. . . The best short biography of Franklin ever written.”—Gordon Wood, New York Review of Books  “None rivals Morgan’s study for its grasp of Franklin’s character.”—Joseph J. Ellis, London Review of Books   Benjamin Franklin is perhaps the most remarkable figure in American history: the greatest statesman of his age, he played a pivotal role in the formation of the American republic. He was also a pioneering scientist, a bestselling author, the country’s first postmaster general, a printer, a bon vivant, a diplomat, a ladies’ man, and a moralist—and the most prominent celebrity of the eighteenth century. Franklin was, however, a man of vast contradictions, as Edmund Morgan demonstrates in this brilliant biography. A reluctant revolutionary, Franklin had desperately wished to preserve the British Empire, and he mourned the break even as he led the fight for American independence. Despite his passion for science, Franklin viewed his groundbreaking experiments as secondary to his civic duties. And although he helped to draft both the Declaration of Independence and the American Constitution, he had personally hoped that the new American government would take a different shape. Unraveling the enigma of Franklin’s character, Morgan shows that he was the rare individual who consistently placed the public interest before his own desires. Written by one of our greatest historians and a Pulitzer Prize winner, Benjamin Franklin offers a provocative portrait of America’s most extraordinary patriot.

    Studies in the exercise of power that marks relations between sexes, classes, and cultures, they show James’s special solicitude for the young heroines who occupy the center of his fictional world.Washington Square (1880) examines the life of Catherine Sloper, a plain, sweet, young woman who lives imprisoned by the selfishness of those close to her: her lover, who cares only for her fortune; her aunt, who meddles for the sake of romantic intrigue; and her protective father, who repays her adoration with irony and wit. Set in the New York of the 1840s, Washington Square evokes the still-intimate city of James’s childhood while presenting a frightening moral lesson in the human consequences of manipulation and indifference.The Portrait of a Lady (1881) is the story of Isabel Archer, a beautiful, idealistic, and inexperienced American woman who is made wealthy by her uncle at the instigation of her dying cousin. Surrounded by the seductive pleasures of nineteenth-century Europe, she preserves her idealism despite involvement with some who would divert her life to uses of their own—Caspar Goodwood, virile American captain of industry; Lord Warburton, scion of British aristocracy; Gilbert Osmond, connoisseur and collector of beautiful objects; Madame Merle, subtle and charming expatriate of unknown connections, and indomitable Henrietta Stackpole, roving journalist and steadfast friend. James’s many-layered masterpiece concerns the perilous American pursuit of individual freedom.The Bostonians (1886) presents an unusual contest for the affections of Verena Tarrant, the lovely, naïve, and pliant daughter of a mesmerist lecturer. She is courted by two cousins: Basil Ransom, an impractical Mississippi landowner now pursuing a meager New York legal practice, and Olive Chancellor, a rich young Boston feminist. Against the richly textured backdrop of Boston and New York society, they enact a drama of confused identity and willful calculation that demonstrates the power and the perils engendered by the refusal of self-knowledge.

    His prose, always brisk and vigorous, rises in The People of the Abyss to italicized horror over the human degradations he saw in the slums of East London. It also accommodates the dazzling oratory of the hero of The Iron Heel, an American revolutionary named Ernest Everhard, whose speeches have the accents of some of London’s own political essays, like the piece (reprinted in this volume) entitled “Revolution.” London’s prophetic political vision was recalled by Leon Trotsky, who observed that when The Iron Heel first appeared, in 1907, not one of the revolutionary Marxists had yet fully imagined “the ominous perspective of the alliance between finance capitalism and labor aristocracy.”Whether he is recollecting, in The Road, the exhilarating camaraderie of hobo gangs, or dramatizing, in Martin Eden, a life like his own, even to the foreshadowing of his own death at age forty, or confessing his struggles with alcoholism in the memoir John Barleycorn, London displays a genius for giving marginal life the aura of romance. Violence and brutality flash into life everywhere in his work, both as a condition of modern urban existence and as the inevitable reaction to it.Though he is outraged in The People of the Abyss by the condition of the poor in capitalist societies, London is even more appalled by their submission, and in the novel he wrote immediately afterward, The Call of the Wild (in the companion volume, Novels and Stories), he constructed an animal fable about the necessary reversion to savagery. The Iron Heel, with its panoramic scenes of urban warfare in Chicago, envisions the United States taken over by fascists who perpetuate their regime for three hundred years. It constitutes London’s warning to his fellow socialists that mere persuasion is insufficient to combat a system that ultimately relies on force.

    In it he discusses the intense, nation-wide debate on the ratification of the constitution, stressing the continuities between that struggle over the foundations of the national government and the original principles of the Revolution. This study of the persistence of the nation's ideological origins adds a new dimension to the book and projects its meaning forward into vital present concerns.

    Or, rather, to welcome him back. It had been thirty years since the Revolutionary War hero the Marquis de Lafayette had last set foot in the United States, and he was so beloved that 80,000 people showed up to cheer for him. The entire population of New York at the time was 120,000. Lafayette's arrival in 1824 coincided with one of the most contentious presidential elections in American history, Congress had just fought its first epic battle over slavery, and the threat of a Civil War loomed. But Lafayette, belonging to neither North nor South, to no political party or faction, was a walking, talking reminder of the sacrifices and bravery of the revolutionary generation and what they wanted this country to be. His return was not just a reunion with his beloved Americans, it was a reunion for Americans with their own astonishing singular past. Lafayette in the Somewhat United States is a humorous and insightful portrait of the famed Frenchman, the impact he had on our young country, and his ongoing relationship with some of the instrumental Americans of the time, including George Washington, Alexander Hamilton, Thomas Jefferson, and many more.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    During that time, the Revolution came closer to being lost than at any time in the previous half dozen. The British still held New York, Savannah, Wilmington, and Charleston; the Royal Navy controlled the seas; the states--despite having signed the Articles of Confederation earlier that year--retained their individual sovereignty and, largely bankrupt themselves, refused to send any money in the new nation's interest; members of Congress were in constant disagreement; and the Continental army was on the verge of mutiny.William Fowler's An American Crisis chronicles these tumultuous and dramatic two years, from Yorktown until the British left New York in November 1783. At their heart was the remarkable speech Gen. George Washington gave to his troops evcamped north of New York in Newburgh, quelling a brewing rebellion that could have overturned the nascent government.

    #1 New York Times bestselling author Cokie Roberts brings us women who fought the Revolution as valiantly as the men, often defending their very doorsteps. Drawing upon personal correspondence, private journals, and even favoured recipes, Roberts reveals the often surprising stories of these fascinating women, bringing to life the everyday trials and extraordinary triumphs of individuals like Abigail Adams, Mercy Otis Warren, Deborah Read Franklin, Eliza Pinckney, Catherine Littlefield Green, Esther DeBerdt Reed and Martha Washington–proving that without our exemplary women, the new country might have never survived.

    Even months after American blood had been shed at Lexington and Concord, many colonists remained loyal to Britain. John Adams, a leader of the revolutionary effort, said bringing the fractious colonies together was like getting "thirteen clocks to strike at once." Other books have been written about the Declaration, but no author has traced the political journey from protest to Revolution with the narrative scope and flair of John Ferling. Independence takes readers from the cobblestones of Philadelphia into the halls of Parliament, where many sympathized with the Americans and furious debate erupted over how to deal with the rebellion. Independence is not only the story of how freedom was won, but how an empire was lost. At this remarkable moment in history, high-stakes politics was intertwined with a profound debate about democracy, governance, and justice. John Ferling, drawing on a lifetime of scholarship, brings this passionate struggle to life as no other historian could. Independence will be hailed as the finest work yet from the author Michael Beschloss calls "a national resource."

    In The Paranoid Style in American Politics, acclaimed historian Richard Hofstadter examines the competing forces in American political discourse and how fringe groups can influence — and derail — the larger agendas of a political party. He investigates the politics of the irrational, shedding light on how the behavior of individuals can seem out of proportion with actual political issues, and how such behavior impacts larger groups. With such other classic essays as “Free Silver and the Mind of 'Coin' Harvey” and “What Happened to the Antitrust Movement?”, The Paranoid Style in American Politics remains both a seminal text of political history and a vital analysis of the ways in which political groups function in the United States."Recent months have witnessed an attack of unprecedented passion and ferocity against the national government. The Republican Party has apparently embarked on a crusade to destroy national standards, national projects, and national regulations and to transfer domestic governing authority from the national government to the states. A near majority of the Supreme Court even seems to want to replace the Constitution by the Articles of Confederation…"Unbridled rhetoric is having consequences far beyond anything that antigovernment politicians intend. The flow of angry words seems to have activated and in a sense legitimized what the historian Richard Hofstadter called the 'paranoid strain' in American politics." - Arthur Schlesinger, Jr., Wall Street Journal, June 7, 1995

