Only one ship survived.It only survived because it found a vast swath of alien planets, all terraformed, all utterly abandoned. Alien megastructures cold and lifeless. Alien vehicles left in panicked lines, sealed from the inside, no corpses within. Empty space stations, with no one to run them but the dust. Resources everywhere, ripe for the taking.But Fortune is different. Of all the planets colonized by humans after the chaos of Migration, this single, jungle-infested colony on the very edge of the known universe holds the key to the alien collapse…and to humanity’s survival. Everywhere else, advanced alien ruins mar every surface, every planetoid, every debris ring and asteroid, but of the creatures that made them, there is no sign. On Fortune, something survives…Unfortunately for humanity, while time is running out, a rebellion is brewing, one that could save our species—or consign it to dust like the aliens that came before us. Now, seven hundred years after our first brush with extinction, the fate of the human race once again rests on the shoulders of a few: a seven-year-old sociopath and her combat-gifted big sister, a man who’s dreamed of the future, an infamous smuggler, and a Coalition pilot sworn to destroy the rebel cause.This time, however, the stakes are higher. For lurking on Fortune is a secret.An epic, post-apocalyptic science fiction adventure that will make you hold your breath, cry, curse the powers that be, and in the end question what, exactly, it means to be human. *FOR CURRENT FANS OF THE OUTER BOUNDS SERIES: This is the THIRD edition of Outer Bounds 1: Fortune's Rising. To celebrate the return of the Outer Bounds' series to its creator, Sara King added a bonus 17,500 word novella to this edition detailing Anna's rescue of Milar from the Nephyrs, as well as some fantastic book-derived art by bestselling graphic artist Lance MacCarty. It also has timeline fixes and minor edits to better synch it with the rest of the series. Plus it just looks cooler.

    Dick—that unfolds in the near future, in parallel worlds.In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.

    And it isn’t even the strangest thing to happen to him that week.Nick and his Dungeons & Dragons-playing friends are used to living in their imaginations. But when a new girl, Mia, joins the group and reality becomes weirder than the fantasy world they visit in their weekly games, none of them are prepared for what comes next. A strange—yet curiously familiar—man is following Nick, with abilities that just shouldn’t exist. And this man bears a cryptic message: Mia’s in grave danger, though she doesn’t know it yet. She needs Nick’s help—now.He finds himself in a race against time to unravel an impossible mystery and save the girl. And all that stands in his way is a probably terminal disease, a knife-wielding maniac and the laws of physics.Challenge accepted.

    Their charter was for a Class III uninhabited planet, which Zarathustra was, and it meant they owned the planet lock stock and barrel. They exploited it, developed it and reaped the huge profits from it without interference from the Colonial Government. Then Jack Holloway, a sunstone prospector, appeared on the scene with his family of Fuzzies and the passionate conviction that they were not cute animals but little people.

    Venus, being almost the same mass as Earth, is chosen over Mars as humanity’s first permanent steppingstone into the universe.Arik Ockley is part of the first generation to be born and raised off-Earth. After a puzzling accident, Arik wakes up to find that his wife is almost three months pregnant. Since the colony’s environmental systems cannot safely support any increases in population, Arik immediately resumes his work on AP, or artificial photosynthesis, in order to save the life of his unborn child. Arik’s new and frantic research uncovers startling truths about the planet, and about the distorted reality the founders of the colony have constructed for Arik’s entire generation. Everything Arik has ever known is called into question, and he must figure out the right path for himself, his wife, and his unborn daughter.

     When Dan McCarthy stumbles upon a folder containing evidence of the conspiracy to end all conspiracies -- a top-level alien cover-up -- he leaks the files without a second thought. The incredible truth revealed by Dan’s leak immediately captures the public’s imagination, but Dan’s relentless commitment to exposing the cover-up and forcing disclosure quickly earns him some enemies in high places. For his whole life, Dan McCarthy has searched for a reason to believe. Now that he finally has one, he might soon wish he didn’t... Not Alone is a standalone tale of contact and disclosure for the 21st century. [approx. 850 pages]

    When William III of England commissioned Capt. William Kidd to command the first expedition to Mars in the late 1600s, they proved that space travel was both possible and profitable. Now, one century later, a plantation in the flourishing British colony on Mars is home to Arabella Ashby. A tomboy who shares her father's deft hand with complex automatons. Being raised on the Martian frontier by her Martian nanny, Arabella is more a wild child than a proper young lady. Something her mother plans to remedy with a move to an exotic world Arabella has never seen: London, England. Arabella soon finds herself trying to navigate an alien world until a dramatic change in her family's circumstances forces her to defy all conventions in order to return to Mars in order to save both her brother and the plantation. To do this, Arabella must pass as a boy on the Diana, a ship serving the Mars Trading Company with a mysterious Indian captain who is intrigued by her knack with automatons. Arabella must weather the naval war between Britain and France, learning how to sail, and a mutinous crew if she hopes to save her brother from certain death.

