Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    It also relates the extraordinary history of the museum's collection, a collection that has enabled the Van Gogh Museum to evolve into a world-renowned centre of knowledge about Van Gogh's work and the art of his time.

    With record-collector zeal, Cook analyzes everything from Sidney Bechet's 78s to Norah Jones' recent chart-topper.

    But as soon as he gets on campus, Ben finds out that Spy School is way more deadly than debonair. And given his total lack of coordination and failure to grasp even the most basic spying skills, Ben begins to wonder what he’s doing here in the first place.Luckily, through a series of hilarious misadventures, Ben realizes he could actually become a halfway decent spy…if he can survive all the attempts being made on his life!Ideal for newcomers to the series and loyal fans alike, this collection includes paperback editions of Spy School, Spy Camp, Evil Spy School, Spy Ski School, and Spy School Secret Service.

     Book One: Beneath the Secrets. What happens when the only girl you’ve ever lusted comes crashing back into the picture? Nothing. Don’t construe my lack of interest the wrong way. The last time I saw Ava, she was no doubt attractive. Although she’s always been a little nerdy, and her head never left the inside of a book during her entire schooling experience, she could garner the attention of any hot-blooded male she feigned an interest in – myself included. Just one flash of her killer smile and I wanted to drop to my knees and kiss her f*cking feet. But a lot has changed since Ava left town six years ago with a flood of tears streaming down her face. Circumstances change. People change. I’ve changed. I’m no longer a teenage boy who can’t control his cock around a beautiful girl. I am a grown man. A man that has done two tours in Afghanistan. A man that has no troubles controlling his cock. A man that can still remember the sweet taste of her lips. What the f*ck? I'm screwed. From the Author that brought you the 'Enigma' series comes the next installment. An emotional story about being reacquainted with your high school crush. Does time really alter your interests? Or is using your age just an excuse to downplay real love? Let's find out - it's time to dive beneath the sheets Book Two: Beneath the Sheets. One Small Decision: One Epic Result. Five years ago, I made a mistake. If I’d known my hasty decision was going to have the consequences it did, I would have evaluated it with more diligence. I would have taken the time to properly assess the repercussions of my actions. But when my sister and unborn nephew were killed in an horrific accident, any chances of my grief-riddled brain forming a rational decision was lost. I was hurting too much. Losing Jorgie and Malcolm gutted me. Losing Ava the same week, utterly destroyed me. For the past five years, I’ve been a ghost, missing, presumed dead, hidden from the people who are seeking my demise. I knew eventually my past would catch up with me. I just never fathomed once it did, it would unravel even more secrets than the ones I've been hiding. But I'm tired of running and fighting fate. It's time to dive beneath the sheets, where all the best-kept secrets are exposed. Author Warning: This book is for people over the age of eighteen. It has swear words, sexual activities, and adult situations.

    I’ve tried hard to go straight, and this time I thought I’d got it, thought things would work out for a change. I didn’t reckon on Tony Rossi and his gang…. Why did I have to get myself involved with such low-life again? And then I saw her, and my life would never be the same again. I knew I wanted her there and then, even though I knew I was committing a crime against her. That’s the moment I knew it all had to change, that I had to change if I was ever going to deserve a woman like Janine. Her dad, on the other hand, has different plans for his daughter’s future, plans that don’t involve me. Times running out to save her, but I have no job, no money… no hope. Even if I did, what happens when the past catches up to me and she finds out all about me? It’s bound to happen… I can’t build a relationship on a web of lies. Can she ever love a man like me? Janine I’m scared, scared as hell of a future that dad has already planned for me, but what can I do? When I meet Ed, I wish things could be different, he’s everything I want in a man… even if he is older than me. He’s strong and handsome, and someone to protect me from men like Tony Rossi… but it all seems so hopeless. I hate Tony Rossi with a passion, I hate any form of violence, and could never love a man like him… a bully and a small-time gangster. I felt a strong attachment to Ed from our first meeting… maybe it’s love at first sight, I don’t know… but I know nothing about him. With my dad forever watching me, how will I ever meet up with Ed to find out? They say that love will find a way, but I don’t see how. Can Ed save me? Is he the one? *Taken By The Thief is a short, standalone romance with an HEA, no cheating, and no cliffhanger.

    

    This full-length, exhaustively researched account of the thrash kings' career recaps and reevaluates the years guitar hero Jeff Hanneman and drum legend Dave Lombardo were in the group. Over the course of 59 chapters, 400 footnotes and three appendices, it profiles the members and presents dramatic scenes from 32 years in the Abyss: A fresh look at the group's early days. Reign in Blood tours. A European invasion. The Palladium riot. The seat cushion chaos concert. Newly unearthed details from Lombardo's turbulent history with the band. Historical artwork and photos never seen in public before. The entire diabolical discography. Hanneman’s hard times. The Big Four’s big year. Lombardo’s final exit. The top 11 Hanneman tributes. The mosh memorial service. Untold stories. Updates. And relevant digressions, including a contrasting look at other contemporaries and cutting-edge extreme bands. Over decades, Slayer experience triumph and loss, but never defeat, whether it's at the hands of rivals, peers, America's most infamous church, or the United States government itself. In addition to extensive archival material, this book features original content from the band, key affiliates, and firsthand witnesses, including Metal Blade CEO Brian Slagel, former tour manager Doug Goodman, engineer Bill Metoyer, former Metal Blade exec William "DJ Will" Howell, and cover artist Albert Cuellar (who went on to work with Tim Burton, Sublime, and Sir Mix-A-Lot). It also includes Jeff Hanneman's original diagram for the Live Undead picture disc (spoiler: it's a stick-figure sketch). Slayer fans will never see — or hear — the thrash metal champions the same way. 33 photos and 11 illustrations include lost artwork by Hell Awaits artist Albert Cuellar and stunning exclusive pictures by Harald Oimoen (of Murder in the Front Row renown). Written by D.X. Ferris, an Ohio Society of Professional Journalists Reporter of the Year and author of "Slayer's Reign in Blood," which is book no. 57 in Bloomsbury Academic's prestigious 33 1/3 series. The bargain-priced e-book edition features extensive interactive content, and can be read on any smart phone, tablet, computer, or portable communications device (with free Kindle software).

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    It fills our Facebook feeds. It keeps afloat a whole armada of late-night comedians, YouTube auteurs, and twitter wits … an endless stream of "Worst Things Ever." Recall, if you will, Rebecca Black's chart-topping disasterpiece, "Friday." Or “The Room”, Tommy Wiseau's cinematic tragedy turned cult farce. Or the devout Spanish septuagenarian who produced an infamously botched, and now stunningly ubiquitous, retouching of a 19th-century fresco of her Lord and Savior Jesus Christ. The Internet era has fueled an obsession with these and other acts of cultural cluelessness. Hardly a week goes by, it seems, without some new aesthetic travesty spreading across the globe in the form of ones and zeros, spawning countless remixes and riffs, like the world's biggest inside joke. And once more the cry goes up: Fail! Epic Fail!But what, exactly, draws us to these futile attempts at making songs, movies, and art? What are the essential ingredients that render a ridiculous failure sublime? More important, what does our seemingly insatiable appetite for the "succès d'incompetence" say about our aesthetic impulses? Our ethical ones? Is our laughter all in good fun or is something more sinister at work?

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    Also known as "Jet of Blood".

    Pollard was a longtime grade school teacher who toiled endlessly on his music, finding success only after adopting a do-it-yourself approach, relying on lo-fi home recordings for much of his and his band's career. A prolific artist, Pollard continues to churn out album after album, much to the acclaim of critics and his obsessive and devoted fans. But his story has never been faithfully told in its entirety. Until now. Author Matthew Cutter is a longtime friend of Pollard and, with Pollard's blessing, he's set out to tell the whole, true story of Guided By Voices. Closer You Are is the first book to take an in-depth look at the man behind it all, with interviews conducted by the author with Pollard's friends, family, and bandmates, along with unfettered access to Pollard himself and his extensive archives. Robert Pollard has had an amazing and seemingly endless career in rock music, but he's also established himself as a consummate artist who works on his own terms. Now fans can at long last learn the full story behind one of America's greatest living songwriters.

    Now Frederic Tuten, the highly acclaimed author of Tintin in the New World, has imagined the personification of van Gogh's fervor and madness: Ursula, one of the most beguiling creations in recent literature. A morphine-addicted, nineteen-year-old photographer, Ursula is van Gogh's lover and tormentor. But she is lost to him, and he to her, when she steps through a crack in the wall of the Bad Cafe and finds herself in a strange world - New York City at the end of the twentieth century. Van Gogh's Bad Cafe is a fantastical romance set in two different eras. It is a meditation on love and longing; on van Gogh's psyche and his work; on addiction (to passion, drugs, art); on the spirit of the nineteenth versus the twentieth century.