G. Wodehouse is recognized as the greatest English comic writers of the twentieth century, rightly admired throughout the world and translated into more than thirty languages. Launched on the twenty-fifth anniversary of his death, this series presents each Overlook Wodehouse as the finest edition of the master’s work ever published—beautifully designed and faithful to the original. This season, Overlook is pleased to offer the latest two hilarious volumes. Louder and Funnier is a collection of articles written for Vanity Fair, with subjects ranging from Shakespeare and divorce to income tax and ocean liners. The Prince and Betty is an engrossing, hilarious story of an unscrupulous millionaire and his plans to build a casino in the Mediterranean. Revised by Wodehouse after the initial publication, it features the master’s signature reflections on the rich in one of his classic novels.

    This is the interview with the horror author Stephen King from the June 1983 issue.

    So when she hears about a job teaching four children on a massive cattle property in North Queensland, she decides to throw caution - and her teaching job - to the winds.When Lucy arrives at Charlotte's Creek Station she finds a family in crisis. To make matters worse, the four children she's been charged with educating are very spirited, not always cooperative, and dismally behind in their schooling.To Lucy, the only person who seems to be keeping Charlotte's Creek afloat is the family's gruff stockman, Ted. With his support and encouragement Lucy throws herself into the day-to-day activities of the station and makes excellent progress with the children.Though Lucy and Ted's feelings for each other grow, Ted can't see any future for them because of his lack of prospects. As the family divisions at Charlotte's Creek prove insurmountable and the property looks set to be put on the market, Lucy faces returning to the city and leaving Ted behind. . .By the betselling author of Redstone Station, this is the story of a strong young woman stepping into the unknown, trying to make things work, and finding love.

    I loved everything about it.” —Jim Gaffigan We all know how Darth Vader shared his big secret with Luke Skywalker, but what if he had delivered the news in a handwritten note instead? And what if someone found that letter, as well as all of the drafts that landed in the Dark Lord’s trash can? In the riotously funny collection Dear Luke, We Need to Talk. Darth, John Moe finally reveals these lost notes alongside all the imagined letters, e-mails, text messages, and other correspondences your favorite pop culture icons never meant for you to see. From The Walking Dead to The Wizard of Oz, from Billy Joel to Breaking Bad, no reference escapes Moe’s imaginative wit and keen sense of nostalgia. Read Captain James T. Kirk’s lost log entries and Yelp reviews of The Bates Motel and Cheers. Peruse top secret British intelligence files revealing the fates of Agents 001–006, or Don Draper’s cocktail recipe cards. Learn all of Jay-Z’s 99 problems, as well as the complete rules of Fight Club, and then discover an all-points bulletin concerning Bon Jovi, wanted dead or alive—and much more. Like a like a bonus track to a favorite CD or a deleted scene from a cult movie, Dear Luke, We Need to Talk Darth offer a fresh twist on the pop culture classics we thought we knew by heart. You already know part of their story. Now find out the rest.

    True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.

    Half of the essays are brand new, the others are all reworked and rewritten, based on pieces that were originally published in Golf Digest. Often biting, usually cranky, always hilarious and surprising—this is Dan Jenkins at his best, writing about the sport he loves the most.      "I've always wanted to do something for the golfer who has everything. I thought about a suede golf cart, or maybe a pair of cashmere Footjoys. Then I settled on writing this book." So begins Dan Jenkins's latest—and funniest—collection of golf essays. The book consists of thirty-eight essays, all of them, as Dan says in the first essay, are "literally throbbing with opinion."     In this book Dan delves into the greatest rounds of golf he's ever seen; the funniest things said on a golf course; the rivalries on tour and in the press box; the game's most magical moments—and its most absurd. Unplayable Lies is an ode to the game Jenkins loves. But it is Dan Jenkins, so nothing—even the game of golf—can escape his wrath, his critical eye, or his acerbic pen. The best way to describe it is to turn the book over to Mr. Jenkins:      In "Titanic and I"—probably the most hilarious and surprising essay in the book, telling true stories of Titanic Thompson: gambler, golf hustler, accused murderer, legendary storyteller—Dan explains how Titanic would win a wager by saying he could knock a bird off a telephone wire: "Titanic would drop a ball on the ground and take out his four-wood, waggle it, and pretend to aim at the bird on the wire. When some sucker would bet him he couldn't do it, Ti would pull out a gun he carried and shoot the bird off the wire."     In "The Greatest Rounds": "Show me a man who doesn't know what Arnold did in the last round of the '60 U.S. Open at Cherry Hills, and I'll show you a soccer fan in Paraguay."     This is a perfect follow up to His Ownself. It even has an Introduction by Sally Jenkins, one of the country's top sportswriters and Dan's own darling daughter.

