In Happy Moscow Platonov exposes the gulf between this premature triumphal­ism and the harsh reality of low living standards and even lower expectations. For in Stalin's ideal city there is no longer a place for those who do not fit the bright, shining image of the new men and women of the future. The heroine, Moscow Chestnova, is an Everywoman, both virgin and whore, who flits from man to man, fascinated by the brave new world supposedly taking shape around her. In a variety of styles ranging from the grotesque, to the sentimental and the absurd, Platonov lays bare the ways in which language itself has been debased, even borrowing slogans from Stalin's own speeches for comic effect.In an age of spin doctors and soundbites, this anarchic satire has as much resonance as ever.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    At command headquarters, a four-star general pursues a family tradition of military honor that reaches back centuries. They could be any two soldiers in the world. It could be any army - but it's not. The place is the East German border. The time is tomorrow - and the Soviet Army is about to attack. . .While western leaders debate the use of nuclear weapons, the Soviet Army and its Warsaw Pact Allies crash across West Germany, exploiting the NATO armies' deadly lack of preperation. In a matter of days, refugees clog the roads and the cities are in shambles. The Soviet Army wages a brutal battle for Europe - even as the hidden rivalries and divided loyalties within its ranks begon to emerge.In this extraordinary. controversial novel, author Ralph Peters a U.S. Army intelligence officer specializing in the Soviet military - takes us inside an army of dozens of languages and ethnic backgrounds, into the belly of an armored personnel carrier, the cockpit of a MIG, and onto the bloody battlefield where sophisticated tanks duel like ancient, flame-spewing dragons.From Chief of Staff Chibisov, fighting his ethnic heritage, to the daring tank commander Bezarin, locked in an unforgettable duel of wits with a British division, from bitter veterans of Afghanistan to raw recruits, a host of vivid characters are swept up in the chaos and drama. Some will be heroes. Some will die, and others will have their souls scarred forever.As the HATO armies make their last, desparate stands - divided by Soviet maneuvers and their own political squabbling - Red Army thunders to a truly frightening climax.Told entirely from a Russian point of view, Red Army is a riveting tour de force. More than a portrait of high-tech modern warfare, it is a fascingating novel of human strengths and weaknesses - a chilling look at the one army in the world that may have the power to defeat us.

    It discusses in fascinating detail howLenin's Communist party transformed the Tsarist empire, why Stalin's massive program to industrialize was coupled with one of the most horrific terror campaigns in history, and what we can expect from this erstwhile superpower in the years ahead. Based on extensive research and first-hand knowledgeof the Soviet system, it offers a lucid and stimulating analysis of the developments which first sustained, then finally undermined, the Soviet state, pinpointing all the key political developments--revolution, state-building, party rule, terror, Nazi invasion, the Cold War, and the recentelections--and examining their significance in an especially well-wrought historical context. Timely, cogent, and comprehensive, Soviet Politics helps readers make sense of developments in the former USSR since 1985, showing how and why the system fell apart. It will interest anyone wanting afuller understanding of current events, and their consequences for the world as a whole.

    The result is a shimmering literary examination of the ghost of communism – no longer Marx’s “specter to come” but a haunting presence of the past.    Marci Shore builds her history around people she came to know over the course of the two decades since communism came to an end in Eastern Europe: her colleagues and friends, once-communists and once-dissidents, the accusers and the accused, the interrogators and the interrogated, Zionists, Bundists, Stalinists and their children and grandchildren.  For them, the post-communist moment has not closed but rather has summoned up the past: revolution in 1968, Stalinism, the Second World War, the Holocaust.  The end of communism had a dark side.  As Shore pulls the reader into her journey of discovery, reading the archival records of people who are themselves confronting the traumas of former lives, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical, touching, and sometimes heartbreaking portrayal of how history moves and what history means.

    It created a heroic myth out of the disastrous Charge of the Light Brigade and, in Florence Nightingale, it produced one of history's great heroes. The war was a watershed in world history and pointed the way to what mass warfare would be like in the twentieth century. New weapons were introduced; trench combat became a fact of daily warfare outside Sebastopol; medical innovation saved countless soldiers' lives that would otherwise have been lost. Ultimately, by failing to solve the Eastern Question, the war paved the way for the greater conflagration which broke out in 1914 and greatly prefigured the current situation in Eastern Europe.

