They practically live together. Now, Shayla's meeting his family for Christmas.In Ireland. Seamus is a park ranger, shares an apartment with three other guys, and drives a beat up pickup truck. How would Shayla have known he was practically Irish royalty? When they arrive at the airport and are bombarded by camera flashes, Shayla's insecurities move closer and closer to the surface. An old girlfriend, a creepy uncle, and an entire town are on hand for a getting-to-know-you dinner party. Everything is going well until someone ends up dead.The guarda want Shayla to stay out of it. She may be a police officer in the United States, but she has no jurisdiction in Ireland. Too bad, she can't seem to keep from stumbling onto clues everywhere she goes. Cozy up with this fun Christmas mystery this holiday season.

    The new monster in the IRA's armoury must be destroyed at birth. A top-secret, top-priority order goes out to 22 Special Air Service Regiment:SEEK AND DESTROY - NO MATTER WHERE.For the four-men Sabre team of the legendary SAS this will be their toughest mission... probing the inner sanctum of the IRA's terror machine, fighting in the bloody carnage and chaos of Ulster - never before has so much been at stake. They encounter both triumph and disaster - and the cruellest twist of fate.

    The Feckin’ Book of Irish History serves up a gansey-load of Irish history in a pint-sized, pithy, and entertaining package. Invasions, emergencies, and all sorts of Troubles. The Sieges of Limerick, the Big Fella, the Long Fella, and lots of English Fellas. And let’s not forget the IRB, IRA, EEC, GAA, BC, AD, ITGWU, and all them other initials. The Feckin’ Book of Irish History is with hilarious illustrations, “Interesting Stuff” sidebars that will educate you quickly and painlessly, and quotes from Daniel O’Connell, Charles Stewart Parnell, Oscar Wilde, and other sons o’ the sod. So grab your Guinness and get into some authentic Irish history. You don’t want to have to read this stuff in a boring ol’ run-o’-the mill book, now do ya?

    I'm sure it will be ...

    He transformed Ryanair from a loss-making joke of an Irish carrier into one of the most valuable airlines in the world, and in the process he has revolutionized the very nature of commercial aviation. In this, the first biography of O'Leary, Alan Ruddock portrays the man in three dimensions and examines the business miracle - often talked about but poorly understood - that O'Leary has wrought.'Ruddock's fast-paced retelling of Ryanair's rise and rise confirms O'Leary's insistence that his success has little to do with the management maxims of business gurus and everything to do with graft and ruthless attention to detail' Observer'Probably the definitive Ryanair story ... a good read' Sunday Independent'The fullest and most accurate picture of O'Leary to date' Irish Daily Mail'Unlike previous books which simply chart the growth of the airline, this one is bound to get under O'Leary's skin because it reveals a great deal about his hugely driven character' Irish Independent'Ruddock is good on the flavour of the man, a bundle of energy whose two favourite words start with an F and an S (they aren't flower and sugar)' Irish Examiner

    But for each race that has died out, another has taken its place, with a selected few holding on to the memories and sacred knowledge of the past race. In our vanity we think we have discovered some of the great truths of science and technology, but we are in fact only just beginning to rediscover the profound wisdom of past civilizations. In many ways, we are like an awakening Species with Amnesia, yearning to reclaim our forgotten past.

    Letters. Postcards. Photographs. Each memento plays a role in the secret story that's always in her thoughts. A story that can't remain hidden forever.When Orla is handed an envelope by her father, she is perplexed by what she finds - a photograph of her parents, taken the summer she was born. Her heavily expectant mother, unusually, is smiling. Between her parents stands a teenage boy, her mother's arm lovingly around him.Orla later asks her father about the boy's identity, but he refuses to be drawn. Her mother's mood is low again and he doesn't want her upset. So begins the daughter's investigation, back to the summer of 1983, and the story of a young English boy on holidays in rural Ireland. As the circle closes on a web of tragedy and deceit, the truth that emerges will impact on all their lives. The Boy Between is an expertly crafted, suspenseful and ultimately hopeful story of family secrets, a fateful summer, and the long-buried events of a distant past.

     Sheltered from the outside terrors, Louisa lives at High Park, as upper-class estate in the Irish countryside where she feels she never quite belonged. Caught between a cold, unhappy marriage and mundane wifely duties, Louisa’s dream of being a painter never felt so distant. With her only son enlisted in the army, and her husband’s niece Muriel unsettling her with bizarre behaviour and pro-war values, she finds herself powerless in a war-torn world where being a woman finds no freedom. But then she meets wild, strong-minded Viola Luttrell and Louisa’s world is turned upside down. Struck by Viola’s charm, the two become friends – but before long their friendship in danger. Not only does Louisa’s husband hold a grudge against the Luttrell family, but Viola has a secret that could put both their lives at risk: she knows James Connolly, the nationalist rebel leader, and she plans to join the imminent uprising against the British. As Viola and Louisa grow closer and their friendship blossoms into something more, the fight for freedom becomes more than a fight for a nation, but a fight for themselves. As the terrors of the war infiltrate High Park and loyalties are tested, the women are forced to make painful decisions that could change the course of their lives forever… Lovers and Dancers is a heart-wrenching tale of love lost and love found in unexpected places. Praise for Heather Ingman 'A moving story of choices and regrets.' - Holly Kinsella Heather Ingman is the best-selling author of seven novels. Two, including STEALING HEAVEN, have been translated into German. She has lived in Scotland, France and Ireland and is currently Adjunct Professor in the School of English, Trinity College, Dublin. Her teaching and academic interests focus on women's fiction. Her academic publications include WOMEN'S INTER-WAR FICTION (Edinburgh University Press, 1998), A HISTORY OF THE IRISH SHORT STORY (Cambridge University Press) and IRISH WOMEN'S FICTION: FROM EDGEWORTH TO ENRIGHT (Irish Academic Press, 2013).

    Their father abused all three of them in the family home throughout their childhood. In 1989, the sisters made the brave decision to bring charges against their father and, in 1990, the state took a successful case against him.He was convicted and imprisoned. Click, Click is the story of their abuse; the exposure of a man prolific in his paedophilia; and an Irish childhood lost in a dysfunctional, abusive and torturous environment. Importantly, however, it is also the story of three women's healing; their coming to terms with their abuse, and their forgiveness of themselves and others.The Kavanagh sisters have refused to allow their abuse to define them. With fierce humour, insight and honesty, they now share their story and show that with love and determination, you can indeed conquer all.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    It then traces their story back in time into prehistory to their deepest origins and their ancestors, before bringing the narrative forward to the present day. Each chapter also has a useful summary in bullet points to aid the reader and highlight the key facts in the story.

    Yet even before the competition had started, Quinn was caught up in the most emotionally draining events of his career, as Ireland's World Cup campaign was rocked by Roy Keane's sudden departure. All his efforts at mediation failed, leaving him exhausted. As he worked to find a solution, Quinn looked back on his life and career, and saw echoes of his current situation. In this fascinating autobiography, updated for this edition, he recalls the all-night drinking sessions with Tony Adams and Paul Merson, the gambling, the good times and the bad. It is a remarkable story, brilliantly told.

    Determined to learn the truth about his family's cloudy past, he sets sail for Ireland, and quickly becomes involved in a struggle between soldiers of the newly formed Irish Republican Army and the brutal British troops. Amidst the lush and rugged Irish countryside, and the horrible violence unfolding across it, Ben must search for the truth of his identity, and the ties of his family's blood.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    Before Scotland transforms prehistory into gripping narrative history, demonstrating that the history of the land that became Scotland is one of dramatic geological events and impressive human endeavour.