It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.

    His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age. Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.

    Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence.Central to Huelle’s imagery is the vision of the refugee – be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends’ doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it – like the Chinese ‘Book of Changes’ – can decode their story. What we do with this text, this clue, Huelle seems to say, is up to us.

    Poems, journallike entries, and musings--by turn lyrical, meditative, and philosophical--make up this new collection by the Polish poet, essayist, novelist and winner of the Nobel Prize for Literature

    Exceptional for their range in mood and situation, these four novels are unparalleled exhibitions of a poetic beauty that is uniquely Duras.

    Five macabre masterpieces, lovingly crafted from the darkest depths of your nightmares.This collection includes:Walking - A camping trip in the wilderness leads to bloodshed when an inexperienced outdoorsman trespasses on forbidden ground…The Bridge - A cancer patient’s recovery takes an unexpected turn when she discovers that cheating death comes with a hidden cost…Squatting - A homeless man seeking shelter from the cold discovers that some abandoned houses hold deadly ties to the past…Maker’s Hill - A curious ghost hunter unearths a town’s dark history of violence, and learns that some secrets are meant to stay buried…The First Bad Thing - The murder of a child’s furry friend sends him on a hunt for a vicious supernatural predator that only he can stop…There’s no end to the terror found within these tales of dread. But whatever you do, try not to scream too loud.You never know who might be listening in the dark…

    I SAT on cushioned otter-skin: My word was law from Ith to Emain, And shook at Inver Amergin The hearts of the world-troubling seamen, And drove tumult and war away From girl and boy and man and beast; The fields grew fatter day by day.

    Stunningly original in both style and content, these stories are often hilarious yet with an undercurrent of profound moral disquiet and horror when the respectable turns slowly but inexorably into the outrageous, conveying both the horrors of upper-class life and the deepest anguish of the human condition.

    With passion and precision, Michael Thelwell recounts Rhygin’s journey from a morally coherent rural universe to the teeming, predatory slums of Kingston, his rebellion against the poverty and corruption of postcolonial Jamaica, his blazing, simultaneous rise to the top of the charts and the Most Wanted list.

    This is to be the first verse translation of Goethe's poetry in penguin classics and replaces Luke's own 1964 prose translation which has been in print continously since then (life sales 43,000).

    Ranging from the picaresque to the satirical, the Exemplary Stories defy the conventions of heroic chivalric literature through a combination of comic irony, moral ambiguity, realism, and sheer mirth. This new translation captures the full vigour of Cervantes's wit and make available two rarely printed gems, "The Illustrious Kitchen Maid" and "The Power of Blood."

    Set amid the salon society of fin-du-siècle Paris, these sketches and short stories depict the lives, loves, manners, and motivations of a host of characters, all viewed with a famously knowing eye. By turns cuttingly satirical and bitterly moving, Proust’s portrayals are layered with imagery and feeling—whether they be of the aspiring Bouvard and Pécuchet, the deluded Madame de Breyves, or of Baldassare Silvande, steeped in memories, regret, and final understanding at the end of his life. Novelist Marcel Proust was a prominent figure in the French salons of the late 19th century; he is best remembered for his seven-volume masterpiece In Search of Lost Time.

    Her stories portray a young Irish girl's view of obsessive love and its often wrenching pain, while tales of contemporary life show women who open themselves to sexuality, to disappointment, to madness. Throughout, there is always O'Brien's voice—wondrous, despairing, moving—examining passionate subjects that lay bare the desire and needs that can be hidden in a woman's heart.

    The Woman of the Pharisees--one of Mauriac's most accomplished novels--is a penetrating evocation of the moral and religious values of a Bordeaux community. In Brigitte, we see how the ideals of love and companionship are stifled in the presence of a self-righteous woman whose austere religious principals lead her to interfere--disastrously--in the lives of others. One by one the unwitting victims fall prey to the bleakness of her "perfection." A conscientious schoolteacher, a saintly priest, her husband and stepdaughter and an innocent schoolboy are all confronted with tragedy and upheaval. But the author's extraordinary gift for psychological insight goes on to show how redeeming features inevitably surface from disaster. The unfolding drama is seen through the discerning eye of a young Louis--Brigitte's stepson--whose point of view is skillfully blended into the mature and understanding adult he later becomes.

    The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera