Latro, a mercenary soldier from the north, has suffered a head wound in battle and has been separated from his compatriots. He has not only lost the memory of who he is and where he is from, he has also lost the ability to remember from day to day and must live out of context in an eternal present, every day rediscovering the shreds of his identity and the nature of the world around him, aided only by a written record that he attempts to continue daily and must read every morning.But in recompense for his unhappy condition Latro has received the ability to see and converse with invisible beings, all the gods and goddesses, ghosts and demons and werewolves, who inhabit the land and affect the lives of others, all unseen. Everyone knows that supernatural creatures are constantly around them and sometimes, under special circumstances, can perceive them—but Latro is now constantly able to penetrate the veil of the supernatural, which is both a triumph and a danger.

    There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amongst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades.As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parrot -- a motley mix of pub crawlers and eccentrics -- he carries his time in Italy with him. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate, and returns to the Tuscan hills.With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family, and a richly drawn celebration of beauty and love in all its forms.

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    The Far Pavilions is a story of 19th Century India, when the thin patina of English rule held down dangerously turbulent undercurrents. It is a story about and English man - Ashton Pelham-Martyn - brought up as a Hindu and his passionate, but dangerous love for an Indian princess. It's a story of divided loyalties, of tender camaraderie, of greedy imperialism and of the clash between east and west. To the burning plains and snow-capped mountains of this great, humming continent, M.M. Kaye brings her quite exceptional gift of immediacy and meticulous historical accuracy, plus her insight into the human heart.

    As heir apparent to Love Hall, he must produce an heir of his own; but his obsessive love for his long-dead sister has rendered him a paralytic in matters of the heart. Adding to Geoffroy's troubles is his difficult mother, Lady Loveall, who mercilessly castigates her effeminate son, and a circling mob of greedy relatives anxious to wrest Love Hall from his grasp.Then, a miracle occurs. As his carriage passes a trash dump, Geoffroy spies an abandoned baby in the jaws of a cur. He saves the child, names her Rose, and declares her his rightful heir. The shock fells Lady Loveall on the spot, and Rose becomes the pampered daughter of Lord Loveall and his bride of convenience, the resident librarian Anonyma. This joyful period lasts until Rose's adolescence, when it becomes increasingly difficult to hide the one great secret of Love Hall: namely, that Rose, now in the position of fending off suitors for her titled hand, is in fact a boy. Rose's whiskers, deepening voice, and affection for the daughter of a courtier have not gone unnoticed. Armed with the new revelation, the Loveall's unscrupulous relatives launch a coup, and a desperately confused Rose is cast adrift -- until he finds the renewed vitality that comes from the love of true family and realizes that he can and must go home.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."