Ramsey Campbell, who dropped the initial from his name in subsequent publications. It was released in 1964 by Arkham House in an edition of 2,009 copies and was the author's first book. The stories are part of the Cthulhu Mythos. Campbell had originally written his introduction to be included in the book The Dark Brotherhood and Other Pieces under the title "Cthulhu in Britain". However, Arkham's editor, August Derleth, decided to use it here. The contents were reprinted with some of Campbell's later Lovecraftian work in his 1985 collection Cold Print.

     “The Great White Bed” – A senile old man makes a deal with a strange being for a new lease on life. What happens when a book reads you? “The Cellar Gods” – In the 1940s, a young medical student protects a beautiful Asian woman from prejudiced townsfolk, only to discover she is connected to mysterious entities from an unholy dimension. “The Locked Door” – The visions of a psychic threatens the existence of a secret order. “In the Gyre” – A research vessel investigating a growing pollution problem in the ocean finds that something else has discovered a use for our waste material—something designed for building, and growing, and multiplying. “The Gate and the Way” – Poking around the local spook house for redeemable cans and bottles, two brothers stumble upon cosmic horrors from beyond space and time. “I Cannot Begin To Tell You” – A desperate father kidnaps his infant son and flees to a remote cabin to wait out an apocalypse only he can perceive. Is the man psychotic? Or is the boy a conduit for an ancient malevolence from the depths of Time? “Cutter” – A man and boy are trapped in an abandoned house by plague of bizarre monsters. “Graveyard Orbit” – In the future, the deep space exploration vessel Wellington encounters the unthinkable orbiting the uncharted planet Osiris II. Amid the debris of a trillion alien corpses, the Wellington’s Captain Walker will stumble upon an unlikely ally—and potentially, the secrets of the universe. “The Weaponized Puzzle” – A Russian spy steals an alien artifact from the Australian Government which soon transforms into a prison, and Australian spy Harrison Peel must solve its various puzzles and confront its captive horrors to escape again. Fiction by Don Webb, Jeffrey Thomas, Brian M, Sammons, Peter Rawlik, William Meikle, Kevin Lucia, David Kernot, Scott R. Jones, C.J. Henderson, Cody Goodfellow, David Dunwoody, Shane Jiraiya Cummings and David Conyers. Cover illustration by Paul Mudie. This sampler collection provides links to the various author’s works, personal interviews, and further information on their e-books. Step inside, and discover the newest horror releases lurking in the nightmare lands of Lovecraft…

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    Think of what you’ve just read.” Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors. Eventually these aliens had been “banished” to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth “when the stars are right.” That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett. Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in “Best of the Year” anthologies in three fields: science fiction, mystery, and horror.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    Lovecraft is one of the most influential modern horror writers. Lovecraft's fiction is a category unto itself. Eschewing the traditional werewolves, vampires, and ghosts of most horror fiction, he wrote of dread Elder Gods and cosmic, earth-shattering horrors. Lovecraft mined rich veins of terror uniquely his own, and wherever in the known and unknown universe his imagination sped, readers followed—fascinated, enrapt, and terrified by the scope of his dark vision.More than fifty years after his death, Lovecraft's fiction continues to influence each new generation of horror readers…and writers. Lovecraft's Legacy collects 13 stories by critically-acclaimed, award-winning horror and dark fantasy writers, including F. Paul Wilson, Brian Lumley, Gene Wolfe, and Gahan Wilson. With an introduction by Robert Bloch, author of Psycho, this splendid anthology pays well-deserved homage to the late, great master of the weird tale.

    Snyder, Tim Curran, Pete Rawlik, Sam Gafford, Christine Morgan, Cody Goodfellow and many more, Return of the Old Ones: Apocalyptic Lovecraftian Horror continues the Dark Regions Weird Fiction line with 19 original stories from some of the best authors in Lovecraftian horror and weird fiction today. Return of the Old Ones will only have one signed edition (deluxe slipcased hardcover) and will feature a similar stamp design to the popular Cthulhu head stamping featured on the World War Cthulhu hardcovers. It will be signed by all contributors and will feature the original color cover artwork by Vincent Chong as color end sheets.

    Lovecraft. Although "Shadows Over Innsmouth" includes the said novella, the book is a collection of Innsmouth-related stories by a number of later authors and not a single story or novel. You might also consider moving your personal rating and/or review to the appropriate page if you have read only the novella. SEVENTEEN CHILLING STORIES, INCLUDING THE ORIGINAL MASTERPIECE OF HORROR: “THE SHADOW OVER INNSMOUTH” by H. P. LovecraftInspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil. “ONLY THE END OF THE WORLD AGAIN” by Neil Gaiman: The community of Innsmouth performs a blood sacrifice–with shocking, terrifying results.“THE CHURCH IN HIGH STREET” by Ramsey Campbell: In the crypt of a derelict church, a sensible young man meets a bestial, unthinkable fate. “INNSMOUTH GOLD” by David Sutton: An adventurer searches for buried treasure–and discovers a slithering hell on earth.“THE BIG FISH” by Jack Yeovil: A few months after Pearl Harbor, a mobster and his floating casino lie under water, teeming with the stuff of nightmares.AND THIRTEEN MORE TERRIFYING TALES!

