In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly reimagining it. Her characters orbit around the region's vast spaces, winning redemption despite - and often because of - the hardship and violence they endure. The arrival of a foreigner transforms the exchange of eroticism and emotion at a prostitution ranch. A prospecting hermit discovers the limits of his rugged individualism when he tries to rescue an abused teenager. Decades after she led her best friend into a degrading encounter in a Vegas hotel room, a woman feels the aftershock. Most bravely of all, Watkins takes on – and reinvents – her own troubled legacy in a story that emerges from the mayhem and destruction of Helter Skelter. Arcing from the sweeping and sublime to the minute and personal, from Gold Rush to ghost town to desert to brothel, the collection echoes not only in its title but also in its fierce, undefeated spirit the motto of her home state.

    They present a wide spectrum of comic and serious themes and a variety of techniques. (His short novels, available in another Norton volume, Seven Short Novels by Chekhov, have been omitted.) Two of the stories have been translated for this edition by Professor Matlaw; the other translations, by Constance Garnett, Ivy Litvinov, and Marian Fell, have been revised in accordance with contemporary usage. Footnotes have been supplied wherever necessary to explain peculiarities of Russian life and the historical era in which Chekhov lived and wrote."Backgrounds" includes a rich selection of Chekhov's letters, in new translations by Professor Matlaw, and Gorky's celebrated essay on Chekhov, translated by Ivy Litvinov. The critical essays offer general views of Chekhov's art and achievement and detailed analyses of particular stories. The critics are D. S. Mirsky, A. B. Derman (whose essay has been translated from the Russian especially for this edition), Renato Poggioli, Gleb Struve, Donald Rayfield, Karl Kramer, Virginia Llewellyn Smith, and Nils Ake Nilsson.A Selected Bibliography directs readers to resources for further study.Chameleon (1884) --Oysters (1884) --A living chronology (1885) --The huntsman (1885) --Misery (1886) --The requiem (1886) --Anyuta (1886) --Agatha (1886) --Grisha (1886) --A gentleman friend (1886) --The chorus girl (1886)--Dreams (1886) --Vanka (1886)--At home (1887) --The siren's song (1887) --Sleepy (1888) --The grasshopper (1892) --In exile --Rothschild's fiddle (1894) --The student (1894) --The teacher of literature (1889-94) --Whitebrow (1895) --Anna on the neck (1895) --The house with the mansard (1896) --The pecheneg (1898)--A journey by cart (1897) --The man in a case (1898) --Gooseberries (1898) --About love (1898) --A doctor's visit (1902) --The darling (1899) --The lady with the dog (1899) --The bishop (1902) --The betrothed (1903).

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    These stories feature cats, bees, wolves, dogs, and even that most capricious of animals, humans, and have been reprinted in The Year's Best Fantasy & Horror, Best Science Fiction and Fantasy of the Year, and The Secret History of Fantasy. Kij Johnson's stories have won the Sturgeon and World Fantasy awards. She has taught writing; worked at Tor, Dark Horse, and Microsoft; worked as a radio announcer; run bookstores; and waitressed in a strip bar.Contents:The Man Who Bridged the Mist (2011)Wolf Trapping (1989)The Empress Jingu Fishes (2004)The Bitey Cat (2012)Chenting, in the Land of the Dead (1999)My Wife Reincarnated as a Solitaire—Exposition on the Flaws in my Spouse's Character—The Nature of the Bird—The Possible Causes—Her Final Disposition (2007)Schrödinger's Cathouse (1993)Names for Water (2010)Fox Magic (1993)Spar (2009)The Horse Raiders (2000)26 Monkeys, Also the Abyss (2008)At the Mouth of the River of Bees (2003)The Evolution of Trickster Stories among the Dogs of North Park after the Change (2007)The Cat Who Walked a Thousand Miles (2009)Ponies (2010)

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic A Real Doll, the tale of a teenage boy's erotic obsession with his sister's favorite doll; Adults Alone, which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and Looking for Johnny, in which a kidnapped boy, having failed his abductor's expectations, is returned home. Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    JonesCold snap by Thom JonesDoe season by David Michael KaplanPatriotic by Janet KauffmanGirl by Jamaica KincaidTerritory by David LeavittThe kind of light that shines on Texas by Reginald McKnightYou're ugly, too by Lorrie MooreThe management of grief by Bharati MukherjeeMeneseteung by Alice MunroGhost girls by Joyce Carol OatesThe things they carried by Tim O'BrienThe shawl by Cynthia OzickBrokeback Mountain by Annie ProulxStrays by Mark RichardIntensive care by Lee SmithThe way we live now by Susan SontagTwo kinds by Amy TanFirst, body by Melanie Rae ThonAble, Baker, Charlie, Dog by Stephanie VaughnNineteen fifty-five by Alice WalkerFever by John Edgar WidemanTaking care by Joy Williams

    . . [Ethan Canin is] a writer of enormous talent and charm.”–The Washington Post“Character is destiny,” wrote Heraclitus–and in this collection of four unforgettable stories, we meet people struggling to understand themselves and the unexpected turns their lives have taken. In “Accountant,” a quintessential company man becomes obsessed with the phenomenal success of a reckless childhood friend. “Batorsag and Szerelem” tells the story of a boy’s fascination with the mysterious life and invented language of his brother, a math prodigy. In “City of Broken Hearts,” a divorced father tries to fathom the patterns of modern relationships. And in “The Palace Thief,” a history teacher at an exclusive boarding school reflects on the vicissitudes of a lifetime connection with a student scoundrel. A remarkable achievement by one of America’s finest writers, this brilliant volume reveals the moments of insight that illuminate everyday lives.“Captivating . . . a heartening tribute to the form . . . an exquisite performance.”–The Boston Sunday Globe“A model of wit, wisdom, and empathy. Chekhov would have appreciated its frank renderings and quirky ironies.”–Chicago Tribune

    Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    D. Salinger published in April 1953. It includes two of his most famous short stories, "A Perfect Day for Bananafish" and "For Esmé – with Love and Squalor". (Nine Stories is the U.S. title; the book is published in many other countries as For Esmé - with Love and Squalor, and Other Stories.)The stories are:"A Perfect Day for Bananafish""Uncle Wiggily in Connecticut""Just Before the War with the Eskimos""The Laughing Man""Down at the Dinghy""For Esmé – with Love and Squalor""Pretty Mouth and Green My Eyes""De Daumier-Smith's Blue Period""Teddy"

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?