A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world. In “Shirley Temple Three,” a mother must shoulder her son’s burden—a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass.  Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected. From this enchanting primordial soup, Pierce’s voice emerges—a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    Flying carpets; subterranean amusement parks; a band of teenage girls who meet secretly in the night in order to do "nothing at all"; a store with departments of Moorish courtyards, volcanoes, and Aztec temples: these are Millhauser's stock-in-trade as a storyteller, and he employs them to characteristically magical effect. As in Millhauser's other books, including Edwin Mullhouse and the Pulitzer Prize-winning Martin Dressler, his subject is nothing less than the faculty of imagination itself. Here, however, the flights of fancy are unencumbered by Martin Dressler's wealth of period detail, and the result is fun-house prose whose pleasures and terrors are equally gossamer. Millhauser possesses the unique ability to render the quotidian strange, so that, emerging from his stories, the reader often feels the world itself an unfamiliar place--as do the shoppers at his department store, that marketplace of skillful illusion: "As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out."

    How could it be otherwise? For every Frodo, there is a Gandalf ... and a Saruman. For every Dorothy, a Glinda ... and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore ... and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped — or misshaped — by the potent magic they seek to wield. Yet though their abilities may be godlike, these men and women remain human — some might say all too human. Such is their curse. And their glory.In these pages, seventeen of today's top fantasy writers — including award-winners Elizabeth Bear, John Crowley, Kate Elliott, K.J. Parker, Tim Powers, and Liz Williams — cast wondrous spells that thrillingly evoke the mysterious, awesome, and at times downright terrifying worlds where magic reigns supreme: worlds as far away as forever, and as near as next door.Contents:- The Return of the Pig by K.J. Parker- Community Service by Megan Lindholm- Flint and Mirror by John Crowley- The Friends of Masquelayne the Incomparable by Matthew Hughes- The Biography of a Bouncing Boy Terror, Chapter II: Jumping Jack in Love by Ysabeau S. Wilce- Song of Fire by Rachel Pollack- Loft the Sorcerer by Eleanor Arnason- The Governor by Tim Powers- Sungrazer by Liz Williams- The Staff in the Stone by Garth Nix- No Work of Mine by Elizabeth Bear- Widow Maker by Lavie Tidhar- The Wolf and the Manticore by Greg Van Eekhout- The Devil's Whatever by Andy Duncan- Bloom by Kate Elliott- The Fall and Rise of the House of the Wizard Malkuril by Scott Lynch

    A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect.World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." BONE SWANS, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book."Introducing C.S.E. Cooney / by Gene Wolfe --Life on the sun --The bone swans of Amandale --Martyr's gem --How the milkmaid struck a bargain with the crooked one --The big bah-ha

    One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.

    Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Walter Lavender Jr. is a master of finding. A wearer of high-tops. A maker of croissants. A son keeping vigil, twelve years counting. But he wouldn’t be able to tell you. Silenced by his motor speech disorder, Walter’s life gets lonely. Fortunately, he has The Lavenders—his mother’s enchanted dessert shop, where marzipan dragons breathe actual fire. He also has a knack for tracking down any missing thing—except for his lost father. So when the Book at the root of the bakery’s magic vanishes, Walter, accompanied by his overweight golden retriever, journeys through New York City to find it—along the way encountering an unforgettable cast of lost souls. Steeped in nostalgic wonder, The Luster of Lost Things explores the depths of our capacity for kindness and our ability to heal. A lyrical meditation on why we become lost and how we are found, from the bright, broken heart of a boy who knows where to look for everyone but himself.

    MEET CUTE is an anthology of original short stories featuring tales of "how they first met" from some of today’s most popular YA authors. Readers will experience Nina LaCour's beautifully written piece about two Bay Area girls meeting via a cranky customer service Tweet, Sara Shepard's glossy tale about a magazine intern and a young rock star, Nicola Yoon's imaginative take on break-ups and make-ups, Katie Cotugno's story of two teens hiding out from the police at a house party, and Huntley Fitzpatrick's charming love story that begins over iced teas at a diner. There’s futuristic flirting from Kass Morgan and Katharine McGee, a riveting transgender heroine from Meredith Russo, a subway missed connection moment from Jocelyn Davies, and a girl determined to get out of her small town from Ibi Zoboi. Jennifer Armentrout writes a sweet story about finding love from a missing library book, Emery Lord has a heartwarming and funny tale of two girls stuck in an airport, Dhonielle Clayton takes a thoughtful, speculate approach to pre-destined love, and Julie Murphy dreams up a fun twist on reality dating show contestants. This incredibly talented group of authors brings us a collection of stories that are at turns romantic and witty, epic and everyday, heartbreaking and real.

    It should be read between Grey Sister and Holy Sister. Again, I stress SHORT STORY.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    Of the twenty-two stories collected here—some written recently, others decades ago—all but two have never before been published. Bradbury has crafted tales that are strange and scary, nostalgic and bittersweet, and humorous and touching, set in the not-so-distant past and an unknowable future: a group of senators drinks too much and gambles away the United States, a newly-wed couple buys an old house and finds their fledgling relationship tested, two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night, and a lonely woman takes a last chance on love. The final piece is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling.A timeless collection from one of America's greatest storytellers, The Cat's Pajamas is a panoramic view of Ray Bradbury's rich and remarkable imagination.(from back cover)