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    Lovecraft and his successors. Here in the library, under lock and key, are some of the world’s most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. How safe are Miskatonic’s security precautions and what has perhaps disappeared from, or appeared in the collection since? What other creepy, maddening, extra-dimensional, or even sentient tomes reside on those forbidden shelves? What strange events have taken place among the stacks? Is there an inter-library loan system? Who, or what, comes after miscreants who fail to return books on time? In the modern, digital age, what would happen if some of the content escaped over the Internet? Are some of the books, or all of them, little more than slowly ticking time bombs? And what, dare we ask, can be found in the Cooking Section? If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had? A feast of bibliographical horrors by Don Webb, Adrian Cole, Dirk Flinthart, Harry Turtledove, P.D. Cacek, Will Murray, A.C. Wise, Marilyn Mattie Brahen, Douglas Wynne, Alex Shvartsman, James Van Pelt, Robert M. Price, and Darrell Schweitzer. If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had?

    Lovecraft, and his acknowledged masterpiece, At the Mountains of Madness, in which an expedition to the desolation of Antarctica discovers evidence of an ancient ruin built by horrific creatures at first thought long-dead, until death strikes the group. All but two of the stories are original to this edition, and those reprints are long-lost works by science fiction masters Arthur C. Clarke and Robert Silverberg.

    He is the only Outer God who chooses to personify his presence on our planet. A god of a thousand forms, he comes to Earth to mock, to wreak havoc, and to spur on humanity's self-destructive urges. This volume of stories and poems illustrates the ubiquitous presence of Nyarlathotep and shows him in several different guises. Among them, his presence as Nephren-Ka, the dread Black Pharaoh of dynastic Egypt, dominates. The thirteen stories include a Lin Carter novella. Selected and introduced by Robert M. Price.Contents:Introduction by Robert M. PriceAlhireth-Hotep the Prophet, story by Lord DunsanyThe Sorrow of Search, story by Lord DunsanyNyarlathotep, poem by H.P. LovecraftThe Second Coming, poem by William Butler YeatsSilence Falls on Mecca’s Walls, poem by Robert E. HowardNyarlathotep, story by H.P. LovecraftThe Dreams in the Witch-House, story by H.P. LovecraftThe Haunter of the Dark, story by H.P. LovecraftThe Dweller in Darkness, story by August DerlethThe Titan in the Crypt, story by J.G. WarnerFane of the Black Pharaoh, story by Robert BlochCurse of the Black Pharaoh, story by Lin CarterThe Curse of Nephren-Ka, story by John CockcroftThe Temple of Nephren-Ka, story by Philip J. Rahman and Glenn A. RahmanThe Papyrus of Nephren-Ka, story by Robert C. CulpThe Snout in the Alcove, story by Gary MyersThe Contemplative Sphinx, poem by Richard L. TierneyEch-Pi-El's Egypt, poems by Ann K. Schwader

    P. Lovecraft's "Pickman's model" - was nominated for a World Fantasy Award, while "Proboscis" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

    Lovecraft. Beyond being modern updates of the pulp horror of the 1930s, these stories seamlessly intertwine the Cthulhu Mythos into modern day conspiracy theory and the myths of alien abduction and visitation.

    Lovecraft, the American master of horror, understood with horrible clarity that all things must die. After summer is winter, and life inevitably gives way to frozen sterility. In our modern world, we live cushioned existences, and congratulate ourselves on our supposed escape from the old dangers. We think ourselves caught out of nature’s reach by our technological wizardry. Safely cocooned. This foolishness blinds us to the truth that our elder forebears could not avoid. Engulfed by the rhythms of the world, they understood... Autumn means death. There are far worse fates than mere death, of course. As blight spreads, the leaves wither and fall — as do the most important foundations of life. There is nothing more horrible than watching the sources of meaning in your world unravel before you. But these things we cherish are just pretty lies. In autumn’s cold grasp, the bright petals of our reality shrivel and die. Beneath them, there is nothing but the insanity of the howling void. Faced with inevitable, agonizing corruption, death is a gentle blessing. The stories collected in "Autumn Cthulhu" reflect the darkest, most ancient truths of the season. Inside, you’ll find nineteen beautiful, terrifying glimpses of decay and loss inspired by Lovecraft’s work. Be sure that you want the burden of understanding before venturing further, though. The dissolving strands of mind, of love, of legacy within leave no room for merciful doubt. The true meaning of life is that there is no meaning.