It is essentially a racy crime thriller full of gritty suspense. Act one builds up slowly to result in a crescendo of conflicts between personalities and ideas finally to end with an unnatural death before the interval. Is it a suicide or a murder? Act two evolves through a series of incisive interrogations to unravel the truth, which is deeply disturbing and affecting. As the play unfolds into a very well crafted situational thriller, underneath is the debate about using land for agriculture or for industry, the ethics of a working author and the nexus of a modern state all wonderfully enmeshed into its storyline and the personal lives of its subtly etched out characters. The highpoints of the play are its central conflict between a mother and her daughter and its female sleuth – Renuka.

    But after a minute or two, they too walked away, because looking at the two any longer became unbearable.’A woman who won’t let the shadow of death disrupt her love life, another who falls irrevocably in love with a dead police officer, a devoted wife who steps out twice a week for Narcotics Anonymous meetings, friends who should have been lovers, the woman who offers all her pent-up love to a railway announcer’s voice … Annie Zaidi’s stories are at once warm and distant, violent and gentle – and, above all, untroubled by cynicism. This is a look at love, straight in the eye, to understand the alluring nature of the beast.

    From the mass of Indian short fiction by women writing in India,Britain and America,here is a constellation of some of the most dazzling stories.A Spectrum of voices and an abundance of forms - from the ghost story to the animal fable - are all anchored in experiences of a multicultural and multilingual sub-continent.The overlapping worlds of tradition and skepticism,of collective responsibilities and individual choice strike a tenuous balance giving us stories that are violent,funny,tragic as they explore old themes-caste and hierarchy,colonialism and its aftermath.relationships,sexuality and the search for identity- with new vigour.This anthology boasts a distinguished range of writers from Anita Desai to Sunita Namjoshi,Kamala Das to Mashasveta Devi;it includes stories,some written in English,most translated from the regional languages - Urdu,Hindi,Bengali,Tamil,Kannada,Malayalam - that reflect a marvellous diversity, and provides a sampler of same of the finest writing from India.

    Rusenvelt, a physician cum psychiatrist receives a call. It is about a bestselling author who had created an illusion of fantasy around himself. The doctor is asked to bring him back to reality. However, he comes across a shock.Rohan, broken on losing the love of his life, is driving on the highway. Suddenly a man intrudes in his life to place his broken pieces together. But Rohan has now another secret to witness.Two stories to blow your mind.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    In an uncharacteristic move, she sets off on an unexpected journey, away from her mother, Rukmini, and her home in Bengaluru, to distant, misty Assam. She comes looking for her beloved Asian elephant, Elephas maximus, but also seeks someone else-her grandfather, Torun Ram Goswami, someone she has never met before. She arrives at the Yellow House on the banks of the Brahmaputra, where Torun lives, not knowing that her life is about to change. Twenty-five years ago, Rukmini had been cast out of the family home by her mother, the formidable and charismatic Usha, while Torun watched silently. Loya now seeks answers, both from him and from the place that her mother once called home. In her quest, she finds an understanding not only of herself and her life but also of the precarious bonds that tie people together.A delicate, poignant portrait of family and all that it contains, Undertow becomes, in the hands of this gifted writer, an exploration of much more: home and the outside world, the insider and the outsider, and the ever-evolving nature of love itself.

    Rao. Some accidents are meant to happen… Dr. Rihaan Mehta is a brilliant young neurosurgeon who has no inclination for love or marriage. According to him wives and girlfriends are annoying accessories that one can do without. But when his mother dangles the sword over his head in classic Bollywood style, he succumbs, and sets out in search of a bride who would fit his 'requirements'. But can Rihaan deal with what he gets instead?

    The Middle East is a tinderbox waiting to ignite, while Afghanistan and Iraq are already exploding as the guns continue to boom and bombs go off with unfailing regularity. Pakistan is in flames as its besieged military dictator clings to power in the face of increasing opposition. Then the two besieged leaders come together to strike a secret deal. The prize: the most wanted man in the world. It is at this point that Salim, old ISI hand and former Brigadier in the Pakistan army, jumps into the fray. Egged on by the rogue ISI leadership, his terror cohorts fan out to unleash a global strike of unthinkable proportions. Caught in the eye of the impending storm, the Indian Prime Minister turns yet again to Force 22, the secret Indian strike action group and the final barrier between Salim's secret weapons and the death of thousands of innocent civilians...

