Its depiction of innocence and simple humanity (all seasoned with a dash of dysfunctional profanity) in an evil world is never less than astonishing. The only novel to be set in the barbecue sauce capital of Central Texas, Vernon God Little suggests that desperate times throw up the most unlikely of heroes.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Both the book and the film have achieved a cult status as the Australian answer to US and UK novels and films of 1960s youthful alienation. It is the gruelling story of a young Australian schoolteacher on his way back from the outback to Sydney and civilization when things start to go wrong. He finds himself stuck overnight in Bundanyabba, a rough outback mining town. An ill-advised and drink-fuelled visit to a gambling den leaves Grant broke and he realizes he has no way of escaping. He descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that his life has become.

    To the Incan people, it is still the ultimate symbol of their spirit. To William Race, an American linguist enlisted by the U.S. Army to decipher the clues to its location, it's the ultimate symbol of the apocalypse...Carved from a rare stone not found on Earth, the idol possesses elements more destructive than any nuclear bomb--a virtual planet killer. In the wrong hands it could mean the end of mankind. And whoever possesses the idol, possesses the unfathomable--and cataclysmic--power of the gods...Now, in the foothills of the Andes, Race's team has arrived--but they're not alone. And soon they'll discover that to penetrate the temple of the idol is to break the first rule of survival.Because some treasures are meant to stay buried..and forces are ready to kill to keep it that way...

    Jackson Plummer quickly becomes the cure to Christina's loneliness and a surrogate father to her young daughter Bianca.When Jackson suggests moving to a run-down farm in the mountains, Christina is uncertain about uprooting their lives in the city. She soon forgets her hesitation, absorbing herself in restoring the rambling century-old house, Bartholomews Run, and becoming obsessed with solving its mysterious history.But while living on the isolated farm, her once effervescent child transforms into a quiet sullen teenager and Christina increasingly struggles to connect with her.Because Bianca has a secret. And the monstrous truth threatens to destroy them all.Poignant and thought-provoking, The Making of Christina will have you questioning how well you know the people you love, the price of truth, and how easily it could happen to you.

    Suffering from post-traumatic stress disorder, and unable to face a return to his family home in rural Nova Scotia, he goes in search of freedom, change, anonymity and repair. We follow Walker through a sequence of poems as he moves through post-war American cities of New York, Los Angeles, and San Francisco.

    Solomon is all charisma, authority and charm, down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family and his homeland, and would do anything for them. The question is, does he know where to draw the line? Solomon, Jimmy and Aleks: way out on the fringe of Australia, looking for a way in. Hip hop and graffiti give them a voice. Booze, women and violence pass the time while they wait for their chance. Under the oppressive summer sun, their town has turned tinder-dry. All it'll take is a spark. As the surrounding hills roar with flames, the change storms in. But it's not what they were waiting for. It never is.

    All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy, Cold Enough for Snow questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another's inner world.Selected from more than 1,500 entries, Cold Enough for Snow won the Novel Prize, a new, biennial award offered by Fitzcarraldo Editions, New Directions (US) and Giramondo (Australia), for any novel written in English that explores and expands the possibilities of the form.

    They're on the run from Reason's grandmother Esmeralda, who believes in magic and practices horrifying dark rituals. But when Sarafina suffers a mental breakdown, Reason is sent to the one place she fears most - Esmeralda's home in Sydney.Nothing about the house or Esmeralda is what Reason expected. Then, when she walks through Esmeralda's back door in Sydney and finds herself on a New York City street, Reason is forced to face the shocking truth. Magic is real. And Reason is magic.

    Thomas Keneally's evocative writing gives us searing insight into the sun-parched settlements of hungry transports and corruptive soldiers. But this is not an 'historical' novel in the usual sense. It is the story of a man, Corporal Phelim Halloran, and of the demands made on him - by his girl, his Irish comrades, his superior officers, and, most often, by his conscience. Innocent and lover, poet, soldier-by-accident, scholar by the standards of his day, Halloran attempts to make a world unto himself. through his pity and love for Ann Rush, his 'secret bride'; but many seem pledged to complicate these simple desires. There is the convict-artist, Thomas Ewers, persecuted and compelled to illustrate the officers' journals. There is Halloran's feckless colleague, Terry Byrne. The convict, Quinn, whose term of imprisonment should have been nearly over. Robert Hearne, political prisoner, government clerk and traitor. Halloran comes to disbelieve in any other existence except his own and God's, until, shockingly and irrevocably, he is reunited with Ann."

    Meat Man is a regular, a very regular regular, who views the world - the world of the pub and its clientele - through his beer glass, his glass canoe which transports them all to other worlds, worlds of fighting and loving and, above all, drinking. The grand saga of the Southern Cross or the tragic futility of humanity at a watering hole? Perhaps it's all to be taken on a bent elbow with another swallow."

    As an adult, Samantha, one of the children set free by the terrorists, has become obsessed with the hijacking. Under the guise of her senior thesis, she pulls Lowell, the son of a victim, into a web of terror, death, and betrayal that he has spent his adult life trying to forget. Hospital probes with astonishing acuity the worlds of espionage and intelligence gathering, and the painful meaning of survival.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    While it might be okay for Sashy, it's certainly not what she envisioned for herself when she was sixteen. So when her boyfriend proposes to her during the reception, Flora makes a wish to go back and do it all over again. The next morning she wakes up to find that she has been given the ultimate second chance--she's sixteen again. As Flora navigates school, first loves--new and old--and discovers what it really means to make adult choices, will she stay in her new body or try and find her way home?--in Jenny Colgan's The Boy I Loved Before.