    Like Helen Garner, she has a steady, careful eye, and uses it to bring back news of glorious, rackety life.’Susan JohnsonMe: ‘Are you going to be a good boy this year?’Boomer: ‘Uh huh. I have no interest in toilet humour.’Me: ‘You don’t?’Boomer: ‘No. No interest at all. I mean, I think “it’s funny”when, in The Bad Book, Terence takes off all his clothes.And when Horrid Henry shows his undies. But I wouldthink to myself, “That is something I should not do”.’Between juggling work, joint custody and the ordinary demands of motherhood, Jo tries to work out why her son Leo (aka Boomer) is finding it hard to fit in. His wit wins him friends, but the rituals of friendship—like learning to compromise—are proving challenging. Is it because he’s an only child? Could he be gifted?When Leo is diagnosed with Asperger’s Syndrome, Jo fears what it means—and sees herself, and her family, through new eyes. Trapped in a cycle of doubt and discovery, she wonders how you can stay true to who you are and fit in. What the hell is ‘normal’ anyway?This is the bittersweet story of a twenty-first-century family, and why being different isn’t a disability—it just takes some getting used to.

    Take one city girl - and drop her into the back of beyond...Housesitting in rural Burdekin's Gap, high up in the East Gippsland Mountains, is not an obvious career move for a PR executive like Jaime Hanrahan. But, hey, retrenchment is a kicker. Plus she's determined not to spend Christmas in Melbourne with her friends, who still have company cars and six-figure salaries, or with her mother, Blanche, who has remarried too soon after her father's death.However, it turns out that Burdekin's Gap is a little more remote than Jaime had anticipated, the house is in the middle of a cattle station, and the handsome manager, Stirling McEvoy, doesn't appreciate a new farmhand in Jimmy Choos and Sass & Bide cut-offs. Soon Jaime is fending off stampeding cows, town ladies wielding clipboards, sheep that think they are goats, nude sportsmen and one very neurotic cat. So why does she feel like she's falling in love . . . with the life, with the breathtaking landscape, and with one infuriating cowboy?

    In this deeply insightful and intimate work, Daylight describes how her reading has nourished her life, and how life has informed her reading. In both, she shows us that it's the small points of connection - the details - that really matter: what we notice when someone close to us dies, when we give birth, when we make friends. In life's disasters and delights, the details are what we can share and compare and carry with us. Daylight writes with invigorating candour and compassion about her mother's last days; her own experiences of childbearing and its aftermath (in her celebrated essay ‘Vagina'); her long admiration of Helen Garner and George Saunders; and her great loves and friendships. Each chapter is a revelation, and a celebration of how books offer not an escape from ‘real life' but a richer engagement with the business of living. The result is a work that will truly deepen your relationship with books, and with other readers. The delight is in the details.

    Dan Ireland, a work-weary police crash investigator still hell-bent on punishing himself for his misspent youth, has ample reason for not going home to Calingarry Crossing for the school reunion, but one very good reason why he should . . . Maggie Lindeman.Maggie is back in Calingarry Crossing trying to sell the family pub, while also dealing with a restless seventeen-year-old son, a father with dementia, a fame-obsessed musician husband back in the city, and a dwindling bank account. The last thing she needs is a surprise houseguest for the summer.Fiona Bailey-Blair, daughter of an old friend and spoilt with everything but the truth, whips up a maelstrom of gossip when she blows into town in search of answers. This storm season, as Maggie’s past and present converge with the unexpected, she'll discover…… there's no keeping a lid on some secrets.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Be amused and appalled as Tony discovers his parents are censoring bare breasts from the National Geographic, has his braces repossessed by the government, gets caught two-timing his local video shop, attempts to start a band with no musical skill whatsoever, mars an awards night with a burst of foul language, and returns to his hometown to discover his grandfather is not the man he thought he was.A Nest of Occasionals is a series of supersize set pieces from a life lived in miniature. But what on earth does that title mean? There’s only one way to find out…

    (I understand that it’s likely the former, which is a fancy “book” way of saying “the first one.”) I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don’t enjoy it, I’m sorry. If you ever see me on the street and explain the situation, I’ll do my best to make it up to you.

    Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I’m Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road?

    A terminally ill man claims to have witnessed the brutal crime – in a vision.But the looming trial is more than just a media circus: it's Will's first big case since the tragic death of his fiancée.With the pressure mounting, Will's loyalties are split when his fiancée's sister is charged with drug trafficking.The strain of balancing both cases takes its toll and Will finds himself torn between following the law and seeking justice.Blood Witness is a dark powerful thriller from a talented new voice.