An expert in all things extraordinary, she’s approached to lead the formation of a new team into the West Virginia wilderness to evaluate reports of a giant spider, but her quest for answers leads her to the discovery of an eight-legged monstrosity no one could have prepared for. Existing for eons beneath our earth, these aren’t your garden variety spiders. They’re bloodthirsty monsters that will rip apart anything—and anyone—in their path, and while a town fights to survive Emily and her team will have to do everything they can to beat back the terror before there’s a new species at the top of the food chain!

    Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called “The Family.” The world is ruled by a central computer called UniComp that has been programmed to keep every single human on the surface of the earth in check. People are continually drugged by means of regular injections so that they will remain satisfied and cooperative. They are told where to live, when to eat, whom to marry, when to reproduce. Even the basic facts of nature are subject to the UniComp’s will—men do not grow facial hair, women do not develop breasts, and it only rains at night.

    A spaceship that vanished years ago has been found, along with the bodies of its murdered crew—save one. Peter’s mission is to find the missing crew member, who fled through what appears to be a tear in the fabric of space. Beyond this mysterious doorway lies an even more confounding reality: a world that seems to be Earth’s twin.Peter discovers that this mirrored world is indeed different from his home, and far more dangerous. Cut off from all support, and with only days to complete his operation, Peter must track his quarry alone on an alien world. But he’s unprepared for what awaits on the planet’s surface, where his skills will be put to the ultimate test—and everything he knows about the universe will be challenged in ways he never could have imagined.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant. As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.

    As his frustration mounts, it hits him that no one has died in over three days. Jack's odd observation becomes something far stranger when he connects a meteorite to the bizarre phenomenon. Seizing the opportunity, Jack breaks the story and after a struggle to control the meteorite’s power is resolved, a swelling population begins to create havoc. With the survival of the human race hanging in the balance, politicians enact increasingly horrific measures and desperate citizens take matters into their own hands. Jack's in a position to not just report the news, but change it, and his decisions and observations creates an epic thriller that pits the potential of human immortality against a force designed to change - or obliterate - humanity itself. Only one man might stand in its way ... the man buried in the obits department. The Final Enemy is a story of social disintegration as well as a saga of survival. Secret plans, starvation, suicide, and a series of events that spiral the human race into a desperate survival mode evolve from a seemingly singular event and leads to a fast-paced action story that delights with its penchant for the unexpected. In the Matthew Mather and A.G. Riddle tradition, The Final Enemy is a gripping blend of thriller and science fiction that will prove hard to put down.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    This space borne hive, this extinction fleet, made no attempts to communicate and offered no mercy.Humanity has always been a deadly organism, and we would not so easily be made the prey. Unified against a common enemy, we fought back, meeting the swarm with soldiers upon every front.We were resplendent in our fury, and yet, despite the terrible slaughter we visited upon the enemy, world after world still fell beneath ravenous tooth and wicked claw. For every beast slain in the field, another was swiftly hatched to take its place and humanity was faced with a grim war of attrition.After a decade of bitter galactic conflict, it was all humanity could to do slow the advance of the swarm and with each passing year we came closer to extinction.The grinding cost of war mounted. The realization set in that without a radical shift in tactics and technology the forces of humanity would run out of soldiers before it ran out of bullets.In desperate response to the real threat of total annihilation, humanity created the Einherjar. Fearless new warriors with frightening new weapons who were sent to fight the wolves at the gate.

    The alien threat has been subdued. Company interests dominate universal trade. Terraforming is big money now, with powerful men willing to do anything to assure dominance over other worlds. Full description

    With a screenplay by Shane Black and Fred Dekker, the film stars Yvonne Strahovski, Boyd Holbrook, Olivia Munn, Alfie Allen, Thomas Jane, Sterling Brown, Keegan-Michael Key, Edward James Olmos, Jake Busey, and more. Author Christopher Golden (Alien: River of Pain) will work closely with James A. Moore, author for the official prequel novel.From the outer reaches of space to the to the backwoods of southern Georgia, the hunt comes home in Shane Black's explosive reinvention of the Predator series. Now, the universe's most lethal hunters are stronger, smarter and deadlier than ever before. And only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race.

    of the Xenomorph kind.Dr. Timothy Hoenikker arrives on Pala Station, a Weyland-Yutani facility. Lured there by the promise of alien artifacts, instead he finds a warped bureaucracy and staff of misfits testing the effects of Xenomorph bio-materials on living creatures. Unbeknownst to the personnel, however, there is an infiltrator among them whose actions could spell disaster. Also on staff is Victor Rawlings, a former marine who gathers together other veterans to prepare for the worst. As the personnel receive a delivery of alien eggs, the experiments spin out of control, and only the former Colonial Marines can stand between the humans and certain death.Alien: Infiltrator TM & © 2019 Twentieth Century Fox Film Corporation. All rights reserved.

    Someone on Earth knew about the aliens. Someone battled them, and survived. Aliens and humans have fought before.When a human spaceship discovers a vast egg-shaped vessel in Saturn's orbit, they zero in to investigate the anomaly. They force their way aboard, finding evidence of an advanced civilization of peaceful creatures, now eradicated by an unknown foe. Three teams split up to explore the ship. But already the aliens have awoken. The first of all the battles unfold...Best-selling writer John Shirley transports you to the origin of the nightmare, before humans knew what they were up against, or how low the odds for survival are.

    Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

     She joined the Commonwealth Space Fleet to please her mother, a high-ranking military officer; he joined as an escape from the crushing poverty and crime of the Trans-Angeles Public Housing Blocks, and the unlikely friends envisioned boring, peacetime careers as shuttle pilots. The Tahni Imperium had other ideas… Caught in the desperate fury of the Battle for Mars, the two young pilots wind up the last defense against an alien armada, but their war is just beginning. Recruited to fly the Fleet’s newest weapon in this new war, they take the fight deep into the heart of the Imperium and battle not just against the enemy but against incompetent leadership and ineffectual tactics. Can the unconventional strategies of a pair of hotshot young pilots change the course of the war? And when the time comes that a choice has to be made between duty to command and loyalty to a friend, which of the two will be willing to make one last flight alone…

    Alongside a full cast, Michael Biehn and Lance Henriksen reprise their iconic roles as Corporal Hicks and Bishop from the 1986 film Aliens. Father of cyberpunk William Gibson’s original script for Alien III, written in 1987 as a sequel to Aliens, never made it to our screens, although it went on to achieve cult status among fans as the third instalment that might have been after being leaked online. This terrifying, cinematic multicast dramatisation - directed by the multi-award-winning Dirk Maggs - is the chance to experience William Gibson’s untold story and its terrifying, claustrophobic and dark encounters between humans and aliens, as a completely immersive audio experience. The story begins with the Sulaco on its return journey from LV-426. On board the military ship are the cryogenically frozen skeleton crew of that film’s survivors: Ripley, Hicks, Newt and Bishop. We travel aboard and hear an alarm blare. Our heroes are no longer alone....Starring: Tom Alexander, Barbara Barnes, Michael Biehn, Cliff Chapman, Samantha Coughlan, Ben Cura, Dar Dash, Harry Ditson, Mairead Doherty, Lance Henriksen, Graham Hoadly, Lorelei King, Laurel Lefkow, Martin McDougall, Sarah Pitard, Michael Roberts, David Seddon, Andrew James Spooner, Siri Steinmo, Dai Tabuchi, Keith Wickham, Rebecca Yeo.©2019 20th Century Fox (P)2019 Audible, Ltd