A must for this counterculture idol's legion of fans.

    Until one night when he makes a fatal, wrong decision…and loses everything.When a drunken night out at a Michigan State college party results in the death of six people, Cole must come to terms with his part in the tragedy. Normally, he’d be able to lean on his best friends—the ones who have been in his life since he could barely walk. Only, they’re gone. Worse, there’s the shattered body of a sixteen-year-old girl lying somewhere in a hospital bed, her entire life ripped from her because of a case of beer and a set of keys.Everyone assures him that they know it wasn’t intentional, and yet he can’t ignore the weight of their gazes, the whispers behind his back. Nor can he shake the all-consuming guilt he feels every time he thinks of that girl who won’t so much as allow him near her hospital room to apologize. As the months go by and the shame and loneliness festers, Cole begins to lose his grip on what once was important—college, his girlfriend, his future. His life. It’s not until Cole hits rock-bottom that he can begin to see another way out of his personal hell: forgiveness.And there’s only one person who can give that to him…

    Its ceilings need plastering and some of the toilets leak appallingly, but its residents are far from desperate, though sometimes contentious and unforgiving. In these witty, poignant stories, Mistry charts the intersecting lives of Firozsha Baag, yielding a delightful collective portrait of a middle-class Indian community poised between the old ways and the new.

    . .Lila Summers just wants to know one thing for certain: that Ethan Gregory will be with her always. Once her friend, he's become so much more, melting the pain of her past away with each kiss. Now Lila is on a road trip with Ethan, in the wilderness under the stars, and she can't imagine her life without him. But when she talks about the future, something in Ethan changes . . .Ethan has no doubts about his feelings for Lila. His life with her gets better every day-and that's the scary part. How can he walk into a future where he has everything to lose? With Lila, his whole heart is on the line for the very first time. But if Ethan can't give her the promise she needs, his greatest fear might come true: he'll lose Lila for good.(30,000 words)

    forces battle to possess the Philippine Islands, the Karangalan family hides with their neighbors in a cramped cellar, where they glean hope from the family stories and folktales they tell each other. These stories of love, survival, and family blend the supernatural with the rich, little known history of the Philippines, the centuries of Spanish colonization, the power of the Catholic church, and the colorful worlds of the Spanish, Mestizo, and Filipino cultures.As the villagers tell their stories in the darkened cellar below, Holthe masterfully weaves in the stories of three brave Filipinos--a teenage brother and sister and a guerilla fighter--as they become caught in the battle against the vicious Japanese forces above ground.Inspired by her father's firsthand accounts of this period, Tess Uriza Holthe brings to magical and terrifying life a story of the hope and courage needed to survive in wartime.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    When sophomore Ryan "The Kid" McPhearson makes the Varsity baseball team, he finds himself submersed into the life of upperclassmen, and falling in love with senior Brooke Bennet. To Ryan she's his dream girl, perfect. Maybe to the outside world a two-year age difference doesn't matter, but this is high school. Everything matters. Ryan soon realizes Brooke's life is not so perfect. He becomes her closest friend, her safe place to fall when she needs to escape. Ryan seems to be benched in the friend zone with no chance to bat.Time is both a curse and a blessing. It ushers Brooke away to college, and Ryan into the arms of his first girlfriend. It alters Ryan from a kid to a high school graduate, ready to venture to college himself. But when Ryan sees Brooke again he realizes there are some things even time can't touch.Though much has changed, one question still remains. Will the things that mattered in high school always stand between them?

    He is thrilled when his father gives him a red pony, and later promises him the colt of a bay mare. Both these gifts bring joy to Jodi's life - but tragedy soon follows. As Jodi begins to learn the harsh lessons of life and death, he starts to understand what growing-up and becoming an adult really means.

    Javellana's 368-paged book has two parts, namely Day and Night. The first part, Day, narrates the story of a pre-war barrio and its people in the Panay Island particularly in Iloilo. The second part, Night, begins with the start of World War II in both the U.S. and the Philippines, and retells the story of the resistance movement against the occupying Japanese military forces of the barrio people first seen in Day.It narrates the people's "grim experiences" during the war.First published in 1947, Javellana's novel sold 125,000 copies in the U.S. and was reprinted in paperback edition in Manila by Alemar's-Phoenix in 1976. The same novel was made into a film by the Filipino film maker and director, Lino Brocka under the title Santiago!, which starred the Filipino actor and former presidential candidate, Fernando Poe, Jr. and the Filipino actress, Hilda Koronel. It was also made into a mini-series film for Philippine television. The published novel received praises from the New York Times, New York Sun and Chicago Sun. Without Seeing the Dawn, the novel, became the culmination of Javellana's short-story writing career. The said novel was also known under the title The Lost Ones. It is currently a book requirement to the first year students of the University of the Philippines Rural High School.

    Revealing a deeper look into the dramatic life of Elfhame’s enigmatic high king, Cardan, his tale includes delicious details of life before The Cruel Prince, an adventure beyond The Queen of Nothing, and familiar moments from The Folk of the Air trilogy, told wholly from Cardan’s perspective.This new installment in the Folk of the Air series is a return to the heart-racing romance, danger, humor, and drama that enchanted readers everywhere. Each chapter is paired with lavish and luminous full-color art, making this the perfect collector’s item to be enjoyed by both new audiences and old.

    But forgetting is hard-- because Katelyn may have died -- but she didn't leave. Her ghost is following Aspen around, and heading into senior year, it's kind of a problem. Especially when Katelyn's former boyfriend Ben appears to be the only person at school with a clue as to how Aspen feels. Popularity, Homecoming Court, hot guys - none of these things ever mattered to Aspen. She's been busy trying to keep her stoner mother Ninny in line and out of unemployment. But with Ben sitting next to her in Physics and her therapist begging her to remember all the things she wants to forget, Aspen is thrust into a vivid, challenging world she can't control ... and doesn't want to. A darkly funny, emotionally gripping story of opening up, letting go, and moving on, Aspen is about the best-worst accident of your life ... and what comes next.

    And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.

    Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery. Diaz evokes a world in which fathers are gone, mothers fight with grim determination for their families and themselves, and the next generation inherits the casual cruelty, devastating ambivalence, and knowing humor of lives circumscribed by poverty and uncertainty. In Drown, Diaz has harnessed the rhythms of anger and release, frustration and joy, to indelible effect.

    Marcelina's father comes home from a trip to Manila with beautiful hand-made sleeping mats for each member of his large family, including the three daughters who died when they were very young.

    First, a cave-boy loses his mother, falls in love, and learns a deadly lesson. He is followed by an extraordinary cast of characters: a murderess who impersonates her victim; a fisherman who believes he has become a different species; a Roman emissary who realizes the bitter truth about the Empire; a crippled nun who is healed miraculously by a disturbing apparition; an old crusader whose faith is destroyed by witnessing the ultimate relic; two witches, lovers, who burn at the stake. Each related tale traces a path in a journey of discovery of the secrets of the land.In the tradition of Kipling's Puck of Pook's Hill, Schwob's Imaginary Lives, and Borges' A Universal History of Infamy, Moore travels through history, blending truth and conjecture, in a novel that is dazzling, moving, sometimes tragic, but always mesmerizing.This edition presents Voice of the Fire for the first time in hardcover format, with full color illustrations by Jose Villarrubia.