    He prefers the term finder.His latest job should be simple. Find the spacecraft Venetia's Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He'll slip in, decode the ship's compromised AI security, and get out of town, Sword in hand.Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a gas-giant-harvesting colony called Cernee. But Fergus' arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger's enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly--and inconveniently--invested in the lives of the locals.It doesn't help that a dangerous alien species thought mythical prove unsettlingly real, and their ominous triangle ships keep following Fergus around.Foolhardy. Eccentric. Reckless. Whatever he's called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    And that was the good news. The Ruhar hit us on Columbus Day. There we were, innocently drifting along the cosmos on our little blue marble, like the native Americans in 1492. Over the horizon come ships of a technologically advanced, aggressive culture, and BAM! There go the good old days, when humans only got killed by each other. So, Columbus Day. It fits. When the morning sky twinkled again, this time with Kristang starships jumping in to hammer the Ruhar, we thought we were saved. The UN Expeditionary Force hitched a ride on Kristang ships to fight the Ruhar, wherever our new allies thought we could be useful. So, I went from fighting with the US Army in Nigeria, to fighting in space. It was lies, all of it. We shouldn't even be fighting the Ruhar, they aren't our enemy, our allies are. I'd better start at the beginning....

    But what if this transcendent level of intelligence brings with it a ruthless megalomania? David Desh left the special forces after his team was brutally butchered in Iran. Now he has been reactivated for one last mission: find Kira Miller, the enigmatic genius behind a bioterror plot that threatens millions. But when Desh learns that the bioterror plot is just the tip of the iceberg, he is thrust into a byzantine maze of deception and intrigue, and he becomes a key player in a deadly game he can't begin to understand. A game that is certain to have a dramatic impact on the future course of human history. . .

    It’s even harder for a robot named Mack Megaton, a hulking machine designed to bring mankind to its knees. But Mack’s not interested in world domination. He’s just a bot trying to get by, trying to demonstrate that he isn’t just an automated smashing machine, and to earn his citizenship in the process. It should be as easy as crushing a tank for Mack, but some bots just can’t catch a break.When Mack’s neighbors are kidnapped, Mack sets off on a journey through the dark alleys and gleaming skyscrapers of Empire City. Along the way, he runs afoul of a talking gorilla, a brainy dame, a mutant lowlife, a little green mob boss, and the secret conspiracy at the heart of Empire’s founders---not to mention more trouble than he bargained for. What started out as one missing family becomes a battle for the future of Empire and every citizen that calls her home.

    Forty stories. On May 25, 1977, the world was introduced to Han, Luke, Leia, a pair of droids, a Wookiee, an old wizard, a villain in black, and a galaxy full of possibilities. Forty years on, Star Wars remains an unparalleled cultural phenomenon, having inspired and influenced generations of fans and creators. Decades of rich storytelling were sparked by one film, in part because the Star Wars galaxy feels alive. Strange and wonderful characters fill the edges of the screen and make us wonder:What are their stories?This unique anthology celebrates that legacy, as more than forty contributors lend their vision to this retelling of the original Star Wars film. Each of the forty stories reimagines a moment from the film through the eyes of a supporting character. From A Certain Point of View features contributions by bestselling authors, trendsetting artists, and treasured voices from the literary history of Star Wars:- Gary Whitta bridges the gap from Rogue One to A New Hope through the eyes of Captain Antilles.- Aunt Beru finds her voice in an intimate character study by Meg Cabot.- Nnedi Okorafor brings dignity and depth to a most unlikely character: the monster in the trash compactor.- Pablo Hidalgo provides a chilling glimpse inside the mind of Grand Moff Tarkin.- Wil Wheaton spins a poignant tale of the rebels left behind on Yavin.- Plus thirty-five more hilarious, heartbreaking, and astonishing tales.Experience the story of Star Wars from a whole new point of view.

    With no family or connections to find a ship, he is forced to service on an interstellar freighter known to be hunted by pirates. When he takes drastic action to save the "Blue Jay" from their pursuers, he sets in motion a sequence of events beyond his control - and attracts enemies on both sides of the law! Starship's Mage was originally released as five separate episodes.