A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    Fourteen-year-old Amrith is caught up in the life of the cheerful, well-to-do household in which he is being raised by his vibrant Auntie Bundle and kindly Uncle Lucky. He tries not to think of his life “before,” when his doting mother was still alive. Amrith’s holiday plans seem unpromising: he wants to appear in his school’s production of Othello and he is learning to type at Uncle Lucky’s tropical fish business. Then, like an unexpected monsoon, his cousin arrives from Canada and Amrith’s ordered life is storm-tossed. He finds himself falling in love with the Canadian boy. Othello, with its powerful theme of disastrous jealousy, is the backdrop to the drama in which Amrith finds himself immersed.Shyam Selvadurai’s brilliant novels, Funny Boy and Cinnamon Gardens, have garnered him international acclaim. In this, his first young adult novel, he explores first love with clarity, humor and compassion.

    In 1975, coach Harlan Brown is hiding from his past at an obscure New York college, after he was fired from Penn State University on suspicion of being gay. A tough, lonely ex-Marine of 39, Harlan has never allowed himself to love another man. Then Billy Sive, a brilliant young runner, shows up on his doorstep. He and his two comrades, Vince Matti and Jacques LaFont, were just thrown off a major team for admitting they are gay. Harlan knows that, with proper training, Billy could go to the '76 Olympics in Montreal. He agrees to coach the three boys under strict conditions that thwart Billy's growing attraction for his mature but compelling mentor. The lean, graceful frontrunner with gold-rim glasses sees directly into Harlan's heart. Billy's gentle and open acceptance of his sexuality makes Harlan afraid to confront either the pain of his past, or the challenges which lay in wait if their intimacy is exposed. But when Coach Brown finds himself falling in love with his most gifted athlete, he must combat his true feelings for Billy or risk the outrage of the entire sports world - and their only chance at Olympic gold.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

    They keep in touch at first, but then slowly drift apart.Flash forward twenty years.Travis and Craig both have great lives, careers, and loves. But something is missing .... Travis is the first to figure it out. He's still in love with Craig, and come what may, he's going after the boy who captured his heart, even if it means forsaking his job, making a fool of himself, and entering the great unknown. Told in narrative, letters, checklists, and more, this is the must-read novel for anyone who's wondered what ever happened to that first great love.

    In the small town of Moline, Virginia, folks struggle to survive, relying on hybrid seed sent by the faraway Departmet of Reintroduction and Agriculture and their own faith in God and hard work. But when a mated pair of dragons starts hunting the countryside, stealing sheep, and attacking children, the townsfolk quickly learn that they don't have the weapons or the skills to fight off such predators.David Anderson is a farmer's son who has explored the world through books. When he meets the new healer in town, Callan Landers, he doesn't quite know what to make of the strange warmth stealing over him. It's not until he surprises Callan with another man-and both men are promptly arrested for sodomy-that David finally realizes the truth about his own feelings.When David and Callan stumble over a secret in a nearby abandoned town, their personal problems fade before government politics and corruption that threaten lives. It seems the dragons aren't the worst dangers facing Moline.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    The first is of Ritwik’s; a story of a young man’s escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the scarred, all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of an Englishwoman in the old world of Bengal on the eve of India’s first partition? Or could it be in the figure of the eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? And then one night, in the badlands of King’s Cross, Ritwik meets the suave, unfathomable Zafar bin Hashm. As present and past of several lives collide, Ritwik’s own goes into free fall. Set in India during the 1970s and ’80s, in England in the ’90s and in Raj Bengal in the 1900s, this award-winning first novel from one of India’s most acclaimed new writers is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from and of the Subcontinent.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    At the center of the novel is Pooja Kapoor, a betrayed wife and mother who is forced to question her faith and marriage when she discovers that her banker husband Rahul has fallen in love with a young Muslim illegal immigrant man who happens to be their son’s age. Faced with the potential of losing faith in Rahul, divine intervention and family, she is forced to confront painful truths about the past and the duality in God and husband. The Two Krishnas draws inspiration from archetypal Hindu mythology and romantic Sufi poetry, evoking unforgettable characters to explore how, with a new world come new freedoms, and with them, the choices that could change everything we know about those we thought we knew – including ourselves.  “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of Cracking India "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyond his years.”—Mark Jude Poirier, author of Goats  ADVANCE PRAISE FOR THE TWO KRISHNAS “In The Two Krishnas, a novel filled with unexpected turns and beauty, Ghalib Shiraz Dhalla has examined with perceptive compassion the complex and heart-wrenching ties that bind families and the secret desires that pull them apart.”—Chitra Divakaruni, bestselling author of The Palace of Illusions “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of New York Times Notable Novel Cracking India "Ghalib Shiraz Dhalla writes with a voice that is both agile and compassionate. He renders scenes of great emotion with equal parts passion and precision. At it's core, The Two Krishnas is a classic tale of tragic, forbidden love, but Dhalla infuses it with an astute discussion of Hindu culture that should appeal to a broad cross-section of readers.”—Christopher Rice, New York Times bestselling author of A Density of Souls and Blind Fall "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyondhis years.”—Mark Jude Poirier, author of Goats and Modern Ranch Living

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    This summer-long basketball camp is his chance to improve his skills and escape his problems back home. But his summer plans take a turn in an unexpected direction when he meets Micah Youngblood, the guy who runs the carousel at the local mall and has a reputation for devouring straight boys’ heterosexuality for breakfast, alongside his chocolate chip pancakes. Ridge needs a way to avoid the guys at camp, whose only quest for the summer is to drown in beer and hook up with girls. So when Micah offers to explain how the ten unique horses on the carousel are significant to his tribe, Ridge takes him up on it. Still, Ridge can't decide if this is a bad thing or not. All he knows is that he hasn’t felt this alive since his dad fell from the sky, and as the horse adventures come to an end, Ridge finds himself falling as well – for Micah.

    Growing up gay in Knoxville, Tennessee is even harder. Eighteen-year-old Peter Mandel, a private school senior—class of 1991—is passionate about photography. Peter doesn’t have many friends, preferring to shoot pictures from behind the scenes to keep his homosexuality secret.Enter Adam Algedi, a charming, worldly new guy who doesn't do labels, but does want to do Peter. Hardly able to believe gorgeous Adam would want geeky, skinny him of all people, Peter's swept away on a journey of first love and sexual discovery. But as their mutual web of lies spins tighter and tighter, can Peter find the confidence he needs to make the right choices? And will his crush on Daniel, a college acquaintance, open a new path?Join Peter in the first of this four-part coming of age series as he struggles to love and be loved, and grow into a gay man worthy of his own respect. This new series by Leta Blake is gay fiction with romantic elements.Book 1 of 4. Warning! These books contain: New Adult fiction, ‘90s gay life, small city homosexual experiences, Southern biases, sexual exploration, romance, homophobia, bisexuality, and twisted-up young love. Oh, and a guaranteed happy ending for the main character by the end of Book 4.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.