Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    There was Michael Chabon's The Final Solution in which "the old man," an 89-year-old beekeeper in Sussex is undoubtedly Holmes. Laurie King, a fine mystery writer, has appropriated Holmes and created a romance between him and young Mary Russell which has lasted through several enjoyable books. And now, nonagenarian Holmes reappears, most appealingly, in Mitch Cullin's A Slight Trick of the Mind. He is frail and forgetful but still observant and capable of shining the bright light of his insight and brilliance on events both past and present.Cullin has carefully woven three stories together and managed it so neatly that no threads show--worthy of Holmes himself. The first is the story of Holmes's recent return from a trip to Japan, ostensibly in search of prickly ash, a bush that he believes contributes to healthy longevity, as does his beloved and trusted royal jelly. While there, he is met by his correspondent, Mr. Umezaki, who isn't as interested in prickly ash as in gleaning information from Holmes about his long-gone father. Supposedly, they met many years before, in London, and Holmes advised him not to return home. Of course, Holmes has no recollection of the meeting but finesses it nicely.It is 1947 when they visit Hiroshima, post-atomic bomb, and Holmes marvels at what he sees. He compares it, most poignantly, to the loss of the queen in a hive, "when no resources were available to raise a new one. Yet how could he explain the deeper illness of unexpressed desolation, that imprecise pall harbored en masse by ordinary Japanese?" That is what he tells Roger, the 14-year-old son of his housekeeper. Roger is the second thread of the novel. Holmes is introducing him to beekeeping and Roger proves an apt student. His hero-worship of Holmes and his need for a father form an integral part of Cullin's intention of "humanizing" the great Sherlock Holmes.The final thread is revealed in a journal that Holmes kept, in which he entered an encounter with a married woman, many years ago. He is infatuated with her, and hardly knows what to call it or what to make of his feelings. This is unfamiliar territory for the man who is rational above all else. The man we know at the end of the book makes the reader want another installment, showing a new Sherlock with a heart as well as a brain.(Amazon Review)

    He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    However, when questioned, Romaine informs the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning evidence against Vole and, as Romaine's cross-examination begins, her motives come under scrutiny in the courtroom. One question remains, will justice prevail?Librarian's note #1: this is the original short story. It was published in the print anthologies "The Witness for The Prosecution and Other Stories," and "The Hound of Death and Other Stories." It first appeared in "Flynn's Weekly" under the title of "Traitor Hands" in 1925. The author adapted it into a play in 1953 with additional material following the original ending, which became the basis for the 1957 film of the same name with Charles Laughton and Marlene Dietrich.

    Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.