    She was nineteen years old. Charged with aiding and abetting the resistance movement a heinous crime in Nazi-occupied Poland she was sent to the notorious Ravensbrück concentration camp. And I Am Afraid of My Dreams is Połtawska's account of the four years spent in the camp, where the prospect of death, whether from starvation, exhaustion, or summary execution, was a daily reality. Wanda was used as one of the camps guinea pigs and became a victim of cruel medical experimentation by Nazi doctors. Many of her friends died or were left with horrific physical and psychological injuries as a result of these experiments. Wanda bravely faced each day and pledged to become a doctor if she ever got out alive. Originally written nearly fifty years ago, this powerful story is an enduring testament to the courage of the human spirit.

    In the last half of the twentieth century the two superpowers had perfected the science of mass destruction and possessed nuclear weapons with the combined power of a million Hiroshimas. What’s more, a Soviet biological warfare machine was ready to produce bacteria and viruses to sicken and kill millions. In The Dead Hand, a thrilling narrative history drawing on new archives and original research and interviews, David E. Hoffman reveals how presidents, scientists, diplomats, soldiers, and spies confronted the danger and changed the course of history. The Dead Hand captures the inside story in both the United States and the Soviet Union, giving us an urgent and intimate account of the last decade of the arms race. With access to secret Kremlin documents, Hoffman chronicles Soviet internal deliberations that have long been hidden. He reveals that weapons designers in 1985 laid a massive “Star Wars” program on the desk of Soviet leader Mikhail Gorbachev to compete with President Reagan, but Gorbachev refused to build it. He unmasks the cover-up of the Soviet biological weapons program. He tells the exclusive story of one Soviet microbiologist’s quest to build a genetically engineered super-germ—it would cause a mild illness, a deceptive recovery, then a second, fatal attack. And he details the frightening history of the Doomsday Machine, known as the Dead Hand, which would launch a retaliatory nuclear strike if the Soviet leaders were wiped out. When the Soviet Union collapsed, the dangers remained. Soon rickety trains were hauling unsecured nuclear warheads across the Russian steppe; tons of highly-enriched uranium and plutonium lay unguarded in warehouses; and microbiologists and bomb designers were scavenging for food to feed their families. The Dead Hand offers fresh and startling insights into Reagan and Gorbachev, the two key figures of the end of the Cold War, and draws colorful, unforgettable portraits of many others who struggled, often valiantly, to save the world from the most terrifying weapons known to man.

    In 1700, the Tsar combined with Denmark, Saxony, and Poland to attack Swedish hegemony in the North. When the forces finally defeated King Charles XII of Sweden in 1708 at Poltava, in the Ukraine, it proved the turning-point of the Great Northern War, heralding the collapse of the Swedish Empire and the rise of Russia, the effects of which would be felt for almost three hundred years. Swedish historian Peter Englund’s vivid account of the three violent days of battle is an internationally acclaimed classic of military history.

    Like all Bond movies, audiences believed that the storyline was entirely fictional if not totally crazy. Little did they know that while they munched on their popcorn, the Soviets were indeed preparing to launch a real nuclear attack on the West. 1983 was a dangerous year. In the United States, President Reagan increased defence spending and launched the 'Star Wars' Strategic Defence Initiative. When a Soviet plane shot down a Korean civilian jet, he described it as 'a crime against humanity'. Moscow was growing increasingly concerned about America's language and behaviour. Would they attack? The temperature was rising, fast.By November, Soviet leader Yuri Andropov, a life-long KGB man, had his finger on the nuclear button. Had the US made a move, it would have meant global nuclear Armageddon.It was only the following year that the US - which had never considered a first strike - came to learn just how terrified the Soviet Union was, and just how close to the brink the world had come.In 1983, Taylor Downing draws on previously unpublished interviews, and over a thousand pages of secret documents that have recently been released by Washington to tell the gripping, astonishing story that was almost the end of the world. Sometimes fact is stranger than fiction.

    From then on the Germans were forced into a long, bitter retreat that ended in the ruins of Berlin in 1945. An officer in an elite guards unit of the Red Army, Bessonov rode tanks from Kursk, through a western Russia and Poland devastated by the Germans, and right into the heart of Nazi Germany.Tank Rider is the riveting memoir of Evgeni Bessonov telling of his years of service at the vanguard of the Red Army and daily encounters with the German foe. He brings large-scale battles to life, recounts the sniping and skirmishing that tried and tested soldiers on both sides, and narrates the overwhelming tragedy and horror of apocalyptic warfare on the Eastern Front.So much of the Soviet experience of World War II remains untold, but this memoir provides an important glimpse into some of the most decisive moments of this overlooked history.Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    Marx is OK, but Lenin? Doesn’t he stand for the big catastrophe which left its mark on the entire twentieth-century?Lenin, however, deserves wider consideration than this, and his writings of 1917 are testament to a formidable political figure. They reveal his ability to grasp the significance of an extraordinary moment in history. Everything is here, from Lenin-the-ingenious-revolutionary-strategist to Lenin-of-the-enacted-utopia. To use Kierkegaard’s phrase, what we can glimpse in these writings is Lenin-in-becoming: not yet Lenin-the-Soviet-institution, but Lenin thrown into an open, contingent situation.In Revolution at the Gates, Slavoj Žižek locates the 1917 writings in their historical context, while his afterword tackles the key question of whether Lenin can be reinvented in our era of “cultural capitalism.” Žižek is convinced that, whatever the discussion—the forthcoming crisis of capitalism, the possibility of a redemptive violence, the falsity of liberal tolerance—Lenin’s time has come again.

    In this remarkable memoir, based on her diary entries, she tells about surviving German bomb attacks and near starvation only to wind up a captive laborer, one of seven million prisoners forced to work in German farms and factories. There, despite constant hunger and backbreaking work, she managed to find friendship and even first love. Readers will be moved by Tatjana's resilience, courage, and persistent faith in humanity during the little-known struggle of Russian civilians during World War II.

    Explaining the interests, aspirations, illusions, fears, and misperceptions of the Kremlin leaders and Soviet elites, Zubok offers a Soviet perspective on the greatest standoff of the twentieth century.Using recently declassified Politburo records, ciphered telegrams, diaries, and taped conversations, among other sources, Zubok explores the origins of the superpowers' confrontation under Stalin, Khrushchev's contradictory and counterproductive attempts to ease tensions, the surprising story of Brezhnev's passion for detente, and Gorbachev's destruction of the Soviet superpower as the by-product of his hasty steps to end the Cold War and to reform the Soviet Union. The first work in English to cover the entire Cold War from the Soviet side, A Failed Empire provides a history different from those written by the Western victors.In this widely praised book, Vladislav Zubok argues that Western interpretations of the Cold War have erred by exaggerating either the Kremlin's pragmatism or its aggressiveness. Explaining the interests, aspirations, illusions, fears, and misperceptions of the Kremlin leaders and Soviet elites, Zubok offers a Soviet perspective on the greatest standoff of the twentieth century. Using recently declassified Politburo records, ciphered telegrams, diaries, and taped conversations, among other sources, Zubok offers the first work in English to cover the entire Cold War from the Soviet side. A Failed Empire provides a history quite different from those written by the Western victors. In a new preface for this edition, the author adds to our understanding of today's events in Russia, including who the new players are and how their policies will affect the state of the world in the twenty-first century.

    The writing is colloquial and often whimsical, and many of the stories take supernatural phenomena very much for granted, as with the werewolves of the title story, or another in which the protagonist discovers that everyone around him is, in fact, asleep at all times. This sense of precarious unreality, though humorous, offers telling insight into the state of contemporary Russian society.Vera Pavlovna's ninth dream -- The ontology of childhood -- Sleep -- Tai Shou Chuan USSR (A Chinese folk tale) -- The Tarzan swing -- A werewolf problem in Central Russia -- Bulldozer driver's day -- Prince of Gosplan