Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    But when the Big Bad Wolf comes looking for a snack, he huffs and puffs the first little pig right out of the story . . . and into the realm of pure imagination! Dialogue balloons pepper a wide variety of illustration styles taking readers through a dazzling fantasy universe to the surprising and happy ending. You will never look at “The Three Little Pigs”—or artwork—the same way again!"A funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories." — ALA Booklist , Starred Review

    Is Snappsy making crafty plans? Is he prowling for defenseless birds and soft, fuzzy bunnies? Is Snappsy a big, mean alligator who’s obsessed with snack foods that start with the letter P? It’s no wonder Snappsy won't invite the narrator to his party! Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences from a pair of rising stars in the picture book world.

    First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    Classic tales, alphabet and counting stories, lots of new words and concepts, and visits around town, to the airport, and across the world make this essential book that will captivate even the most restless child.Book Details: Format: Hardcover Publication Date: 6/8/2000 Pages: 288 Reading Level: Age 3 and Up

     But a lonely goblin has been watching. And he knows what to do to help them heal. From internationally acclaimed picture book masters Mem Fox and Leo and Diane Dillon, here is a rich and moving original fairy tale about family, friendship, and the power compassion has to unite us all.

    The warranty, small people who live in and take care of appliances under warranty, must defend themselves against a curious little girl and an army of mice.

    Yet singer/songwriter Peter Yarrow and co-composer Lenny Lipton have never allowed a picture book adaptation of this magical tale…until now. With Yarrow’s and Lipton’s blessing, Puff, Jackie Paper, and the land of Honalee finally live on the page. The exquisite package includes a cloth case with a tipped-in illustration and an embossed jacket with foil touches, as well as an exclusive CD featuring not only Puff, but several other songs performed by Yarrow, his daughter Bethany, and cellist Rufus Cappadocia. This is a publishing event sure to attract broad attention and please Puff’s many fans.In richly-hued paintings of the deepest sea blues and greens, Puff and his friend Jackie Paper frolic in the land of Honalee—traveling in a fantastic boat with billowed sails, climbing red castle stairs onto a balcony to meet with noble kings and princes, and watching pirate ships lower their flags for the roaring dragon. Artist Eric Puybaret has brought an entire magical world into being with enthralling landscapes, color, and characters. And everyone will love the way the art cleverly turns the song’s end, which at first seemed so sad, into a surprising and joyful moment.Best of all—this is only the first of many more collaborations with Peter Yarrow to come!

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    To help ease Chester's fears, Mrs. Raccoon shares a family secret called the Kissing Hand to give him the reassurance of her love any time his world feels a little scary. Since its first publication in 1993, this heartwarming book has become a children's classic that has touched the lives of millions of children and their parents, especially at times of separation, whether starting school, entering daycare, or going to camp. It is widely used by kindergarten teachers on the first day of school. Stickers at the back will help children and their parents keep their Kissing Hand alive.

    Nobel Prize winner Rudyard Kipling's timeless masterpiece has been lovingly passed from one generation of readers to the next. Triumphantly brought to life in stunning watercolors from Caldecott Honor artist Jerry Pinkney, this is a tale that will win the hearts of young and old alike.

    When Ivan-Tsarevitch, youngest son of the Tsar, goes on a quest for the amazing bird, he finds himself flying over mountains and woods on a talking wolf, confronting a wicked Baba Yaga, and rescuing an enchanted princess from Koshchei the Immortal. But when he returns from his magical journey, he brings home the most precious treasure of all. Gennady Spirin brings this original version of the Firebird tale from his native Russia and has illustrated it in his trademark rich, luminous style. This retelling of a classic is sure to become the new standard.

    People never do....Once, they lived in a big house with spectacular gardens and an army of servants.Once, they had a father and mother who loved them more than the sun and moon.But that was before their father disappeared into the woods and their mother disappeared into sorrow.This is the story of two sisters and the enchanted woods that have been waiting for them to break a set of terrible spells.Bestselling author-illustrator Emily Winfield Martin has created a world that sits on the border of enchantment, with characters who are grounded in real emotions that readers will recognize in themselves.

    It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.