“We Have Always Fought” is the title of the first blog post to be nominated for a Hugo Award, and is included in this collection.

    Now, award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches National Park in Utah, braiding their stories and asking how they speak to the lives of all those who care about the West.These two great westerners had very different ideas about what it meant to love the land and try to care for it, and they did so in distinctly different styles. Boozy, lustful, and irascible, Abbey was best known as the author of the novel The Monkey Wrench Gang (and also of the classic nature memoir Desert Solitaire), famous for spawning the idea of guerrilla actions—known to admirers as "monkeywrenching" and to law enforcement as domestic terrorism—to disrupt commercial exploitation of western lands. By contrast, Stegner, a buttoned-down, disciplined, faithful family man and devoted professor of creative writing, dedicated himself to working through the system to protect western sites such as Dinosaur National Monument in Colorado.In a region beset by droughts and fires, by fracking and drilling, and by an ever-growing population that seems to be in the process of loving the West to death, Gessner asks: how might these two farseeing environmental thinkers have responded to the crisis?Gessner takes us on an inspiring, entertaining journey as he renews his own commitment to cultivating a meaningful relationship with the wild, confronting American overconsumption, and fighting environmental injustice—all while reawakening the thrill of the words of his two great heroes.

    From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

    Selection includes the following: RALPH WALDO EMERSON: Art, Character, Circles, Compensation, Divinity School Address, Experience, Friendship, Gifts, Heroism, History, Intellect, Literary Ethics, Love, Man the Reformer, Nature, New England Reformers, Nominalist and Realist, Politics, Prudence, Representative Men, Self-Reliance, The American Scholar, The Conservative, The Method of Nature, The Over-Soul, The Poet, The Transcendentalist, The Young American, HENRY DAVID THOREAU: An Excursion to Canada, A Plea for Captain John Brown, A Week on the Concord and Merrimack Rivers, Autumnal Tints, Civil Disobedience, Life Without Principle, Night and Moonlight, Slavery in Massachusetts, The Landlord, Walden, Walking

    You should never quit your day job, but your ultimate goal should be to quit your day job. It's an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it's really like to make art in a world that runs on money-and why it matters.

    Color photos.

    Whether she is contemplating the Grand Canyon, her vegetable garden, motherhood, genetic engineering, or the future of a nation founded on the best of all human impulses, these essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in both those places.Sometimes grave, occasionally hilarious, and ultimately persuasive, Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.

    Equally amazing is the manner in which his stories unfold, from a lovely description of how rainbows are made, to the water clear logic in his refutation of the "judo arguments" - scientific proofs of the existence of God. Provocative, entertaining, and, as always, generously interspersed with sparkling Asimov wit, The Planet That Wasn't debunks old myths and offers fresh perspectives on the wonders of our solar system and ourselves.-from the back cover of the Avon paperback edition

    The result is a lyrical and piercingly insightful collection of essays, letters (to her grandmother, to the basketball star Michael Jordan, to Death), and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today.

    His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller's life work. "I suspect," writes Durrell in his Introduction, "that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller's birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

    The famous writers of the past, like Vita Sackville-West, Gertrude Jekyll, Elizabeth von Arnim (author of Enchanted April), and Beverley Nichols rub shoulders with the garden columnists and book authors of today, such as longtime Washington Post columnist Henry Mitchell, Christopher Lloyd, and Ken Druse.As all gardeners know, thinking about plants and gardens leads one to speculate about life, love, triumph and despair, obsession, and death. These authors cover it all, not just in metaphor, although they are expert at the well-turned phrase and the classic image, but in garden practicalities, too. Perhaps only in the best garden essay can the design of shovels, the number of worms in the soil, and raves about the newest kind of perennial co-exist comfortably with ruminations on mortality, the soul, and the nature of beauty. Lest this sound too serious, all is laced with humor; Henry Mitchell's hounds lie about the garden beds, crushing his latest peony, and Charles Kuralt complains about how he missed his favorite daffodil when CBS News had the nerve to send him to Moscow in April for an unfortunately scheduled summit conference."Half the interest of a garden is the constant exercise of the imagination," said Alice Morse Earle in 1897. We are fortunate that these writers had enough imagination to both garden and to write about it and that Jane Garmey had the imagination to gather such a variety of well-chosen garden voices. --Valerie Easton

    They describe the comics and childhood classics that first inspired them to read, and what today continues to do so. Contributors include Catherine Cookson, Jeanette Winterson, John Mortimer and Sue Townsend.

    After all it can’t be easy to be sixteen with a hairless “undistinguishable from that of a five year old’s.”This wonderfully entertaining memoir is a touching and humorous look at life in New York City. But this is life for an author who can proclaim “my first sexual experience was rather old-fashioned: it was with a prostitute”–an author who can talk about his desire to be a model for the Hair Club for Men and about meeting his son for the first time. Often insightful, sometimes tender, always witty and self-deprecating, What’s Not to Love? is an engaging memoir from one of our most funny, most daring writers.

    Many readers will jump straight to Ron Rosenbaum's "Sex Week at Yale," an entertaining exposé of how academics can give their audience a headache when they yammer on about sex. Even the most science-wary readers will enjoy Peggy Orenstein's "Where Have All the Lisas Gone?" about trends in naming babies. Bird lovers (and cat haters) will laugh out loud at the Letters to the Bird Brain collected in Michael O'Connor's "Bird Watcher's General Store." And ailurophiles will be stunned by Robert Sapolsky's report ("Bugs in the Brain") on how the pathogen that causes toxoplasmosis alters its carriers' (rodents) brains so they no longer fear their number one predator (cats). Medical buffs will look for Atul Gawande's extended profile of the amazing Francis Moore, a pioneer in treatment of burns, nuclear medicine, hormone replacement therapies and organ transplants. Both Pinker's choice of subjects (linguistics, psychology) as well as sources (The American Conservative, The Cape Codder) range happily beyond the usual suspects; everyone will find something they haven't already read. The collection is recommended for intellectually omnivorous readers in this and all other universes.Introduction / Steven Pinker --Genesis of suicide terrorism / Scott Atran --The battle for your brain / Ronald Bailey --Fearing the worst should anyone produce a cloned baby / Philip M. Boffey --The bittersweet science / Austin Bunn --The new celebrity / Jennet Conant --The mythical threat of genetic determinism / Daniel C. Dennett --We're all gonna die! / Gregg Easterbrook --Far-out television / Garrett G. Fagan --A war on obesity, not the obese / Jeffrey M. Friedman --Desperate measures / Atul Gawande --The stuff of genes / Horace Freeland Judson --The bloody crossroads of grammar and politics / Geoffrey Nunberg --Ask the bird folks / Mike O'Connor --Where have all the lisas gone? / Peggy Orenstein --The design of your life / Virginia Postrel --Caring for your introvert / Jonathan Rauch --All the old sciences have starring roles / Chet Raymo --Sex week at Yale / Ron Rosenbaum --The cousin marriage conundrum / Steve Sailer --Bugs in the brain / Robert Sapolsky --Through the eye of an octopus / Eric Scigliano --Captivated / Meredith F. Small --Parallel universes / Max Tegmark --In click languages, an echo of the tongues of the ancients / Nicholas Wade --A prolific Genghis Khan, it seems, helped people the world / Nicholas Wade

    Earning bylines in magazines and literary journals is a terrific way to get noticed and earn future opportunities in both short- and long-form writing.Writing & Selling Short Stories & Personal Essays capitalizes on the popularity of these genres by instructing on the two key steps to publishing short works: crafting excellent pieces and successfully submitting them. You'll learn how to:Develop different craft elements--including point of view, character, dialogue, scene writing, and more--specifically for short stories and essays.Recognize the qualities of excellent short works, using examples from recently published stories and essays in major journals.Understand the business of writing short, from categorizing your work and meeting submission guidelines to networking and submitting to writing contests.Master the five-step process for submitting and selling like a pro.Featuring advice and examples from a multitude of published authors, Writing & Selling Short Stories & Personal Essays is a must-have for any writer's bookshelf.