Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnesses Hae-on in the passenger seat of Jeongjun's car just a few hours before her death. But when Jeongjun's alibi turns out to be solid, and no evidence can be pinned on Manu, the case goes cold.Seventeen years pass without any resolution for those who knew and loved Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she's lost, ultimately setting out to find the truth of what happened.Told at different points in time from the perspectives of Da-on and two of Hae-on's classmates, Lemon loosely follows the structure of a detective novel. But finding the perpetrator is not the main objective here. Instead, the work explores grief and trauma, raising important questions about guilt, retribution, and the meaning of death and life.

    When the narrator moves into the area, she discovers everyone--and everything--has a story. With the help of Marta, her enigmatic neighbor, the narrator accumulates these stories, tracing the history of Nowa Ruda from the its founding to the lives of its saints, from the caller who wins the radio quiz every day to the man who causes international tension when he dies straddling the border between Poland and Czechoslovakia.Each of the stories represents a brick and they interlock to reveal the immense monument that is the town. What emerges is the message that the history of any place--no matter how humble--is limitless, that by describing or digging at the roots of a life, a house, or a neighborhood, one can see all the connections, not only with one's self and one's dreams but also with all of the universe.Richly imagined, weaving anecdote with recipes and gossip, Tokarczuk's novel is an epic of a small place. Since its publication in 1998 it has remained a bestseller in Poland. House of Day, House of Night is the English-language debut of one of Europe's best young writers.

    This remarkable and symbolic novel centers on Wariinga's tragedy and uses it to tell a story of contemporary Kenya.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    Zhivago and Romeo and Juliet.  Its mysterious author was recently the subject of a feature article in the New Yorker, which has inspired a forthcoming biography. Out of print for nearly three decades until the hardcover re-release last year, Ali and Nino is Kurban Said's masterpiece. It is a captivating novel as evocative of the exotic desert landscape as it is of the passion between two people pulled apart by culture, religion, and war.It is the eve of World War I in Baku, Azerbaijan, a city on the edge of the Caspian Sea, poised precariously between east and west.  Ali Khan Shirvanshir, a Muslim schoolboy from a proud, aristocratic family, has fallen in love with the beautiful and enigmatic Nino Kipiani, a Christian girl with distinctly European sensibilities.   To be together they must overcome blood feud and scandal, attempt a daring horseback rescue, and travel from the bustling street of oil-boom Baku, through starkly beautiful deserts and remote mountain villages, to the opulent palace of Ali's uncle in neighboring Persia.  Ultimately the lovers are drawn back to Baku, but when war threatens their future, Ali is forced to choose between his loyalty to the beliefs of his Asian ancestors and his profound devotion to Nino.  Combining the exotic fascination of a tale told by Scheherazade with the range and magnificence of an epic, Ali and Nino is a timeless classic of love in the face of war.

    Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

    “Jealousy,” said the New York Times Book Review “is a technical masterpiece, impeccably contrived.” “It is an exhilarating challenge,” said the San Francisco Chronicle.

    The narrative oscillates stylistically from chapter to chapter—at times a novel, fable, historical research, or a diary—locking and unlocking codes, culminating in a captivating, original reading experience.Michèle Audin is the author of several works of mathematical theory and history and also published a work on her anticolonialist father's torture, disappearance, and execution by the French during the Battle of Algiers.

    Unspeakable things have happened to his mother and his mentally disabled 12-year-old brother. As Takeru gets to know Mitsuko, his new caretaker, and Saki, his spunky neighbor, he meets more of his mother's old friends, discovering her history and confronting the terrible acts that have left him alone. All the while he begins to see a strange figure that calls himself Bunji—the same name of a delicate young boy who mysteriously vanished one day on the village's coastline at Lion's Cross Point.At once the moving tale of a young boy forced to confront demons well beyond his age, a sensitive portrayal of a child's point of view, and a spooky Japanese ghost story, Lion's Cross Point is gripping and poignant. Acts of heartless brutality mix with surprising moments of pure kindness, creating this utterly truthful tale of an unforgettable young boy.

    He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru. Side by side, they cruise around Japan through the changing seasons, visiting Satoru's old friends. He meets Yoshimine, the brusque and unsentimental farmer for whom cats are just ratters; Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B; and Kosuke, the mournful husband whose cat-loving wife has just left him. There's even a very special dog who forces Nana to reassess his disdain for the canine species. But what is the purpose of this road trip? And why is everyone so interested in Nana? Nana does not know and Satoru won't say. But when Nana finally works it out, his small heart will break...

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    He is overcome with the eerie sense that he knows this man...that the storyteller is not an Indian at all but an old school friend, Saul Zuratas. As recollections of Zuratas flow through his mind, the writer begins to imagine Zuratas's transformation from a modern to a central member of the unacculturated Machiguenga tribe. Weaving the mysteries of identity, storytelling, and truth, Vargas Llosa has created a spellbinding tale of one man's journey from the modern world to our origins, abandoning one in order to find meaning in both.

    One of the many Hong Kong "astronaut" fathers, he stays there to work, while the rest of the family immigrated to Canada before the 1997 Handover, when the British returned sovereignty over Hong Kong to China.As she revisits memories of her father through the years, she struggles with unresolved questions and misunderstandings. Turning to her mother and grandmother for answers, she discovers her own life refracted brightly in theirs.Buoyant, heartbreaking, and unexpectedly funny, Ghost Forest is a slim novel that envelops the reader in joy and sorrow. Fung writes with a poetic and haunting voice, layering detail and abstraction, weaving memory and oral history to paint a moving portrait of a Chinese-Canadian astronaut family.

    Winner of most of Japan’s top literary prizes for fiction, Kono Taeko writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Kono Taeko turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting Other Stories should fascinate any reader interested in Japanese literature––or in the growing world of transgressive fiction.