Now they’ll turn deadly . . . Reclusive novelist Eugenia writes a bestselling novel under the pen name Amy Mathews. Her outgoing older sister serves as the face of the fictitious writer. It’s a lucrative partnership that landed Amy Mathews literary fame and fortune . . . until now.Virginia wants more books, but Amy Mathews is pretty much dead to Eugenia. She dreams of overcoming her social phobias and writing under her own name. She wants to get out of the house. But Eugenia soon discovers that it’s not that easy to put down the pen. In fact, it could very well turn deadly . . . For fans of complex characters and subtle plots turns in the best tradition of psychological thrillers, comes this stirring and twisty tale that will leave you wondering – just exactly what defines a villain?This smart and twisty thriller that is equal parts terrifying and profound will keep you on the edge of your seat until the very last page.

    Her ghost still inhabits the place and takes over the wife's body, goes to Hollywood, and tries to re-enter films. The couple meets a film buff, living in Vilma Banky's old home, and he has prints of all the lost films including the complete Greed.

    So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    This volume collects the most significant contemporary work on the novel from Marxist, Psychoanalytic, Historicist, Feminist, Poststructuralist and Postcolonialist perspectives. The book reflects the way that monstrosity in its literary, historical and philosophical context raises crucial questions for modern issues of sexuality, class, science, race, language and identity.

    At a Halloween party, she meets someone who believes her, a boy with green eyes and ghosts of his own named Thomas. Someone wants to do worse to Thea than kill her, and in order to find out who they are and what they want the two of them will have to deal with a clan of unusually helpful vampires, unexpected Shoggoths, and all the weird that Rhode Island can throw at them. And that's a lot of weird.

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    Finding it hard to make friends, things change when Maisie tells her new classmates about something strange she saw the night before - a girl's face in the window of a gothic tower. The girls tell Maisie about the ghost of a Victorian pupil rumoured to wander the corridors. One particular student called Kat seems captivated by what Maisie has seen, and - both feeling like outsiders - they quickly become close. One night, though, Maisie comes across a tin box full of photos and notes. It's plainly decades old, and, squinting at the photos - belonged to a smiling girl who looks exactly like Kat...

    Married. Hardworking. Easygoing. Fond of the occasional drink, maybe, and the occasional woman. But nothing serious. Nothing really bad.Now, though, something has gotten into Herman. Something is eating away at him. Something dark. Something ravenous.And no one is safe. No one.

    Fifteen-year-old Simon Lysaght is sent after the death of his father to live with his uncle Sir David Trevelyan at their estate house, Trevelyan Priors. Exploring after a day of heavy snow, Simon discovers a track of fresh footprints in an enclosed garden, long abandoned and overgrown. Who do they belong to?

     After Amelia Harveston loses her mother to tragic circumstances, she fears she will be forced into poverty and the position of a desperate woman. When distant relatives invite her to live with them at Mirror House, the plantation home built by her grandfather, she readily accepts. Her expectations of a warm family embrace where she'll be loved and protected, though, are soon shattered. Mirror House is a home haunted by the past, by dark secrets and by the cruel games its inhabitants play. Alone and with no one to confide in, Amelia struggles to unearth the house's secrets. Then the accidents begin, and Amelia knows she's become the target for the hate that infests it. Out of the despair, two seeming allies appear. Two offers of marriage promise sanctuary. Both men claim to love her. One of them is lying. Amelia must choose the one man whose embrace promises the love and safety her very life depends on. But the house, it seems, has other ideas...

    Yet to discover who she was, Marylee had to go back, sure the Lord would look out for her. But learning anything about her past was proving impossible. Why were there no records of the accident that claimed her parents' lives? No records of her parents, period? And who was trying to stop her from finding out? Someone whose threats were escalating. Someone close to her, such as Evan Baxter, the handsome photographer she'd entrusted with the one clue she had.

    Includes A Watcher by the Dead by Ambrose Bierce; The Body Snatchers by Robert Louis Stevenson; The Adventure of the German Student by Washington Irving; Dickon the Devil by J. Sheridan Le Fanu; The Fall of the House of Usher by Edgar Allan Poe; and The Open Window by Saki.

    To Daniel Morgan, self-made millionaire and reluctant playboy, young Liza Hanford was that rarest of all creatures - an efficient, compassionate and discreet private secretary. So discreet in fact that he never knew that for eight heart-wringing years Liza had been in love with him.It was hardly the kind of proposal to set a girl cloud-walking, but to Liza it opened the door to a new life . . . and perhaps he just might learn to love her.To all appearances it was a true Cinderella story. But underneath the pleasant surface dark shadows of Daniel's past began to emerge. Suddenly this unspoken menace exploded and threatened not only Liza's marriage but her husband's life.