Attitudes surface and personalities clash as struggles, secrets, and obsessions emerge. Follow the lives of eight quilters from Chicagoland as they gather once a month to play Bunco, the popular no-skills dice game. The last thing Lettie wants is for a member to quit the Bunco Club, but a well-guarded hoarding obsession may cause that very thing to happen. When Nancy’s one-love contacts her after twenty years, she shares tidbits each month about the devastating breakup along with news of a possible reunion and she finds there is no shortage of opinions from the women of the Bunco Club. Follow the members as their stories are revealed and woven together through the bond of friendship—from a heart stopping discovery of a national historic treasure, to a 39-year-old secret, to a mom whose child is devastated from being bullied. Eight women capture the hearts of readers who will long to be members of The Bunco Club.Show more Show less

    Seuss's infectious rhymes, fanciful creatures, and roundabout plots not only changed the way children read but imagined the world. And to Think That I Saw It On Mulberry Street, Green Eggs and Ham, The Cat and the Hat, these and other classics have sold hundreds of millions of copies and entertained children and adults for decades.After graduating from Dartmouth, Theodor Geisel used his talents as an ad-man, political provocateur, and social satirist, gradually but irrevocably turning to children's books. Theodor Geisel tells the unlikely story of this remarkable transformation. In this compact and engrossing biography, Donald Pease reveals the evolution of Dr. Seuss's creative persona while offering an honest appraisal of his life. The book also features many of Dr. Seuss's lesser-known illustrations, including college drawings, insecticide ads, and wartime political cartoons--all of which offer a glimpse of his early artistic style and the visual origins of the more famous creatures that later populated his children's books.As Pease traces the full arc of Dr. Seuss's prolific career, he combines close textual readings of many of Dr. Seuss's works with a unique look at their genesis to shed new light on the enduring legacy of America's favorite children's book author.

     In a conversational style geared toward nonbelievers, Green compares Christianity, Buddhism, Islam, and other religions to help spiritual seekers navigate the multi-faith maze. "But Don't All Religions Lead to God?" is an ideal reference and evangelism tool for churches and individual Christians as well. It offers scriptural references, looks at how divergent religious traditions view salvation and eternity, and answers difficult questions such as "What about people who have never heard of Jesus?" and "How should Christians regard other religions?" In the midst of our pluralistic and tolerant culture, here is an important and convincing argument for faith in Jesus-the only great teacher whose death and resurrection provided grace, forgiveness, and an eternity in the presence of God.

    Dick. First published in Fantasy and Science Fiction magazine in October 1969. In 2010 Marvel Comics adapted "The Electric Ant" as a limited series. The comic books were produced by writer David Mack (Daredevil) and French artist Pascal Alixe (Ultimate X-Men), with covers provided by artist Paul Pope (THB).

    Nathan has been lying to his wife about a serious medical condition. Marsha, recently separated from her husband, cannot resist telling her children negative things about their father. What is the role of therapy in these situations? Trained to strive for neutrality and to focus strictly on the clients' needs, most therapists generally consider moral issues such as fairness, truthfulness, and obligation beyond their domain. Now, an award-winning psychologist and family therapist criticizes psychotherapy's overemphasis on individual self-interest and calls for a sense of moral responsibility in therapy.

    Drawing on the memories of her parents-both Holocaust survivors-and the fragmented stories of other family members lost in the war, she explores the impact of their legacy on her own life. Through her vivid prose and stunning illustrations, Eisenstein crafts a tale that is emotionally rich and visually arresting. "I Was a Child of Holocaust Survivors" harkens back to Art Spiegelman's "Maus" but breaks new ground in combining graphic novel and memoir. Mixing sadness with bittersweet humor, Eisenstein describes her experiences growing up in the wake of the World War II. But more than a book about the Holocaust and its far-reaching shadow, this moving, searingly honest testament speaks to the universality of memory and loss. Anyone who sees this book will be deeply affected by its beautiful, highly evocative writing and its brilliantly original, haunting artwork.

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    M. Forster, by E. M. Forster. To purchase the entire book, please order ISBN 1417908599.

    This anthology, including Levinas's key philosophical texts over a period of more than forty years, provides an ideal introduction to his thought and offers insights into his most innovative ideas. Five of the ten essays presented here appear in English for the first time. An introduction by Adriaan Peperzak outlines Levinas's philosophical development and the basic themes of his writings. Each essay is accompanied by a brief introduction and notes. This collection is an ideal text for students of philosophy concerned with understanding and assessing the work of this major philosopher.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This book documents the people they encountered along the way. First person narratives are illuminated by strikingly direct photographic portraits of the subjects alongside the objects of their worlds. Lehrer's postmodern, Talmudic design juxtaposes the multiple perspectives of these new Americans, now thrown together as neighbors, classmates, coworkers, enemies, and friends. They reflect on the good, the ugly and the unexpected in their stories of crossing oceans, borders, wars, economic hardship, and cultural divides. These soulful narratives are put in context by the authors' personal and historical observations. The voices, images and sounds collected here form a portrait of a paradoxical and ever-shifting America.

    Fifteen chapters discuss subjects including the death system, causes of death, transition fro

    Husak" and the essay "The Power of the Powerless," are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

    She is to be a student at Temple School -- banished because her features too closely resemble those of her mother's married employer. The headmistress of this all-girl school, Sophia Westervelt, has a mysterious past and a passion for education. She instills achievement into her students, confident that one day they will have dinner with the King of Sweden, because they will win the Nobel Prize. Under Sophia's direction, Waverley grows as her own abilities and vision expand. But far away in Europe, nations clash, and even isolated Isadora Island feels the impact. Sophia struggles to keep Temple School going, though formidable forces combine against her. And in the midst of this turmoil, Waverley experiences love for the first time -- a love so fierce that, like her education, it will shape the rest of her life.

    After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture.In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued  alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike.A  penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart.