is the taking of a photograph of a deceased loved one, and was a normal part of American and European culture in the nineteenth and early twentieth centuries. It has nothing to do with images of violence, crime, or war. Death, and personally dealing with death, was prevalent throughout the entire world as epidemics would come quickly and kill quickly. Advances in medicine removed unexpected death from everyday life and professionals took over. Commissioned by grieving families, postmortem photographs not only helped in the grieving process, but often represented the only visual remembrance of the deceased and were among a family's most precious possessions. Mourning periods were based on family relationships and could last from months to years. Small photographs of the deceased were often carried in lockets or kept close to the body for greater intimacy. As many of the diseases that killed our ancestors were conquered and photography advanced during the century, society grew more and more distant from death, and practices, styles, and traditions of mourning and memorialization changed.The earliest postmortem photographs were often close-ups of the face or full body, at times depicted to appear lifelike or napping. Children were often positioned in a crib, posed with a favorite toy, or with a family member, most often the mother. Later photographs depict the subject in a coffin. Flowers, like forget-me-nots and calla lilies, were common in postmortem photography of all types. Later photographic memorials involve a shrine usually including a living portrait and flowers dedicated to the deceased.

    30 color photos.ContentsThe Creation of Water • (1994) • short storyTwilight in the Cupboard • (1994) • short storyAmok Harvest • (1994) • short storyTheory of Tension • (1994) • short storyBack to Nature • (1994) • short storyInternal Inspection • (1994) • short storyMetropolis II • (1994) • short storyIn the Oligocenskie Gardens • (1994) • short storyEurope • (1994) • short storyFever • (1994) • short storyAttack at Dawn • (1994) • short story; interior artwork is a variant of the cover artSusan • (1993) • short storyBetween Heaven and Hell • (1994) • short storyShed of Rebellion • (1994) • short storyTo Each His Own • (1994) • short storyEruption • (1993) • short storyThe Inquisition • (1994) • short storyBeneath the Dunes • (1994) • short storyThe Silence • (1994) • short storyDarkness Falls on the River • (1994) • short storyParadise • (1994) • short storyExpress Delivery • (1994) • short storyThe Agitators • (1994) • short storyTruancy at the Pond • (1994) • short storyAmmonite • (1994) • short storyBase • (1994) • short storyForaging in the Field • (1994) • short storyTraffic Prohibited • (1994) • short storyAfternoon with the Bros. Grimm • (1994) • short storyThe Cosmic Barnyard • (1994) • short storyUnder the Landscape • (1994) • short storyEllison Wonderland • (1994) • short storyPlease Don't Slam the Door • (1994) • short storyAfterthoughts • (1994) • essay

    “I have attained a form filtered to its essentials.” Cutting dynamic shapes from painted paper, Matisse created his images. While producing pieces for Jazz, the artist used a large brush to write notes to himself on construction paper. The simple visual appearance of the words pleased Matisse, and he suggested using his reflective handwritten thoughts in juxtaposition with the images. The original edition of Jazz was an artist’s book, printed in a limited quantity. This selection from the original is an exquisite suite of color plates and text that, like the music it was named for, was invented in a spirit of improvisation and spontaneity. These magnificent cut-outs of pure color celebrate the radiance and emotional intensity of the artist’s oeuvre.

    Readers can then go on their own journey by completing the fifty creative, art-inspired challenges designed by Kristina herself. This is the perfect gift not only for artists but for anyone wanting to awaken their inner creative. Featuring Kristina's beautiful custom art throughout, Color Me Creative will help readers escape the ordinary and unlock their imagination.This book offers readers the chance to download the free Unbound app to access interactive features and bonus videos by scanning the customized icon that appears throughout the book, including never-before-seen home videos and videos of Kristina drawing.