For over 70 years, Aokigahara, Japan has been a source of mystery for both investigators and paranormal researchers. This beautiful stretch of unkempt woodland, while maintaining the illusion of beauty, harbours a secret which few people are willing to acknowledge. Aokigahara, known to many as the Sea of Trees, is the suicide capital of Japan. Every year, hundreds of people visit the forest with no intention of ever leaving. People who no longer wish to be a part of this world find solace in the isolation of Aokigahara, and willingly take their own lives against its backdrop of chaotic forestry. However, the legend of Aokigahara goes a lot further that simply being alluring scenery for suicide. Its lore is rooted in ancient legend, literature and a historical association with death. Its impact on Japanese culture has been so prominent that Japanese officials rarely acknowledge the forest’s existence in an effort to disassociate it from its macabre infamy. But despite this, Aokigahara’s prominence in not just Japanese culture, but world over, cannot be understated.

    Set in Dresden in the early 1930's it chronicles Frabato's magical battles with the members of a powerful and dangerous black lodge. His escape from Germany during the final desperate days of the Weimar Republic and the beginning of his spiritual mission culminating with his classic books on Hermetic magic.More than an occult novel, Frabato the Magician is itself a work of magic which illuminates Bardon's other books as well as providing a revealing look into the dark occult forces which lay behind the rise of the Third Reich. Threaded throughout the true tale, and written between the lines, are many valuable and practical esoteric lessons.

    Ravishing beyond words, evil beyond our darkest dreams of Satan, Her eyelids flutter.Rising from Her pit, She wakes her vampire brood -- and frees them from their ancient graves.No, no one is safe, no one -- from the unwashed Children of Eve.

    One On One With SatanA chilling and highly convincing account of possession and exorcism in modern America, hailed by NBC Radio as "one of the most stirring books on the contemporary scene."

    Heather Lynn. Evil Archaeology investigates the archaeological record for artifacts and evidence of evil entities, revealing how demons from the ancient world may be dwelling among us. It also looks at the history and lore behind real relics, believed to be haunted, and includes historical accounts of demonic possession, as far back as the accounts of King Solomon invoking demons to help him build his famed Temple. Is there really a prehistoric fertility goddess figure that has been known to bring death to the families of anyone who holds it? Are there real vampire graveyards? Can the archaeological record prove the existence of demons and malevolent entities? Some tantalizing questions Evil Archaeology addresses include: •What is the origin of demons? •What role did Sumerian demons play in the development of civilization? •Are curses real? Can material objects contain evil? What about places? •What can we do to protect ourselves, according to historical records? •Was Jesus an exorcist? If this sounds all too disturbing, try not to worry. Evil Archaeology also includes ways to protect yourself and loved ones against malevolent forces, as well as practical advice from experienced exorcists and demonologists.

    His overly exciting life is described by three men who 'knew him well.' The first narrator is a Marine, telling of their time together in Korea. A constitutional scholar and Supreme Court Justice appalled at the new Chief Justice, narrates the second phase. The third is a Cardinal of the Roman Catholic Church; fat, kind but distracted. The Marine cares for him the most, the Supreme Court Justice condescends and despises him, and the Cardinal is much more interested in food than his subject. But Declan Walsh was a man who earned the Medal of Honor while ordering the death of his best friend, ruled pragmatically and energetically on the Court but lost his wife to death and neglect, and became a miraculous healer, assasinated for challenging the powers that rule the secular world.

    . . and more.

    Everywhere you turned, there were warnings about a widespread evil conspiracy to indoctrinate the vulnerable through the media they consumed. This percolating cultural hysteria, now known as the “Satanic Panic,” not only sought to convince us of devils lurking behind the dials of our TVs and radios and the hellfire that awaited on book and video store shelves, it also created its own fascinating cultural legacy of Satan-battling VHS tapes, audio cassettes and literature. The second book by Canadian micro-publisher Spectacular Optical, Satanic Panic: Pop-Cultural Paranoia in the 1980s, offers an unprecedented and in-depth exploration of how a controversial culture war played out during the decade, from the publication of the memoir Michelle Remembers in 1980 to the end of the McMartin “Satanic Ritual Abuse” Trial in 1990. This new anthology, expected to be released in summer 2015, follows on the success of KID POWER!, Spectacular Optical’s inaugural book about cool, tough and sassy kids in cult film and television.Satanic Panic: Pop-Cultural Paranoia in the 1980s features new essays and interviews by 20 emerging and established writers who address the ways the widespread fear of a Satanic conspiracy was both illuminated and propagated through almost every pop culture pathway in the 1980s, from heavy metal music to Dungeons & Dragons role playing games, Christian comics, direct-to-VHS scare films, pulp paperbacks, Saturday morning cartoons, TV talk shows and even home computers. The book also features case studies on McMartin, Thee Temple ov Psychick Youth and Long Island “acid king” killer Ricky Kasso. From con artists to pranksters and moralists to martyrs, the book aims to capture the untold story of the how the Satanic Panic was fought on the pop culture frontlines and the serious consequences it had for many involved.Satanic Panic features essays and interviews by authors and media critics including Adam Parfrey (Apocalypse Culture), Gavin Baddeley (Lucifer Rising: Sin, Devil Worship and Rock n’ Roll), Liisa Ladouceur (Encyclopedia Gothica), David Flint (Sheer Filth!), Alexandra Heller-Nicholas (Rape Revenge Films: A Critical Study), Adrian Mack (The Georgia Straight), Forrest Jackson (Cosmic Suicide: The Tragedy and Transcendence of Heaven’s Gate), Alison Nastasi (Flavorwire), Leslie Hatton (Popshifter), David Canfield (Twitch), David Bertrand (Fangoria; Spectacular Optical), Alison Lang (Rue Morgue, Broken Pencil), Kevin L. Ferguson (Eighties People), Wm Conley (Deathwound), Kurt Halfyard (Twitch), Samm Deighan (Satanic Pandemonium), Stacey Rusnak (The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction), Ralph Elawani (C’est complet au royaume des morts), Gil Nault (Liturgie apocryphe), one-man band John Schooley and Joshua Benjamin Graham, alongside co-editors Kier-La Janisse (House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films) and Paul Corupe (Canuxploitation). The book also features comic art by Rick Trembles (Motion Picture Purgatory) and original illustrations by Toronto artist Mike McDonnell.

