It's for anyone who thinks big questions are worth talking about. To get us started, Douglas Groothuis unpacks seven pivotal sentences from the history of western philosophy--a few famous, all short, none trivial. Included are:• Socrates—The unexamined life is not worth living.• Augustine—You have made us for yourself, and our hearts are restless until they rest in you.• Descartes—I think, therefore I am.• Pascal—The heart has reasons, that reason knows nothing of.Protagoras, Aristotle and Kierkegaard round out this quick tour. Since every philosopher has a story, not just a series of ideas, Groothuis also offers a bit of each one's life to set the stage. The seven sterling sentences themselves, while they can't tell us all there is to know, offer bridges into other lands of thought which can spark new ideas and adventures. And who knows where they might lead?

    

    

    She is chased into the woods and runs onto the road, almost falling under the wheels of an approaching car. She thought, it would be better to die that way than to return to her captors. The driver of the car, to her surprise, saves her. He brings her to his house and introduces her to his family: his mother, his father and his younger sister. He gives Inga a key to a separate room and brings her food. She appreciates his help and calls him her knight from the road. All she needs now is a phone to make a call to her mother. Her savior, Alman, says they don't have one in the house. He's also not in a hurry to take her from his house in the woods to the town where she can talk to police. And Inga began to doubt the noble intentions of her savior. After some time she starts to think this house is worse than the one she was imprisoned in before, if that was possible.Supernatural thriller 105 000 words.

     My job – killing for the Esposito family – isn’t just a business; it’s my life. And to do it properly, I learned long ago to lock my feelings away. But Talia Esposito is doing something to me I was never prepared for. She’s making me lose control. The mob boss’s daughter has had everything she’s ever wanted. But I’m the man she NEEDS. She needs to be broken down and built back up again. And I’m chomping at the bit to do just that. But if touching the girl means breaking the laws I live by... And if getting her pregnant with my baby means setting our world on fire... Then f**k it all. Let the laws break. Let the world burn. Nothing can stop me from making her MINE. ANTON is a forbidden lovers heist, hitman romance. The novel is a full-length standalone, with no cheating, no cliffhanger, and an HEA ending. Anton lets himself devour the one girl he was never meant to have - and the unexpected baby that results might destroy the entire Esposito crime family. One-click now!

     Tor Baker is a Builder. A Wizard from the Kingdom of Noram. Follow him as he rises in the world, and discovers that things aren't even close to what he thought they were. This long running epic series is a favorite of many and not to be missed.

    It's packed with secrets and advice but it's also funny and enormously readable. A sparkling introduction to Paris and the French. Contains information on getting to know Paris and understanding France and the French. There is a list of 20 things you must do in Paris and 10 things NOT worth doing. Plus details of places around Paris worth visiting. Selected as Book of the Month by `French' magazine and highly praised by `Destination France' and other expert reviewers.

    Literary Criticism. The two discussions in WHAT WE SHOULD HAVE KNOWN took place at the offices of n+1 in the summer of 2007. Eleven n+1 editors and contributors--including Caleb Crain, Meghan Falvey, Mark Greif, and Ilya Bernstein--met to talk frankly about regrets they have (or don't have) about college--what they wish they had read or had not read, listened to or not listened to, thought or not thought, been or not been. The idea for the discussions was prompted by a desire to give college students a directed guide, of some sort, to the world of literature, philosophy, and thought that they might not otherwise receive from the current highly specialized university environment. They were also an attempt to answer the "canon"-based approach to college study in two ways: by identifying canonical books produced by our contemporaries or near-contemporaries--something conservative writers have always refused to do--and, second, by articulating a better reason to read the best books ever written than that they authorize and underwrite a system of brutal economic competition and inequality.

    K. Rowling's Harry Potter series topped the best-seller charts, inspired the highest-grossing film series of all time, and has now become a $250 million Universal Studio theme park. What is it about this story that has ignited such fandom and struck such a chord with people around the world? As English professor, culture critic, and Potter devotee Greg Garrett explains, these novels not only entertain but teach deeply held truths about ourselves, others, and the world around us. Unlocking the textual intricacies behind the Harry Potter narrative, Garrett reveals Rowling's magical formula--one that, he contends, earns her a place right next to the literary giants of old.--Craig Detwiler, Director, Center for Entertainment, Media, and Culture, Pepperdine University

    Tally Jr. explores differing aspects of the spatial in literary studies today, providing:An overview of the spatial turn across literary theory, from historicism and postmodernism to postcolonialism and globalization Introductions to the major theorists of spatiality, including Michel Foucault, David Harvey, Edward Soja, Erich Auerbach, Georg Lukacs, and Fredric Jameson Analysis of critical perspectives on spatiality, such as the writer as map-maker, literature of the city and urban space, and the concepts of literary geography, cartographics and geocriticism.This clear and engaging study presents readers with a thought provoking and illuminating guide to the literature and criticism of 'space'.

    He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

    Its coverage progresses from an introduction through the evolution of switching systems and electromechanical systems to stored-program-controlled digital systems and future broadband systems. Coverage includes: modern digital networks; modern digital switching systems; digital transmission, including synchronous digital hierarchy; broadband networks including ATM; and integrated services digital network (ISDN). The book is intended for use on graduate courses in telecommunications.

    He must seem to be independent - but without offending the government of the day. He is not equal to the government but must convince others that he is not subordinate to it either. And if he can do all this with the right policies in place, he may leave behind a career as illustrious as that of Dr Y.V. Reddy, Governor of the RBI from 2003 to 2008, a time of high growth, low inflation, an appreciated rupee and a robust banking system that withstood the global financial crisis.Advice and Dissent throws light on the lessons of Dr Reddy's fascinating professional life, as on the politics of his years in public service.

    In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

     NICO I don't care that Evie is his daughter. If Governor Brown thinks he can keep what's rightfully mine, he's got another thing coming. I'll possess Evie at any cost. And I'll ensure my child is raised beneath a Mob roof, by Mob rules. Because I'm the son of the Don, and no one takes what belongs to me. Everything I touch becomes my property, my right. And I'm about to turn this town upside down for a one-night stand I can't forget. I'm coming for you, Evie… And I'm going to make sure you keep coming for me. NICO is a full-length, standalone heist, mafia romance with a guaranteed HEA ending. It is a one-night stand gone wrong that proves opposites do attract, as an uptight politician's daughter falls for the mob boss who rules the city's underground. The novel contains adult content, language, and descriptions, so reader caution is advised.