Board of Education before the U.S. Supreme Court when he became embroiled in an explosive and deadly case that threatened to change the course of the civil rights movement and cost him his life.In 1949, Florida’s orange industry was booming, and citrus barons got rich on the backs of cheap Jim Crow labor. To maintain order and profits, they turned to Willis V. McCall, a violent sheriff who ruled Lake County with murderous resolve. When a white seventeen-year-old Groveland girl cried rape, McCall was fast on the trail of four young blacks who dared to envision a future for themselves beyond the citrus groves. By day’s end, the Ku Klux Klan had rolled into town, burning the homes of blacks to the ground and chasing hundreds into the swamps, hell-bent on lynching the young men who came to be known as “the Groveland Boys.”And so began the chain of events that would bring Thurgood Marshall, the man known as “Mr. Civil Rights,” into the deadly fray. Associates thought it was suicidal for him to wade into the “Florida Terror” at a time when he was irreplaceable to the burgeoning civil rights movement, but the lawyer would not shrink from the fight—not after the Klan had murdered one of Marshall’s NAACP associates involved with the case and Marshall had endured continual threats that he would be next.Drawing on a wealth of never-before-published material, including the FBI’s unredacted Groveland case files, as well as unprecedented access to the NAACP’s Legal Defense Fund files, King shines new light on this remarkable civil rights crusader, setting his rich and driving narrative against the heroic backdrop of a case that U.S. Supreme Court justice Robert Jackson decried as “one of the best examples of one of the worst menaces to American justice.”

    In the Spanish Quarter, on a street lined with flophouses and gambling dens, Madame Carl recognizes a face from her past. It is the face of a German girl, Sally Miller, who disappeared twenty-five years earlier. But the young woman is property, the slave of a nearby cabaret owner. She has no memory of a white past. Yet her resemblance to her mother is striking, and she bears two telltale birthmarks. In brilliant novelistic detail, award-winning historian John Bailey reconstructs the exotic sights, sounds, and smells of mid-nineteenth-century New Orleans, as well as the incredible twists and turns of Sally Miller's celebrated and sensational case. Did Miller, as her relatives sought to prove, arrive from Germany under perilous circumstances as an indentured servant or was she, as her master claimed, part African, and a slave for life? A tour de force of investigative history that reads like a suspense novel, The Lost German Slave Girl is a fascinating exploration of slavery and its laws, a brilliant reconstruction of mid-nineteenth-century New Orleans, and a riveting courtroom drama. It is also an unforgettable portrait of a young woman in pursuit of freedom.

    Here is the most recent scholarship on the geographic, social, ethnic, economic, and cultural journey of "the other Americans, " together with vital portraits of black pioneers and seminal figures in the struggle for freedom, as well as additional material on historical developments in the Reagan, Bush, and Clinton years.

    Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man.Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself.

    Spanning six decades, these three novels follow a man and his family as they struggle to adapt to life in a new world. From the death of Queen Victoria through the swinging sixties, this acclaimed saga is an unforgettable story of a farming family and a vanishing way of life.  Long Summer Day: Lt. Paul Craddock returns to England after the Boer War to resume civilian life. His father has died, leaving Craddock heir to a scrap-metal business. But instead of continuing the family business, he purchases an auctioned-off thirteen-hundred-acre estate, Shallowford, where he will be changed by his love for two women: fiercely independent Grace Lovell and lovely, demure Claire Derwent.  Post of Honour: Through hard work and love of the land, Craddock has transformed his sprawling estate and enjoys a peaceful country life with his wife and three children. But war has begun its inevitable march across England, and this remote corner of Devon cannot escape its destruction. As the Great War ends and another threatens to erupt, Craddock’s faith and the strength he derives from his family must sustain him and his village through trying, tumultuous times.  The Green Gauntlet: Though Craddock’s village has endured despite the sorrows of war, he has new perils to face. Emerging property laws threaten his livelihood, dividing his family over the future of his beloved Shallowford. For his sons and daughter, the fifties and sixties will be a time of discovery and change that will resonate in the lives of their own children.

    All too aware of the stories of cowboys, ranchers, and oilmen that have long dominated the lore of the Lone Star State, Gordon-Reed—herself a Texas native and the descendant of enslaved people brought to Texas as early as the 1820s—forges a new and profoundly truthful narrative of her home state, with implications for us all.Combining personal anecdotes with poignant facts gleaned from the annals of American history, Gordon-Reed shows how, from the earliest presence of Black people in Texas to the day in Galveston on June 19, 1865, when Major General Gordon Granger announced the end of legalized slavery in the state, African-Americans played an integral role in the Texas story.Reworking the traditional “Alamo” framework, she powerfully demonstrates, among other things, that the slave- and race-based economy not only defined the fractious era of Texas independence but precipitated the Mexican-American War and, indeed, the Civil War itself.In its concision, eloquence, and clear presentation of history, On Juneteenth vitally revises conventional renderings of Texas and national history. Especially now that the U.S. recognizes Juneteenth (June 19) as a national holiday, On Juneteenth is both an essential account and a stark reminder that the fight for equality is exigent and ongoing.

    Edgings are essential adornments to the most popular knit and crochet pieces blankets, scarves, and afghans. But borders can do so much more; they give handmade goods a delightful finishing touch, serve as focal points, tidy uneven edges, and add handcrafted flair to store-bought apparel. Borders often require turning a corner shaping the edgings around a 90-degree angle without breaking the pattern. This is rarely simple; add too few stitches at a corner and the work rounds inward; too many stitches, and the piece begins to ruffle awkwardly.  Unfortunately, most published edging patterns fail to include specific instructions for turning the corner, leaving crafters to fend for themselves. Edie Eckman comes to the rescue in Around the Corner Crochet Borders, a collection of 150 colorful crochet frames, each with detailed instructions for working around a corner. Instructions are offered both as text and as charts for working in-the-round; back-and-forth charts are also included for when that method is more appropriate. Photographs of finished borders, each turning a 90-degree corner, allow readers to see the details up close. Borders range from the delicate to the flamboyant and are sure to appeal to a new generation of trend-setting crafters. Offering practical solutions to one of needlecrafts most vexing challenges, Around the Corner Crochet Borders is an essential addition to every crocheters reference library. With this book, marvelous crochet borders are just around the corner.

     When Leif the Lucky and his Viking explorers linked Europe and America with their settlement at Vinland it marked a profound change in the world. Suddenly, almost every region on earth was in touch with its neighbours, spanning continents and oceans. For a few years, it was in theory possible to send a message all the way round the world. At the time, no one could possibly have known this, or what it would lead to. But in hindsight the early 11th century gives us a brief hint of today’s global unity. But what was the world like 1,000 years ago? What would a traveller have seen as they ventured across the continents? John Man circles the globe at the turn of the millennium to explore its major cultures, revealing many surprises. Islam was confident and curious, Europe was just awakening after its dark-age slumber, and Asia was home to the world’s most refined civilizations, while some aboriginal peoples were modifying age-old ways in Australia, Africa and the Americas. A Viking Odyssey is a fascinating and sumptuous account of the world in the year 1,000, bringing to life the diversity of human cultures, from hunter-gatherers to sophisticated city-dwellers, and the links between them. This book is a revised edition of Atlas of the Year 1,000, with new contributions from John Man. “A splendidly conceived and executed idea.” Dr. John Roberts, The New Penguin History of the World. “Just brilliant. A real contribution to world history.” Prof. Robert Moore, University of Newcastle. “A splendid accomplishment.” Dean R. Snow, Professor and Head of Anthropology, Pennsylvania State University. “A wealth of fascinating information.” Ray Inskeep, formerly Professor of Archaeology, University of Cape Town. “A fascinating snapshot of all corners of the world at the dawn of the global age” David Northrup, Dept of History, Boston College, USA. “A fresh look at the world at the dawn of the past millennium”. Science News. “The most original of all the spate of books that came out during the millennium.” Michael Palin. JOHN MAN is a bestselling historian and traveller specializing in Central Asia (in particular Mongolia). Genghis Khan: Life, Death and Resurrection is a best-seller in 21 languages. His other books include Attila the Hun, Kublai Khan, The Terracotta Army, and The Great Wall. In 2014, Xanadu was published in the US as Marco Polo, to accompany the Netflix TV series. His most recent book, Saladin, appeared in April 2015. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Their frowns followed her like a cloud, but she didn't care. Other girls may have worked happily, danced beautifully, or sewn themselves pretty dresses, but they could not climb or run or swim as well as she did, the silly, giggly, empty-headed creatures that they were. The entire village may have been frowning at her, but when she spotted the enemy forces camping under the Sacred Hill, they had no choice but to listen. Okwaho knew they were being watched. Whether by spirits or a wandering local, he could not ignore the feeling of the wary, frightened, hate-filled eyes staring out of the forest, burning his skin. But of course! Of course, the local woods distrusted them. He and his people were invaders, not coming to trade or engage in other peaceful dealings, but to raid these settlements. The enemies from the lands of the rising sun were bad, evil, impossible to understand. And yet… And yet, when the urge to prove himself lent him enough words to convince the leader of their party to send him and his friend on the mission of scouting the suspected hill, he could not have imagined what consequences this deviation from the well-planned road would lead them all into, the attackers and defenders alike.

    It takes what I call the Art of Tough and I've had to do it all my life." -- Senator Barbara Boxer Barbara Boxer has made her mark, combining compassionate advocacy with scrappiness in a political career spanning more than three decades. Now, retiring from the Senate, she continues the work to which she's dedicated 30 years in Congress. Her memoir, The Art of Tough, shares her provocative and touching recollections of service, and cements her commitment to the fight for women, families, quality, environmental protection, all in a peaceful world. Sometimes lauded, sometimes vilified, but always standing tough, Boxer has fought for what is right even when her personal convictions conflicted with her party or the majority rule.

    From the financial crisis to rising student debt to collapsing public infrastructure, she found a common root problem: racism. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm--the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country--from parks and pools to functioning schools--have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world's advanced economies, has thwarted universal healthcare.But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: gains that come when people come together across race, to accomplish what we simply can't do on our own.McGhee marshals economic and sociological research to paint a story of racism's costs, but at the heart of the book are the humble stories of people yearning to be part of a better America, including white supremacy's collateral victims: white people themselves. With startling empathy, this heartfelt message from a Black woman to a multiracial America leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

    Bullwhip Days is a remarkable compendium of selections from these extraordinary interviews, providing an unflinching portrait of the world of government-sanctioned slavery of Africans in America. Here are twenty-nine full narrations, as well as nine sections of excerpts related to particular aspects of slave life, from religion to plantation life to the Reconstruction era. Skillfully edited, these chronicles bear eloquent witness to the trials of slaves in America, reveal the wide range of conditions of human bondage, and provide sobering insight into the roots of racism in today's society.

    On July 17, 2014, a forty-three-year-old black man named Eric Garner died on a Staten Island sidewalk after a police officer put him in what has been described as an illegal chokehold during an arrest for selling bootleg cigarettes. The final moments of Garner's life were captured on video and seen by millions. His agonized last words, "I can't breathe," became a rallying cry for the nascent Black Lives Matter protest movement. A grand jury ultimately declined to indict the officer who wrestled Garner to the pavement. Matt Taibbi's deeply reported retelling of these events liberates Eric Garner from the abstractions of newspaper accounts and lets us see the man in full—with all his flaws and contradictions intact. A husband and father with a complicated personal history, Garner was neither villain nor victim, but a fiercely proud individual determined to do the best he could for his family, bedeviled by bad luck, and ultimately subdued by forces beyond his control. In America, no miscarriage of justice exists in isolation, of course, and in I Can't Breathe Taibbi also examines the conditions that made this tragedy possible. Featuring vivid vignettes of life on the street and inside our Kafkaesque court system, Taibbi's kaleidoscopic account illuminates issues around policing, mass incarceration, the underground economy, and racial disparity in law enforcement. No one emerges unsullied, from the conservative district attorney who half-heartedly prosecutes the case to the progressive mayor caught between the demands of outraged activists and the foot-dragging of recalcitrant police officials. A masterly narrative of urban America and a scathing indictment of the perverse incentives built into our penal system, I Can't Breathe drills down into the particulars of one case to confront us with the human cost of our broken approach to dispensing criminal justice.

    Without this tradition Bettye Kearse would not have known that she is a descendant of President James Madison and his slave, and half-sister, Coreen. In 1990, Bettye became the eighth-generation griotte for her family. Their credo—“Always remember—you’re a Madison. You come from African slaves and a president”—was intended to be a source of pride, but for her, it echoed with abuses of slavery, including rape and incest.  Confronting those abuses, Bettye embarked on a journey of discovery—of her ancestors, the nation, and herself. She learned that wherever African slaves walked, recorded history silenced their voices and buried their footsteps: beside a slave-holding fortress in Ghana; below a federal building in New York City; and under a brick walkway at James Madison’s Virginia plantation. When Bettye tried to confirm the information her ancestors had passed down, she encountered obstacles at every turn.  Part personal quest, part testimony, part historical correction, The Other Madisons is the saga of an extraordinary American family told by a griotte in search of the whole story.

    Board of Education, segregation of black children has reverted to its highest level since 1968. In many inner-city schools, a stick-and-carrot method of behavioral control traditionally used in prisons is now used with students. Meanwhile, as high-stakes testing takes on pathological and punitive dimensions, liberal education has been increasingly replaced by culturally barren and robotic methods of instruction that would be rejected out of hand by schools that serve the mainstream of society.Filled with the passionate voices of children, principals, and teachers, and some of the most revered leaders in the black community, The Shame of the Nation pays tribute to those undefeated educators who persist against the odds, but directly challenges the chilling practices now being forced upon our urban systems. In their place, Kozol offers a humane, dramatic challenge to our nation to fulfill at last the promise made some 50 years ago to all our youngest citizens.