Eloquence is only a grasping in the space of ineffable air. There are few words or phrases that do justice to the soul singing its own revelations. That place is where Last Psalm at Sea Level lives, where it is as solid as gold burning itself into light. --Afaa Michael Weaver

    Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    Fatherhood is about family, about memories of his father and the memories he's creating as a dad himself, with his own son and daughter.Warm, witty and nostalgic, these tales are just like a friendly chat over the back fence, or the banter of a backyard BBQ. They will stir your own memories: of hot summer days and cooling off under the sprinkler while Dad works in the garden with the radio tuned to the sports results; that time Dad tried to teach you to drive - and then got out of the car and kissed the ground; or taking your own kids on a family road trip.Fatherhood is full of memories: the happy, the hilarious, the sad, bad, and the unexpectedly poignant moments. You will laugh, you may even cry - but you will recognise yourself and those you love somewhere in these pages.

    And a few years ago, I began to write through the stuff that I do (or try to do) to enjoy the day-to-day life with a houseful of tinies. Three years later, it remains one of the most popular series of posts I've ever done at my blog. And now it's an e-book. The book isn't about "advice" or making a one-size-fits-all version of motherhood. It certainly isn't about heaping more guilt or or unattainable standards on anyone. Mothering is very, very hard work. It's constant. It's tiring. I've found that mothering tinies exposed the parts of my heart that I could keep politely hidden from general society. It could break me in the morning, but by evening, I would feel like I've never been more fulfilled or happy in my life. It can also be monotonous (that’s something not too many people will tell you – me? I’ll tell you.) And do you have any idea how many loads of laundry a family of five can generate? (Hint: EPIC AMOUNTS OF LAUNDRY.) But the truth is: I enjoy mothering. I enjoy it a lot. In fact, I love this which surprised me. Even the daily quotidian rhythms of it are good, good, good. I even enjoyed those years when I couldn't leave the house without someone sympathetically commenting "Wow, your hands are full." Not because I have it all figured out and do things right all of the time (I don’t). Not because I’m the best mother in the world (I’m not). Not because my tinies are absolutely perfect and the gold standard of childhood (they’re not - trust me). And not because every day is filled with rainbow-and-unicorns-and-cupcakes (I wish). No, the reason I enjoy mothering tinies on the day-to-day grind is mainly because I do this stuff. And it helps me. I call them Practices because that’s what us Christians have often called spiritual disciplines, but really they’re just things I do over and over again, kneading them like yeast into my life. Everyone has their own "practices." Most of mine come from my own parents but then I picked up a few others from books or friends or mentors. And my practices may not work for you and your family. After all, this is just what worked for me, right then, in that season. As my tinies grow up, my practices shift and change and evolve, as they should. Your own practices will do that, too.

    100 million people viewed those videos, turning Bo into an online sensation with a huge and dedicated following. Bo taped his first of two Comedy Central specials four days after his 18th birthday, making him the youngest to do so in the channel's history. Now Bo is a rising star in the comedy world, revered for his utterly original and intelligent voice. And, he can SIIIIIIIIING!In EGGHEAD, Bo brings his brand of brainy, emotional comedy to the page in the form of off-kilter poems, thoughts, and more. Teaming up with his longtime friend, artist, and illustrator Chance Bone, Bo takes on everything from death to farts in this weird book that will make you think, laugh and think, "why did I just laugh?"

    For Jay Atkinson, who grew up in a small Massachusetts town, it was hockey. When Bobby Orr scored the winning goal in the 1970 Stanley Cup Finals against the St. Louis Blues, Atkinson became a fan for life. In 1975, he played on the first Methuen Rangers varsity hockey team. Once and always a rink rat, Atkinson still plays hockey whenever and wherever he can. Twenty-five years after he played for the Rangers, Atkinson returns to his high school team as a volunteer assistant. Ice Time tells the team's story as he follows the temperamental star, the fiery but troubled winger, the lovesick goalie, the rookie whose father is battling cancer, and the "old school" coach as the Rangers make a desperate charge into the state tournament. In emotionally vivid detail, Ice Time travels into the rinks, schools, and living rooms of small-town America, where friendships are forged, the rewards of loyalty and perseverance are earned, and boys and girls are transformed into young men and women. Along the way, we also meet his five-year-old son, Liam, who is just now learning the game his father loves. Whether describing kids playing a moonlit game on a frozen swamp or the crucible of team tryouts and predawn bus rides that he endured himself, Atkinson carves out the drama of adolescence with precision and affection. He takes us onto the ice and into the heart of a town and a team as he explores the profound connection between fathers and sons, and what it means to go home again.From the Hardcover edition.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    Michael Palmer has been hailed by John Ashbery as "exemplarily radical" and by The Village Voice as "the most influential avant-gardist working, and perhaps the greatest poet of his generation." His new book, Company of Mothsa collection in four parts, "Stone," "Scale," "Company of Moths," and "Dream"is beautiful, and fierce: "bright archive, sad merriment," "question pursuing question." Palmer, in this new volume for our darkest times, asks, "How will you now read in the dark?"

    Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets.From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka.  Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself.Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.

    Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martin Espada, and Sherman Alexie are also included. Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety. Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps. Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format."

    Includes "The Spell of the Yukon," "The Heart of the Sourdough," "While the Bannock Bakes," and "The Squaw Man."

    These poems evoke that keenly, seeking justice but transcending judgment as they grieve loss, celebrate love, and find healing.

    

    All headnotes are new or updated, and many footnotes have been added, replaced, or revised. Criticism reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson. A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.