    He invented the phrase, "The United States of America." He rose from abject poverty in working-class England to the highest levels of the era's intellectual elite. And yet, by the end of his life, Thomas Paine was almost universally reviled. He had run afoul of Washington, broke with Robespierre and narrowly escaped the guillotine, and was all but exiled from his native England.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    If you want to experience the crossfire of intellectual and political ferment at the dawn of our Republic, open these pages and start ducking."--Bill MoyersAmerica Afire is the powerful story of the election of 1800, arguably the most important election in America's history and certainly one of the most hotly disputed. American self-government was still an endangered experiment seventeen years after the War of Independence had been won. As 1800 dawned, the sacrifices and fraternity of "the spirit of '76" had vanished, replaced by bitter and angry rivalries. Former allies Adams and Jefferson, president and vice president, now Federalist versus Republican, squared off in a vicious contest to win the fourth presidential election under the Constitution.The Constitution was still new and untried. The young republic lacked a cohesive national identity, the strength to confront aggressive foreign powers in a world racked by war and revolution, and a stable system for working out political differences electorally. Political parties were new, unforeseen, and unwelcome creations. Small wonder that no one was prepared for the partisan warfare that threatened to rage out of control. Or for the broken friendships, scandals, riots, slanders, beatings, and jailings -- elements of a crucial and perilous election that sparked a constitutional crisis and threats of civil war.Ultimately, the surprise is not that problems arose, but that the United States emerged from them a stronger nation. For when Adams stepped down from the presidency peacefully in 1801, it was the first time in modern history that a leader had voluntarily turned over power to his political enemy. This was truly a revolution and a triumph for democracy "made in America."Scrupulously researched and eminently readable, America Afire tells the tale of a watershed event in American history and lends a valuable new perspective on the early years of the United States, as well as the genesis and nature of our political system.

    This is the story of a fateful year that prefigured the events of 1776.In The Fever of 1721, Stephen Coss brings to life an amazing cast of characters in a year that changed the course of medical history, American journalism, and colonial revolution, including Cotton Mather, the great Puritan preacher, son of the president of Harvard College; Zabdiel Boylston, a doctor whose name is on one of Boston's grand avenues; James and his younger brother Benjamin Franklin; and Elisha Cooke and his protegee; Samuel Adams.During the worst smallpox epidemic in Boston history Mather convinced Doctor Boylston to try a procedure that he believed would prevent death--by making an incision in the arm of a healthy person and implanting it with smallpox. Inoculation led to vaccination, one of the most profound medical discoveries in history. Public outrage forced Boylston into hiding, and Mather's house was firebombed.A political fever also raged. Elisha Cooke was challenging the Crown for control of the colony and finally forced Royal Governor Samuel Shute to flee Massachusetts. Samuel Adams and the Patriots would build on this to resist the British in the run-up to the American Revolution. And a bold young printer James Franklin (who was on the wrong side of the controversy on inoculation), launched America's first independent newspaper and landed in jail. His teenage brother and apprentice, Benjamin Franklin, however, learned his trade in James' shop and became a father of the Independence movement.One by one, the atmosphere in Boston in 1721 simmered and ultimately boiled over, leading to the full drama of the American Revolution.

    In this fresh, compelling narrative, Christopher Hibbert portrays the realities of a war that raged the length of an entire continent—a war that thousands of George Washington's fellow countrymen condemned and that he came close to losing. Based on a wide variety of sources and alive with astute character sketches and eyewitness accounts, Redcoats and Rebels presents a vivid and convincing picture of the "cruel, accursed" war that changed the world forever. 16 pages of illustrations. "Hibbert combines impeccable scholarship with a liveliness of style that lures the reader from page to page."—Sunday Telegraph