There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    Bambara's characteristic vigor, sensibility and winning irony. The stories range from the timid and bumbling confusion of a novice community worker in "The Apprentice" to the love-versus-politics crisis of an organizers wife, to the dark and bright notes of the title story about the passengers on a refugee ship from a war-torn Asian nation.Young girls, weary men, lovers, frauds and revolutionaries -- Toni Cade Bambara handles them all the expertise, passion and huge talent. As the Chicago Daily News said, "Ms. Bambara grabs you by the throat...she dazzles, she charms."

    Most of the stories feature men who have been disappointed, somehow, by their inability to go on and fulfill the promise of their youth.Contents "Doctor Jack-o'-lantern" "The Best of Everything" "Jody Rolled The Bones" "No Pain Whatsoever" "A Glutton for Punishment" "A Wrestler with Sharks" "Fun with a Stranger" "The B.A.R. Man" "A Really Good Jazz Piano" "Out with the Old" "Builders"

    How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith, a National Book Award-winning author, first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus’s house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing.The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

    Written by top thriller author, Jeremy Robinson, these stories include all of the action, imagination and twists that fans have come to expect, but they also contain experiments into subjects and voices not normally touched on in his novels. INSOMNIA - In a world of super efficiency and equality, sleep is illegal and Feene keeps the masses going. THE EATER - Three children discover a writhing black puddle in the woods of New Hampshire. HARDEN’S TREE - A group of teens visit a tree planted atop the ashes of a mass murderer from late 1800’s. STAR CROSSED KILLERS - Two lovers, both deadly killers, compete for the same target. COUNTING SHEEP - A future terrorist gives an insomniac three minutes to fall asleep. HEARING AID - In the future, a deaf man is healed, but does he like what he hears? DARK SEED OF THE MOON - Vampires live, and kill, in the eternal shadow of the moon’s polar crater. FROM ABOVE - In the future, a detective goes after terrorists who vaporized his city--and his arm--from space. BOUGHT AND PAID FOR (Bonus Story) - A brutal character sketch for Scott Sigler’s THE CRYPT. EXCLUSIVE SAMPLES INCLUDED: -- THE LAST HUNTER by Jeremy Robinson -- CALLSIGN: KING by Jeremy Robinson and Sean Ellis -- THE SENTINEL by Jeremy Bishop -- SECONDWORLD by Jeremy Robinson PRAISE FOR JEREMY ROBINSON "Rocket-boosted action, brilliant speculation, and the recreation of a horror out of the mythologic past, all seamlessly blend into a rollercoaster ride of suspense and adventure." -- James Rollins, New York Times bestselling author of JAKE RANSOM AND THE SKULL KING'S SHADOW "With THRESHOLD Jeremy Robinson goes pedal to the metal into very dark territory. Fast-paced, action-packed and wonderfully creepy! Highly recommended!" --Jonathan Maberry, NY Times bestselling author of ROT & RUIN "Jeremy Robinson is the next James Rollins" -- Chris Kuzneski, NY Times bestselling author of THE SECRET CROWN "If you like thrillers original, unpredictable and chock-full of action, you are going to love Jeremy Robinson..."-- Stephen Coonts, NY Times bestselling author of DEEP BLACK: ARCTIC GOLD "How do you find an original story idea in the crowded action-thriller genre? Two words: Jeremy Robinson." -- Scott Sigler, NY Times Bestselling author of ANCESTOR "There's nothing timid about Robinson as he drops his readers off the cliff without a parachute and somehow manages to catch us an inch or two from doom." -- Jeff Long, New York Times bestselling author of THE DESCENT "Greek myth and biotechnology collide in Robinson's first in a new thriller series to feature the Chess Team... Robinson will have readers turning the pages..." -- Publisher's Weekly "Jeremy Robinson’s THRESHOLD is one hell of a thriller, wildly imaginative and diabolical, which combines ancient legends and modern science into a non-stop action ride that will keep you turning the pages until the wee hours. Relentlessly gripping from start to finish, don’t turn your back on this book!" -- Douglas Preston, NY Times bestselling author of IMPACT and BLASPHEMY "Jeremy Robinson is an original and exciting voice.

    It serves to bring together ambitious new writers, like Elske Rahill, with well-known voices, like Patrick McCabe, looking in, reacting to and reinterpreting Joyce. Dubliners 100 is a celebration, an invitation, a tribute, and a wonderful collection in itself.Contributors: John Boyne, Sam Coll, Evelyn Conlon, Michèle Forbes, Andrew Fox, Oona Frawley, John Kelly, Eimear McBride, Patrick McCabe, Belinda McKeon, Mary Morrissy, Peter Murphy, Paul Murray, Elske Rahill, and Donal Ryan.

    This new collection (an expansion of the limited-release Bibliomancy, which won the World Fantasy Award in 2005) showcases a wildly inventive author at the height of her powers. Included in this collection are "The Least Trumps," in which a lonely women reaches out to the world through symbols, tattooing, and the Tarot, and "Pavane for a Prince of the Air," where neo-pagan rituals bring a recently departed soul to something very different than eternal rest. Written in the author's characteristic poetic prose and rich with the details of traumatic lives that are luminously transformed, Saffron and Brimstone is a worthy addition to an outstanding career.* Elizabeth Hand's work has been selected as a Washington Post Notable Book and a New York Times Notable Book, and she has been awarded a Nebula Award and two World Fantasy Awards.

    To be published on the first anniversary of Kurt Vonnegut's death, Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace, imbued with Vonnegut's trademark rueful humor.

    In "Strange Loop," an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in "Delivery," a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. "Dont Let's" finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts. Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.

    S. Byatt knows that fairy tales are for grownups. And in this ravishing collection she breathes new life into the form.Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.

    Now, over a year has passed since they said goodbye with the promise to stay in touch, and their daily emails have dwindled to nothing. Ellie is a freshman in college and has told herself to move on, and Graham has kept himself busy starring in more movies, as well as a few tabloid columns. But fate brought these two together once before—and it isn't done with them yet.In this sequel novella to This Is What Happy Looks Like, Jennifer E. Smith revisits two beloved characters to tell the story of one magical night in Manhattan. When Ellie and Graham come face to face once more, can they get past the months of silence and the hurt feelings to find their happily-ever-after again?

    With both wit and sobriety, he depicts the trials of a Web site salesman who cannot connect with others, an artist whose career is going nowhere, a failed cowboy, a has-been solicitor, and a stand-up comedienne who has fallen from grace. Laced with exuberant narrative and matchless comic invention, I Like Being Killed reveals the struggle of intelligence to make sense of our modern world.

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments