The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events. In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

    Predictably, they get picked off one by one by an unseen murderer. Is there a madman on the loose? What connection is there to the earlier murders? The answer is a bombshell revelation which few readers will see coming. The Decagon House Murders is a milestone in the history of detective fiction. Published in 1987, it is credited with launching the shinhonkaku movement which restored Golden Age style plotting and fair-play clues to the Japanese mystery scene, which had been dominated by the social school of mystery for several decades. It is also said to have influenced the development of the wildly popular anime movement.This, the first English edition, contains a lengthy introduction by the maestro of Japanese mystery fiction, Soji Shimada.

    He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    Here Coover is at the top of his form; and Noir is a true page-turner--wry, absurd, and desolate. You are Philip M. Noir, Private Investigator. A mysterious young widow hires you to find her husband's killer--if he was killed. Then your client is killed and her body disappears--if she was your client. Your search for clues takes you through all levels of the city, from classy lounges to lowlife dives, from jazz bars to a rich sex kitten's bedroom, from yachts to the morgue. "The Case of the Vanishing Black Widow" unfolds over five days aboveground and three or four in smugglers' tunnels, though flashback and anecdote, and expands time into something much larger. You don't always get the joke, though most people think what's happening is still pretty funny.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    Born in Shanghai during the chaos of World War I, he is the son of an aristocratic Russian mother and a mysterious German father and is the protégé of a Japanese Go master. Hel survived the destruction of Hiroshima to emerge as the world’s most artful lover and its most accomplished—and well-paid—assassin. Hel is a genius, a mystic, and a master of language and culture, and his secret is his determination to attain a rare kind of personal excellence, a state of effortless perfection known only as shibumi.Now living in an isolated mountain fortress with his exquisite mistress, Hel is unwillingly drawn back into the life he’d tried to leave behind when a beautiful young stranger arrives at his door, seeking help and refuge. It soon becomes clear that Hel is being tracked by his most sinister enemy—a supermonolith of international espionage known only as the Mother Company. The battle lines are drawn: ruthless power and corruption on one side, and on the other . . . shibumi.

    In this critically-acclaimed debut, Min Jin Lee tells not only Casey's story, but also those of her sheltered mother, scarred father, and friends both Korean and Caucasian, exposing the astonishing layers of a community clinging to its old ways and a city packed with struggling haves and have-nots.

    But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's name, and begins an investigation of his own...

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    After the previous detective working the case killed himself, Iwata and Sakai are assigned to investigate the slaughter of an entire family, a brutal murder with no clear motive or killer. At the crime scene, they find puzzling ritualistic details. Black smudges. A strange incense smell. And a symbol—a large black sun. Iwata doesn’t know what the symbol means but he knows what the killer means by it: I am here. I am not finished. As Iwata investigates, it becomes clear that these murders by the Black Sun Killer are not the first, nor the last attached to that symbol. As he tries to track down the history of black sun symbol, puzzle out the motive for the crime, and connect this to other murders, Iwata finds himself racing another clock—the superiors who are trying to have him removed for good. Haunted by his own past, his inability to sleep, and a song, ‘Blue Light Yokohama,’ Iwata is at the center of a compelling, brilliantly moody, layered novel sure to be one of the most talked about debuts in 2017.Praise for Blue Light Yokohama:"Obregón is a bright, sophisticated new voice in crime fiction: his writing sings at you, reverberates, makes you consider more than just the urgent clamour of his novel’s well-hewn murder plot. In Inspector Iwata, he has created a quiet, troubled hero whom readers will be sure to follow from one disturbing, atmospheric story to the next." Benjamin Wood (Shortlisted for The Sunday Times/Peters Fraser & Dunlop Young Writer of the Year Award 2016) "A twisty, highly entertaining thriller that pulls us into the heart of an unconventional hero as he fights corruption in the gritty, glittering world of Tokyo."Julia Heaberlin(Author of Black-Eyed Susans) "With its Japanese setting and characters, Blue Light Yokohama offers up a bold and refreshingly different take on the serial killer tale." Simon Beckett(Author of the David Hunter series) "Obregón's full-bodied prose is by turns gritty and poetic, and it's consistently energetic. Given the terrific chemistry between the two lead detectives, here's hoping this debut novel kicks off a new series."Kirkus Reviews "Poetic, chilling and mesmerising storytelling." Ragnar Jónasson(Author of the Dark Iceland series)

    After this first encounter, Tsukiko and Sensei continue to meet. Together, they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their friendship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more.

    Once a successful lawyer, Loursat now guzzles burgundy and buries himself in books, taking little notice of his teenage daughter or the odd things going on in his vast and ever-more-dilapidated mansion. But one night the sound of a gunshot penetrates the padded walls of Loursat’s study, and he is forced to investigate. What he stumbles on is a murder.Soon Loursat discovers that his daughter and her friends have been leading a dangerous secret life. He finds himself strangely drawn to this group of young people, and when one of them is accused of the murder, he astonishes the world by taking up the young man’s defense.In The Strangers in the House, Georges Simenon, master chronicler of the dark side of the human heart, gives us a detective story that is also a tale of an improbable redemption.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what