Dick, Larry Niven, Fritz Leiber, Poul Anderson, Damon Knight, J.G. Ballard, John Brunner, Frederik Pohl, Roger Zelazny and Samuel Delany.Contentsxi • Foreword: Year 2002 (Dangerous Visions 35th Anniversary Edition) • (2002) • essay by Michael Moorcockxiii • Introduction: Year 2002 (Dangerous Visions 35th Anniversary Edition • (2002) • essay by Harlan Ellisonxxiii • Foreword 1-The Second Revolution • (1967) • essay by Isaac Asimovxxxiii • Introduction: Thirty-Two Soothsayers • (1967) • essay by Harlan Ellison (variant of Thirty-Two Soothsayers)xxxix • Foreword 2-Harlan and I • (1967) • essay by Isaac Asimov1 • Evensong • (1967) • shortstory by Lester del Rey9 • Flies • (1967) • shortstory by Robert Silverberg21 • The Day After the Day the Martians Came • (1967) • shortstory by Frederik Pohl (variant of The Day the Martians Came)30 • Riders of the Purple Wage • (1967) • novella by Philip José Farmer105 • The Malley System • (1967) • shortstory by Miriam Allen deFord115 • A Toy for Juliette • (1967) • shortstory by Robert Bloch128 • The Prowler in the City at the Edge of the World • (1967) • novelette by Harlan Ellison154 • The Night That All Time Broke Out • (1967) • shortstory by Brian W. Aldiss169 • The Man Who Went to the Moon - Twice • (1967) • shortstory by Howard Rodman181 • Faith of Our Fathers • (1967) • novelette by Philip K. Dick216 • The Jigsaw Man • [Known Space] • (1967) • shortstory by Larry Niven231 • Gonna Roll the Bones • (1967) • novelette by Fritz Leiber256 • Lord Randy, My Son • (1967) • shortstory by Joe L. Hensley272 • Eutopia • (1967) • novelette by Poul Anderson295 • Incident in Moderan • [Moderan] • (1967) • shortstory by David R. Bunch299 • The Escaping • (1967) • shortstory by David R. Bunch305 • The Doll-House • (1967) • shortstory by James Cross326 • Sex and/or Mr. Morrison • (1967) • shortstory by Carol Emshwiller338 • Shall the Dust Praise Thee? • (1967) • shortstory by Damon Knight344 • If All Men Were Brothers, Would You Let One Marry Your Sister? • (1967) • novella by Theodore Sturgeon390 • What Happened to Auguste Clarot? • (1967) • shortstory by Larry Eisenberg396 • Ersatz • (1967) • shortstory by Henry Slesar404 • Go, Go, Go, Said the Bird • (1967) • shortstory by Sonya Dorman412 • The Happy Breed • (1967) • shortstory by John Sladek [as by John T. Sladek ]433 • Encounter with a Hick • (1967) • shortstory by Jonathan Brand439 • From the Government Printing Office • (1967) • shortstory by Kris Neville447 • Land of the Great Horses • (1967) • shortstory by R. A. Lafferty458 • The Recognition • (1967) • shortstory by J. G. Ballard472 • Judas • (1967) • shortstory by John Brunner483 • Test to Destruction • (1967) • novelette by Keith Laumer510 • Carcinoma Angels • (1967) • shortstory by Norman Spinrad523 • Auto-da-Fé • (1967) • shortstory by Roger Zelazny532 • Aye, and Gomorrah . . . • (1967) • shortstory by Samuel R. Delany