    But what went unreported in the media was the nuclear fallout that had lasting impact on the inhabitants of Pokhran, especially Chaitanya.It quickly becomes clear that the conspiracy surrounding this radioactive fallout runs pretty deep in the establishment. Those who have had a hand in covering it up are willing to go to great lengths to ensure that the secrets stay buried.Chaitanya sets on a journey to expose the truth. With Zara by his side, he is sure to bring justice to his people. But when fate snatches Zara away from him, he is consumed by revenge. Undeterred by threats, he embarks on a mission that takes him from the deserts of Pokhran to those of Syria, and into the halls of MIT.A heady page turner, at its very core, Pokhran is an exceptional journey of revenge, courage, love and the unbeatable human spirit.

    Then, her only mission was to attend college, pursue her modeling career, and leave her past hurts behind. But when Carmen receives some startling news, she decides the time to make her final appearance has arrived; however, reemerging could open old wounds and the obstacle of facing the man she left behind presents the biggest challenge of them all. Dominic Johnson has long since put thoughts of Carmen Mitchell out of sight and out of mind. Circumstances would bring her back to Brunswick, but there was no repartee to be spoken to the woman who’d left him years ago without so much as a goodbye. It isn’t until Dominic gains a first-hand glimpse of Carmen that old memories spark and a detonation of what was, and what could be, set off a myriad of images in his mind. Now Dominic is faced with a battle that’s waging internally, to stay out of her way or to succumb to Carmen Mitchell, again.

    When Nadine learns that the Indian woman she thought her nanny is, in fact, her mother, she rebels against her English father and he arranges for her to be wed to an Australian merchant many years older. She is whisked off to her new husband's plantation in Malaya but as the Second World War rages throughout the East, Nadine is taken captive by the Japanese. She is held at a camp in Sumatra with other women and forced to entertain the soldiers and satisfy their desires. In the most unlikely circumstances, Nadine finds an ally and protector in a Japanese—American major caught up in the war. The two bond over their conflicted identities and gradually fall in love. But can Nadine survive long enough to find happiness? Don't miss this emotional and powerful saga about a woman's determination to beat the odds, perfect for fans of Renita D'Silva, Dinah Jefferies and Julia Gregson.

    "Meet Siddhartha, a good lawyer but a bad human.Meet Rahul, a good human but a bad doctor.And meet Shuchi, a good human and an exceptionally well doctor.Shuchi tries to make a good human out of Siddhartha and a good doctor out of Rahul, but a bomb blast transforms their lives.Read this revolutionary tale to know how Siddhartha will get a unique PIL passed in the courtroom and Rahul will perform a life changing surgery, to save the girl they love.”

    12 HOURS is a perfect blend of Love, Pain and Laughter" - Sanjay Chauhan (Script Writer of Paan Singh Tomar)Every hour of our life scripts a new story. And, every story is colored with a different feeling - Love, Pain, Joy, Sorrow, Trust, Deceit, Excitement, Repentance, Respect, Humiliation, Loneliness and AngerWe all have been a part of these intense emotions, which our heart experiences. We grow among them, feeling them, living them every minute, every hour, and our life is incomplete without them. 12 HOURS is a collection of twelve engrossing and beautifully written stories, which express different emotions and pour out the essence of different relationships. Some stories will make you laugh, while some will shed your tears. Some stories will spread a lesson, while some will electrify your spine. Some stories will make you fall in love, while some will motivate you to succeed. Each story will try to touch one or the other emotion that is nested inside us.In a nutshell, every hour of 12 HOURS will take you on a completely different journey by putting you amid the intriguing lives of the various characters, the characters that look very much real like all of us, the characters that belong to one or the other hour of our life.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.