Johannes Göransson's translation captures the seething instability of Berg's bizarre compound nouns and linguistic contortions.

    The poems range in tone from the spiritual longing of an isolated monk to the erotic ecstasy of a court princess—but share the extraordinary simplicity and luminosity of language that marks Kenneth Rexroth's verse style. An introduction by the poet and translator Sam Hamill, the editor of this collection, and short biographies of the poets are included. The Shambhala Library is a series of exquisitely designed and produced cloth editions of the world's spiritual and literary classics, both ancient and modern. Perfect for collecting or as gifts, each volume features a sewn binding, decorative endsheets, and a ribbon marker—a delightful-to-hold 4 ¼ x 6 ¾ trim size.

    Rod McKuen's most personal book of poetry.

    But when a quiet tragedy and an unwelcome letter interrupt Toby's sedate existence, he needs his housemates to find some direction in their lives. Leah Pilgrim has watched the tenants of the house over the road for several years, and when the owner of 31 Silversmith Road asks her for advice, he opens the door not only to the eccentric building across the street - but to five lives in various stages of turmoil. Can Toby and Leah help these misfits to grow up, move on and move out? And in doing so, can they make their own dreams come true? Hidden : A trail of blood winding through a squalid flat in Margate leads DCI Dave Gosworth to the body of Jacqui Jennings, her skull smashed with a chisel. For Dave it is just the start of a long and puzzling case...Forty miles away in South London a young single mother named Melanie Stenning is blissfully unaware of Jacqui's life and death. But that trail of blood will one day lead straight to her door - with terrifying repercussions. For Melanie is about to fall in love with a stranger...Fourteen months later, Melanie has a new husband, a new baby and a new home on the isolated Kent coast. But when her seven-year-old daughter Poppy disappears, she is forced to question everything in her new life, including the man she loves. Because DCI Dave Goswrth has come knocking - with some chilling questions... The Two Mrs Robinsons: Anna lives with Oliver Robinson and their 3-year-old son Charlie. They met when she worked as a waitress at his restaurant; he had recently separated and she was a shoulder to cry on. But friendship turned to love. Now she juggles motherhood with part-time work and she couldn't be happier. Or perhaps she could? Oliver has never divorced his first wife Eve who is everything Anna is not. Eve insists on making herself part of their lives and her demands soak up much of their time and income. Anna understands that Oliver needs to support his two teenage children, but why should they keep Eve too? The situation looks set to grumble on indefinitely unless someone or something shakes it up. And something does - it's called Fate. Oliver is killed in a car crash, leaving both women shattered. How will they react to this appalling tragedy? Will it drive them further apart, or force them to cut their losses and pull together for the sake of their children and their futures?

    Engaging and secretive, provocative and profound, Ryan s poems have generated growing excitement with their appearances in The New Yorker and other leading periodicals. Sometimes gaudily ornamental, sometimes Shaker-plain, here is verse that is compact on the page and expansive in the mind."

    Whether she is exhuming the bizarre ("Cryptozoology" and "A Short History of Unusual Fish"), exorcising her demons, ("Hog Butcher of Workshop Table" and "On Why I Shouldn't Read Books") or celebrating the uncelebrated oddballs of the world ("Little Heard True Stories of Benjamin Franklin" and "Crack Squirrels"), Aptowicz's poetry sings and singes. Everything is Everything illuminates the dark corners of the curiosity cabinet, shining the light on everything that is utterly strange, wonderfully absurd and 100% true.

    Theatre script, playbook

    Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.

    Only a young man whose heritage marks him as specially Gifted can wield the Blood Orb of Elsa and heal the Earthsoul. Set in a richly detailed and varied world, this blend of coming-of-age story and epic saga belongs in most fantasy collections.

    This groundbreaking anthology documents 10 years of poetry slams, with 100 poems from national slam champions and a dozen essays on how to run a slam, winning strategies, tips for memorizing poems, and more.

    This probing of the changes in the American psyche through the 1970s is carried forward in the second part, Landscapes of Living Dying (1979)—a work originally hailed by Library Journal as "Ferlinghetti's strongest work since his 1957 A Coney Island of the Mind. . . . [He] pursues his disheveled muse with the innocent passion of a young beatnik, hiding his authentic erudition behind a comfortable guise of spontaneous composition."

    Poems written out of the experience of motherhood, inspired by the poet watching her own children trying to read the world like a book they've just opened, knowing nothing of the characters or plot.--

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.