Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath.Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.Marian Schwartz's new English translation of Envy brilliantly captures the energy of Olesha's masterpiece.A NEW YORK REVIEW BOOKS ORIGINAL

    Attempting to gain access to the papers, the property of Aspern's former mistress, he rents a room in a decaying Venetian villa where the woman lives with her aging niece. Led by his zeal into increasingly unscrupulous behavior, the narrator is faced in the end with relinquishing his heart's desire or attaining it an an overwhelming price.Inspired by an actual incident involving Claire Clairmont, once the mistress of Lord Byron, this masterfully written tale incorporates all those elements expected from James: psychological subtlety, deft plotting, the clash of cultures, and profoundly nuanced representation of scene, mood, and character. This volume also contains James's celebrated Preface from the New York edition of his collected works.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    Taking place in a small Midwestern town in America, it offers chilling insights into the mind of a killer and the obsession of the man bringing him to justice. Also in this volume are six short stories and seven ‘conversational portraits’ including a touching one of Marilyn Monroe, the ‘beautiful child’ and a hilarious one of a dope-smoking cleaning lady doing her rounds in New York.

    A decrepit old man with a masterpiece tattooed on his back. A voracious adventuress, a gentle cuckold, and a garden sculpture that becomes an instrument of sadistic vengeance. Social climbers who climb a bit too quickly. Philanderers whose deceptions are a trifle too ornate. Impeccable servants whose bland masks slip for one vertiginous instant.In these deliciously nasty stories an internationally acclaimed practitioner of the short narrative works his own brand of black magic: tantalizing, amusing, and sometimes terrifying readers into a new sense of what lurks beneath the ordinary. Included in Roald Dahl's Tales of the Unexpected are such notorious gems of the bizarre as "The Sound Machine," "Lamb to Slaughter," "Neck," and "The Landlady."Cover illustration by Seth JabenCover design by Heidi NorthContents:- Taste- Lamb to the Slaughter- Man from the South- My Lady Love, My Dove- Dip in the Pool- Galloping Foxley- Skin - Neck - Nunc Dimittis - The Landlady - William and Mary - The Way Up to Heaven- Parson's Pleasure- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Edward the Conqueror- The Sound Machine- Georgy Porgy - The Hitchhiker- Poison - The Boy Who Talked with Animals- The Umbrella Man- Genesis and Catastrophe- The Butler

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    This volume collects many of his most famous short works and is a fitting compendium of his literary achievements for newcomers or longtime Hawthorne fans alike.

    K. Tolstoy was above all poet; but he also wrote a historical novel from the time of Ivan The Terrible, Prince Serebryani, which had a great success, partly because in it for the first time censorship had permitted fiction to deal with the half-mad Tsar who played the part of Louis XI. of the Russian Monarchy, but especially on account of its qualities as a historical novel.

    For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.

    Twain wrote this version between November 1897 and September 1900. "Eseldorf" is German for "Assville" or "Donkeytown".

    As Fiction. O. Matthiessen pointed out, “in these loosely connected sketches, she has acquired a structure independent of plot. Her scaffolding is simply the unity of her vision.” Her vision was of a gentle and generous people on a rugged and dangerous coast, of New England character and “characters” limned in colors of high summer and blue skies. Here, too, you will meet the people of Dunnet Landing; the women, who are probably the most unforgettable characters of her book; and Elijah Tilley (among the very few men in Jewett’s cast) who, after the death of his wife, learns the skills of husband and wife, of farm and sea. The black-and-white pencil drawings by Douglas Alvord are nothing short of spectacular. Closely observed and carefully rendered, they possess all of the haunting serenity of Jewett’s landscapes. Faithfully reproduced and printed to the highest standards, this is destined to become a standard gift and reading book for everyone fascinated by New England, the rich history of its rockbound coast, and this magical author.

    The story recounts the love between his new sister-in-law Jamilia and a local crippled young man, Daniyar, while Jamilia's husband, Sadyk, is away at the front during World War II.Based on clues in the story, it takes place in northwestern Kyrgyzstan, presumably Talas Province. The story is backdropped against the collective farming culture which was early in its peak in that period.Chingiz Aïtmatov was born in Kyrgyzstan in 1928. His work appeared in over one hundred languages, and received numerous awards, including the Lenin Prize. He was the Kyrgyz ambassador to the European Union, NATO, UNESCO and the Benelux countries.Translated by James Riordan.

    The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.

    Presented here in English for the first time, The Stranger will strike a chord with readers of all stripes. Part fantasy, part horror, part philosophy, part dark comedy, the writing is united by a sharp wit and a web of clues that will open up the imagination of every reader. Max Frei was a twenty-something loser-a big sleeper (that is, during the day; at night he can't sleep a wink), a hardened smoker, and an uncomplicated glutton and loafer. But then he got lucky. He contacts a parallel world in his dreams, where magic is a daily practice. Once a social outcast, he's now known in his new world as the "unequalled Sir Max." He's a member of the Department of Absolute Order, formed by a species of enchanted secret agents; his job is to solve cases more extravagant and unreal than one could imagine-a journey that will take Max down the winding paths of this strange and unhinged universe.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.