    The RIFT Saga begins here.In the ruins of what was once North America lays the Covenant, a nation forged by the iron will of the Moon people, who descended from their dusty refuge on the Moon after the Fall. The Moon people are wealthy, ruled by a strong government who protects its citizens from the dangers from outside their borders. Their greatest achievement is having learned the secret of immortality, and every citizen has the opportunity to live nearly forever if they choose to, a life of riches and abundance.The English are the descendants of the original inhabitants of this place, and they live very different lives from that of the Moon people. They only live to serve the greater good, and citizenship is something few have the opportunity to earn. At the age of fifty all non-citizens are subjected to mandatory euthanasia. In order to maintain a sustainable society, they are told.Every year a number of girls and boys at the age of eighteen are selected for Service to the State. The brightest and most talented are sent to become Students. The strong, the fighters and the athletes become Janissaries, a band of soldiers protecting the northern border from the enemies of the Covenant. The Wardens, a secretive organization known to operate far to the west, near the Rift, which makes up the border to the wastelands, sometimes choses one or two initiates, but nobody knows what becomes of them. And then there is the Corpus, where the whip rules and backs are bent.Those who complete their Service, may become citizens. And although they will never be equal to the Moon people, they will have access to all the riches and opportunities granted by the Covenant leadership to its citizens.As Sue is nearing Selection Day, she secretly hopes to be chosen, despite having to leave her mother and brother behind. She doesn't crave glory or wealth though. A man or woman with citizen status can do a lot of good, and although few return to their home towns, Sue hopes to return to give her family a better life on the other side of Service.But the Covenant is rotten to the core, and as she begins to learn its secrets, Sue must question everything she has always taken for granted. Soon she will find herself in dire peril, for she has seen the truth and there will be no turning back after that...This science fiction dystopian trilogy is set more than two centuries after the events of Exodus, in a future dystopian society forged from the ashes of global disaster."Mr. Christensen has absolutely found his genre, and I hope he keeps the stories coming!"

    360 different colours. Which one will you get?Young people on the Midwich Estate don't have much hope for their futures. Keisha has lived there her whole life, and has been working hard to escape it; others have just accepted their lot.But change is coming...One night everyone inside Midwich Tower falls mysteriously unconscious in one inexplicable 'Nightout'. No one can explain what happened during those lost hours, but soon afterwards Keisha and three other girls find they're pregnant - and the babies are growing at an alarming rate.As the news spreads around the tower its residents turn against them and the situation spirals toward violence. Keisha's life unravels as she realises that the pregnancy may not have just ruined her hopes for the future: she might be mother to the end of the world.The Fallen Children is a story of violation, of judgment and of young people who must fight to defy what is expected of them.

    For the interstellar Unity of the Ceylesian Arm, Stittara is the primary source of anagathics: drugs that have more than doubled the human life span. But the ecological balance that makes anagathics possible on Stittara is fragile, and the Unity government has a vital interest in making sure the flow of longevity drugs remains uninterrupted, even if it means uprooting the human settlements.Offered the job of assessing the ecological impact of the human presence on Stittara, freelance consultant Dr. Paulo Verano jumps at the chance to escape the ruin of his personal life. He gets far more than he bargained for: Stittara’s atmosphere is populated with skytubes—gigantic, mysterious airborne organisms that drift like clouds above the surface of the planet. Their exact nature has eluded humanity for centuries, but Verano believes his conclusions about Stittara may hinge on understanding the skytubes’ role in the planet’s ecology—if he survives the hurricane winds, distrustful settlers, and secret agendas that impede his investigation at every turn.The book also includes the short story "New World Blues" (2012)which is based on the same painting that graces the cover of the book.

    He crafts enigmas set to entrap you. When Ellison sees where a story is going, he figures—since he’s writing for the smartest readers alive—you do, too. So he stops and turns left. Or right. Or widdershins. Or digs a cave with 200 tunnels.Can & Can’tankerous gathers ten previously uncollected tales from the fifth and sixth decades of Harlan Ellison’s professional writing career: a written-in-the-window endeavor that invites re-reading from the start before you’ve even finished it; a second entry in his (now) ongoing abcedarian sequence; a “lost” pulp tale re-cast as a retro-fable; a melancholy meditation for departed friend and fellow legend, Ray Bradbury; a 2001 revision of a 1956 original; an absurdist ascent toward enlightenment (or its gluten-free substitute); a 200-word exercise in not following the directions as written (with a special introduction by Neil Gaiman that weighs in at four times the word count of its subject); a fantastical lament for a bottom-line world; the 2011 Nebula Award-winning short story; and Ellison’s most recent offering, a fusion of fact and fiction that calls to mind Russ’s frustration and Moorcock’s metaphor while offering a solution to the story’s enigma in plain view.Strokes be damned! Ellison’s still here! HE’s still writing! And with more new books published in the last ten years than any preceding decade of his career, his third act is proving to be the kind other living legends envy.

    He lost his wife and son, lost everything, and was bound into service to a man who chews up human lives and spits them out, a predator who holds nothing dear and respects no law. Now, as the man he both loves and hates lies dying at his feet, the sounds of the explosion still ringing in his ears, Cason is finally free. The gods and goddesses are real. A polytheistic pantheon—a tangle of divine hierarchies—once kept the world at an arm’s length, warring with one another for mankind’s belief and devotion. It was a grim and bloody balance, but a balance just the same. When one god triumphed, driving all other gods out of Heaven, it was back to the bad old days: cults and sycophants, and the terrible retribution the gods visit on those who spite them. None of which is going to stop Cason from getting back what’s his...

    Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world.Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.

    Dick—that unfolds in the near future, in parallel worlds.In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.

    Welcome to Bridge City, in what was once Arkansas: part medieval fortress, part Western outpost, and the precarious last stand for civilization. A ten-year-old prodigy when the world ended, Gus is now a battle-hardened young man. He designed Bridge City to protect the living few from the shamblers eternally at the gates. Now he’s being groomed by his physician mother, Lucy, and the gentle giant Knock-Out to become the next leader of men. But an army of slavers is on its way, and the war they’ll wage for the city’s resources could mean the end of mankind as we know it. Can Gus become humanity’s savior? And if so, will it mean becoming a dictator, a martyr . . . or maybe something far worse than even the zombies that plague the land?

    Blackstone has the impunity to destroy—or create—as it sees fit.Infinity “Finn” Blackstone is the seventeen-year-old daughter of Blackstone’s reclusive CEO—but she’s never even met him. When disturbing dreams about a past she doesn’t remember begin to torment her, Finn knows there’s only one person who can provide answers: her father.After Finn and an elite group of peers are invited to Blackstone’s top-secret HQ, Finn realizes she may have a chance to confront her father. But when a highly sophisticated company AI morphs into a killing machine, the trip descends into chaos. Trapped inside shape-shifting walls, Finn and her friends are at the mercy of an all-seeing intelligence that will destroy everything to get to her.With no hope of help, Finn’s dream-memories may be the only chance of survival. But will she remember in time to save her own life and the lives of those around her?

    It is a dark and terrifying place, hidden from the world we know by borders that only the most unfortunate of souls will ever cross.James Halldon woke up in the dark, alone, without any food or water, without a clue where he was, and with no memory of where he came from.It only got stranger.James has somehow found his way to The Corridor, a midnight place that no human should ever see and the prison of a creature that has destroyed entire worlds. Somehow James has to learn to survive.But he is not alone. The lost souls of others who have drifted into The Corridor, and died, also haunt this world, and they have been waiting a long time for someone to come along.The Journal of James Halldon is a dark sci-fi novel that follows Halldon's struggle to survive whilst trying to understand the strange, dark, and terrifying world in which he is trapped.If it's dark when you wake up, and you can hear growling, then close your eyes and maybe it will go away.But maybe it won't...

    But when a little old lady turns up dead and the cops confiscate her last paycheck, she’s forced to take on her least favourite kind of job – missing persons.Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell’s undertow.Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she’ll be forced to confront the dark secrets of former lives – including her own.

    Reprint.

    What kind of world have we made, where human beings can live centuries if only they can afford the fix? What kind of creatures have we become? The same as we always were, but keener.In the ancient heart of Oxford University, the ultra-rich celebrate their vastly extended lifespans. But a few surprises are in store for them. From Nina and Alex, Margo and Fidget, scruffy anarchists sharing living space with an ever-shifting cast of crusty punks and lost kids. And also from the scientist who invented the longevity treatment in the first place.Everything Belongs to the Future is a bloody-minded tale of time, betrayal, desperation, and hope that could only have been told by the inimitable Laurie Penny.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    That's what fifteen-year-old Aubrey VanHouten learns when he stumbles onto a post-apocalyptic paradise where the few remaining humans live on the run from deadly drones controlled by a mysterious Park Service. Torn between loyalty to his new best friend and trusting the girl of his dreams, Aubrey must learn to survive in a world he never dreamed existed while searching for answers to why everything he was taught is a lie. Beautifully written with challenging moral dilemmas and heart-melting friendships, The Park Service trilogy is an epic coming-of-age-story that will inspire and delight readers young and old.