But one early March morning, it gains a notoriety it would rather not have. Hotel guest Heather Peterson, a beautiful, young Oregonian teacher, is found dead at the bottom of the pool. The police authorities deem it an accidental drowning, but that raises troubling questions. Heather was a strong swimmer. How could she have drowned, and why was she naked? Paula Djan, principal of the school at which Heather was a volunteer, suspects foul play and begins to dig around. As she discovers an increasing number of suspects, she encounters hostility from the police investigators, who take a dim view of her snooping. But much more than stepping on a few toes, she may be headed down a dangerous path where the killer lies in wait with every intention to make Paula the second death at the Voyager Hotel.

    She becomes intrigued by a 1908 safari and the British nobleman who died mysteriously. The further she probes, the more deeply she is drawn into past lives and ancient, mysterious forces of violence.

    During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986.A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time. These works reveal the plight of non-whites in apartheid South Africa, laying bare the lives of the poor and the outcasts who filled the ghettoes and shantytowns.A walk in the night --Tattoo marks and nails --At the Portagee's --The gladiators --Blankets --A matter of taste --The lemon orchard

    Tomorrow is Another Country retells the story of the behind-the-scenes collaborations that started with a meeting between Kobie Coetsee, then minister of justice, and Nelson Mandela in 1985. By 1986, negotiations involved senior government officials, intelligence agents, and the African National Congress. For the next four years, they assembled in places such as a gamepark lodge, the Palace Hotel in Lucerne, Switzerland, a fishing hideaway, and even in a hospital room. All the while, De Klerk's campaign assured white constituents nothing would change. Sparks shows how the key players, who began with little reason to trust one another, developed friendships which would later play a crucial role in South Africa's struggle to end apartheid."A gripping, fast-paced, authoritative account of the long and mostly secret negotiations that brought South Africa's bitter conflict to its near-miraculous end. Sparks's description of these talks sometimes brings a lump to one's throat. He shows how the participants' deep mutual suspicion was gradually replaced by excitement at the prospect of making a momentous agreement—and also by the dawning realization that the people on the other side were human beings, perhaps even decent human beings."—Adam Hochschild, New York Times Book Review"A splendid and original history. . . . Sparks's skillful weaving of myriad strands—Mandela's secret sessions with the committee, the clandestine talks in England between the African National Congress and the government, the back-channel communications between Mandela and the A.N.C. in exile, the trepidation of Botha and the apparent transformation of his successor, De Klerk—possesses the drama and intrigue of a diplomatic whodunit."—Richard Stengel, Time"Sparks offers many reasons for hope, but the most profound of them is the story this book tells."—Jacob Weisberg, Washington Post"The most riveting of the many [accounts] that have been published about the end of apartheid."—The Economist

    In the love story and intrigue that follow, the author's exploration of racism draws upon her own experiences of growing up in South Africa.

    Edge-of-your-seat suspense combines with a compelling family drama in this story of power, greed and salvation.A searing contemporary thriller about an Australian family in crisis against the backdrop of war-torn Africa.Thirty-year-old Tessa Lowell has a PhD in psychology and is working in Uganda to research the effects of PTSD and war on child soldiers. She joins a delegation travelling across the Congolese border, deep into the African bush, for peace talks with Joseph Kony, notorious leader of the Lord's Resistance Army.  At the camp Tessa meets thirteen-year-old Francis, already an experienced soldier and survivor of shocking violence. The talks stall, and the camp is attacked by other rebels who take Tessa. Isolated in an increasingly volatile situation, she tries to form a bond with Francis. In Melbourne, Tessa's parents are notified of the kidnapping, but learn there is little that government agencies can do. Desperate, they contact their son Stephen, an astute if manipulative businessman based in Cape Town. He agrees to search for his sister but has other reasons to contact the rebel forces.As Tessa's time runs out, her family begins to fracture. Her parents arrive in Uganda to hear awful news about what she has endured. They also learn the devastating truth about the kind of man their son has become. Only they have the power to stop a terrible injustice. But at what cost to their family?

    It’s completely upfront with the adventures, mishaps, dust, heat and the thrills of overlanding. You’ll find that Sam’s perceptions of people, places and the various predicaments have real depth and texture. Whether he’s being shot at, arrested, jailed, knocked unconscious in the depths of the Namibian desert or living in a remote Tanzanian village, you’ll find that he evokes the sights, sounds and smells with a natural ease that takes you right into each scene.

    She becomes obsessed with the author John Coetzee, who has made a name for himself by writing Disgrace, a celebrated novel that revolves around the attack on her. Lucy lives the life of a celibate hermit, making periodic forays into the outside world in her attempts to find and confront Coetzee. The Lucy of Coetzee’s fictional imaginings is a passive, peaceful creature, almost entirely lacking in agency. She is the lacuna in Coetzee’s novel – the missing piece of the puzzle. Lucy Lurie is no one’s lacuna. Her attempts to claw back her life, her voice and her agency may be messy and misguided, but she won’t be silenced. Her rape is not a metaphor. This is her story.

    After sorting out the labels Black, English Whites, Afrikaners, and Coloreds, the discussion pushes on to more difficult questions: Why should you never give a White woman a white-gold engagement ring? Why do Indian men always play sports in jeans? and How do Colored gangsters fare in the navy?

    But Indigo is uneasy in the foreign landscape and confused by the family’s silence surrounding her mother’s recent death. Unable to find solace in either new or old faces, she begins to harbour violent suspicions in place of the truth.Steeped in the dry heat of a South African summer, this keen and touching debut seamlessly interweaves the voices of Indigo and her mother, and beautifully captures the human desire to belong: in a family, in a country, in your own skin.

    Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town’s streets and walls. She remembers the day her childhood ended, when slave catchers came “whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear.” Sila remembers her masters, especially Oumiesies (“old Missus”), who in her will granted Sila her freedom, but Theron, Oumiesies’ vicious and mercenary son, destroys the will and with it Sila’s life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.

    Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka’s streets, Chimuka and Ali escape and become street kids.Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability that existed before her parents’ death.The Mourning Bird is not just Chimuka’s story, it’s a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country’s burden, shame and silence, which, when juxtaposed with Chimuka’s triumph, forms an empowering debut novel.

    Arrested along with hundreds of others and sentenced to six months hard labor in prison, Jezile returns home to find her child dying of starvation. When her husband is arrested for stealing milk to save the child, Jezile must fight to ensure her family’s survival.

    . . At what cost? All his life Kabelo Mosala has been the perfect child to his doting absent parents, who show him off every chance they get. Both his parents and his small community look forward to him coming back after medical school and joining his father's practice. They also plan to give him the perfect township wedding. But Kabelo's one wish has always been to get as far away from the township as he possibly can and never come back. A few weeks before he leaves for university, however, he forms a close bond with Sediba, one of his childhood friends, confirming his long-held suspicion that he is gay. Their relationship is thrown into turmoil by social pressures and conflicting desires, and it starts to look as if they can't be together. But against all odds the two young men make their way back to each other, risking scorn from the community that raised them. In her characteristic, beautifully modulated voice, with razor-sharp clarity, Lesego Molope tackles an urgent issue in her country of birth.

    Using his family as a microcosm of the corroding society at large, Marnus tells a troubling tale of a childhood corrupted, of unexpected sexual defilements, and of an innocence gone astray.