    At first there were only the strange phenomena of unexplained shadows and sounds, and a presence that seemed to clutch at her in the dark. Then the deaths started, claiming one after another of the building's occupants.This is the story of Jan Bartell's discovery of a diabolical possession she first could not believe, then could not deny. It is the story of her fight against it, and her eventual flight from it.Jan Bartell's flight was in vain. One month after finishing this extraordinary true story, the author was found dead, and the pattern of horror was complete.

    Romero.A decade after the premiere of the 1968 film The Night of the Living Dead, George Romero returned with its sequel, Dawn of the Dead, which tore its way onto movie screens across the country, shocked an entire generation, and became an instant zombie classic as the highest grossing indie film of all time. Shortly thereafter, Romero, along with author Susanna Sparrow, wrote a novel based on the movie -- now back in print in this terrifying trade paperback edition.In one of the landmark tales of the zombie apocalypse, a handful of survivors seek refuge at a local shopping mall, barricading themselves in. They soon realize that this is the perfect place to wait out the end of the world, and despite pending doom, they even start to enjoy themselves. But it doesn't take long for the undead to find a way into their world.Named one of the "500 Greatest Movies of All Time" by Empire Magazine, the original Dawn of the Dead film has left its imprint on viewers for decades -- and will soon be re-released in theaters, having been transformed frame-by-frame into 3D for an entire new audience. Now readers can experience the same chills and thrills with this exciting reissue of a true classic.

    Unlucky travelers are frequently ensnared in the town’s sinister web. Some are held captive and tortured while others face even more gruesome fates. And beneath it all is the town’s darkest secret, the curse of the depraved and mutated Kincher clan.

    Here, for the first time, Aykroyd tells the strange and delightful story that inspired his son, Dan, to make the mega-hit, "Ghostbusters." Part history, part family legend, "A History of Ghosts "starts in 1848 in upstate New York, where the spiritualist craze first began. Aykroyd introduces the reader to notable mediums while telling the story of the development of spiritualism, interweaving a personal history marked by a fascination with ghosts and spirits with the larger narrative about the role the paranormal has played in our culture. Such legendary figures as Sir Arthur Conan Doyle and Harry Houdini appear and vanish.

    But visitors Gerald Sternbruck and Ernst Carlsberg soon realise that the still waters of the lake conceal a frightful evil that preys on flora, fauna - and human beings.Then they discover that the same evil first manifested itself before the valley was flooded - and may have been the basis for H.P. Lovecraft's classic story The Colour out of Space.For fifty years one waman has been planning her revenge on the monstrous force which caused the strange shimmering colours -- and sucks the very life from the people in its clutches....

    In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    Here, along with the usual monsters - vampires, werewolves, ghouls, and some of Dr Frankenstein's more freakish creations - you'll find other, less familiar ones. You'll meet the frightening Fly-by-Night, the hideous shaddy, the horrible mock, and the dreaded shadmock, perhaps the most terrible of all. When Donald McCloud offers a starving man a meal, he unexpectedly discovers that the man is a vampire - and he's the main course! Accompanying the vampire, Eramus, to The Monster Club, Donald encounters a whole host of strange monsters, who, in a series of five linked stories, recount to Donald their monstrous exploits. But as Donald is regaled with these tales of monsters and their unfortunate human victims, it gradually dawns on him that as the only human in a club full of bloodthirsty monsters, he might be in a bit of a predicament. . . . First published as a paperback original in 1976, R. Chetwynd-Hayes's "The Monster Club" was adapted for a 1981 film starring Vincent Price, John Carradine and Donald Pleasence, and both book and film have gone on to become cult classics. Told in a wry, tongue-in-cheek style, the tales in "The Monster Club" are simultaneously horrific, comical, and curiously moving. This edition is the first in more than twenty years and features a new introduction by Stephen Jones and a reproduction of John Bolton's painting from the comic book adaptation of the film.